Dunhuang
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers interested in Tang frontier history and the changes of the Silk Road
- Those who enjoy Dunhuang themes and want to understand the situation of the people during the Tibetan occupation
- Readers who prefer historical narrative and care about character fate and identity
- Student readers who need supplementary background knowledge on the Tang dynasty's northwestern frontier
Not a good fit for
- Readers expecting a thematic introduction to Dunhuang cave art or murals
- Researchers who need strict academic verification and historical source annotations
- Readers who prefer light, popular stories and lack patience for historical background setup
Reading tips
- Before reading, first understand the basic historical facts of the Tibetan occupation of Hexi and Longyou after the An Lushan Rebellion
- Pay attention to the identity clue of the people "regarding themselves as subjects of the Great Tang" and appreciate the changes in popular sentiment
- Read with a map of the Tang dynasty's northwestern frontier to clarify the geographical relationship between Dunhuang and Hehuang
- After finishing, sort out the key points in the brewing of the resistance storm to grasp the narrative rhythm
About the publisher
China Democracy and Legal System Publishing House focuses on professional legal publishing. Its output covers working materials for state organs of power, compilations of laws and regulations, legal popularization readers for the public, law textbooks and documentation on people's congress work, with law, politics and social sciences as common categories. Representative titles in the catalog include the Civil Code of the People's Republic of China, the Constitution of the People's Republic of China and the Ecological Environment Code of the People's Republic of China, alongside practice- and research-oriented works such as Legislators Explaining the Law: Li Yuan's Reports on Legal Interpretation and On Record Review and Constitutional Review. Its authors include Li Yuan, Qin Qianhong, the General Office of the Standing Committee of the National People's Congress and editorial teams. The press emphasizes accuracy in legal texts and the organization of practical people's congress materials, while also serving public legal education.
Contents
- 版权信息
- 关山孤月
- 内容简介
- 引子
- 第一章 西极疮痍
- 第二章 龙兴景云
- 第三章 天女散花
- 第四章 风露娟娟
- 第五章 关山孤月
- 附录一 唐代年号表
- 附录二 吐蕃赞普世系
- 附录三 回鹘可汗世系
- 附录四 唐十道图
- 附录五 敦煌文书
- 附录六 沙州都督府图经残卷
- 附录七 摩尼教文献
- 碧海青天
- 内容简介
- 第一章 浮云来去
- 第二章 倚楼人独
- 第三章 苒苒魂惊
- 第四章 梅花几落
- 第五章 碧海青天
- 尾声
- 附录 西晋索靖流传至今唯一墨迹《出师颂》
- 后记——万里归心对月明
FAQ
Is this book a historical novel or an academic work?
What historical background should I know first?
Does the book discuss Dunhuang cave art?
Comments
Find this book
This site is an index: you start “Search all sources” in your browser, and the entries it lists all point to third-party sites; please judge their availability yourself.
About the author
Wu Wei is a contemporary Chinese writer. A woman whose ancestral home is Hubei, she graduated from Beijing Institute of Technology and once worked in the IT industry before turning to writing. Fond of literature and history, she describes herself as "making a living among old papers," and her works are largely drawn from ancient Chinese history and celebrated legal cases, spanning documentary literature, biography, historical reading, and social fiction; 33 of her works are held in the collection. She has created series such as "Explorations of Great Cases in Ancient China" and "Great Histories of the Han, Tang, Song, and Ming," with representative works including An Cang Sha Ji, Snow Fills the Bow (Parts 1 and 2), Xuanji Tu, Yuchang Sword, The Ganlu Incident (Parts 1 and 2), and Bao Qingtian. She has also participated in the screenwriting of several television dramas. Her writing emphasizes the organization of historical sources and the development of plot, blending suspense and detective elements into popular historical narrative. Because public information is limited, details of her life remain unclear.