Duke Wen
Tags
Summary
Editor's review
Who it's for
A good fit for
- Students of literature and history studying the Chunqiu classic and its ritual records
- Editors of ancient texts who need to check the layout and character forms of the Republican-era edition
- Enthusiasts of traditional culture interested in the annalistic conventions of the Spring and Autumn period
Not a good fit for
- General readers seeking light historical stories
- Beginners lacking Classical Chinese who need vernacular translation and annotation
Reading tips
- First read through the entries, marking persons, state names, and chronology, then consult related commentaries to understand the background of events.
- Read alongside the corresponding years of the Zuozhuan, comparing the terse records of the classic with the detailed accounts of the commentary.
- Note differences in terminology regarding consorts' deaths and burials, diplomatic visits, and campaigns, and appreciate the conventions of annalistic recording.
- When the photocopied layout is difficult to read, first transcribe the entries and then collate them, slowing the pace.
About the publisher
"Republic-era Commercial Press Original Editions" refers to original books printed by The Commercial Press during the Republican period, not a separate publishing house. Judging from the 300 titles held in the collection, its publishing focus centers on classical poetry and lyrics, literary appreciation, classic works, military texts, prose and miscellaneous writings, and Eastern philosophy. Representative titles include Wang Guowei's Renjian Cihua, Zhong Rong's Shipin, the lyric collections of Xin Qiji and Liu Yong, Sun Wu's The Art of War, and Lü Buwei's Xianshi Lan. Its author resources are mainly classical writers, together with modern scholars such as Li Jingbang and Guo Huaruo, whose collations and annotations are also represented, giving the list a character centered on original texts while attending to annotation and appreciation. Public information on the precise Republican-era catalog and printings is limited; this overview is based only on the titles held in the collection.
Contents
- 版权信息
- 序
- 文公元年
- 文公二年
- 文公三年
- 文公四年
- 文公五年
- 文公六年
- 文公七年
- 文公八年
- 文公九年
- 文公十年
- 文公十一年
- 文公十二年
- 文公十三年
- 文公十四年
- 文公十五年
- 文公十六年
- 文公十七年
- 文公十八年
FAQ
Is this book a vernacular history for general readers?
Can it be understood directly without commentaries?
What should be noted when reading the photocopy of the original Republican-era edition?
Is it suitable for textual collation?
Comments
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About the author
Anonymous is not a real personal name but a general Chinese designation for authors whose names are unknown, lost, or unsigned. Neither nationality nor dates of birth and death can be verified, and available public information is limited, so the works attributed to this name are the only basis for description. The collection holds 2,078 works under Anonymous, spanning medicine, classics, historical readings, ancient poetry, classical literature, and philosophy. Representative works include The Yellow Emperor's Inner Canon: Lingshu, Mencius, The Book of Documents, Nineteen Old Poems, Complete Song Ci, and The Peacock Flies Southeast. Most of these works took shape through long transmission and editing, emerging either from collective folk creation or from authors whose names were lost over time. In ancient China, the Book of Songs, the Great Learning, and many popular storybooks and plays were signed Anonymous because their authors could not be traced. Anonymous works cross the classics, histories, philosophical writings, medical texts, and poetry; their subjects are broad, and their styles vary from archaic simplicity to clear naturalness, making them important and influential sources for understanding ancient Chinese thought, medicine, and literature.