Gleaning History cover

Gleaning History

Rating 3.2
Word count
205K words
Chapters
39
ISBN
9787540497477

Tags

Summary

From the imperial court to the jianghu, from emperors, generals, and ministers to peddlers and foot soldiers—schemes overt and covert, the rules of the ruler–minister game, the art of biding one's time and concealing one's hand, and the ways of Chinese-style social tact and human relations are all here in Guo Lun: Gleaning History. Gleaning History is the second volume in the million-copy bestselling Guo Lun series. Guo Degang dissects historical figures, reenacts one after another of those power games surging with undercurrents, analyzes the rules of the ruler–minister game, and uncovers the subtle, profound recesses of human nature. To learn how to speak, how to get things done, and how to conduct oneself in the world, Gleaning History is essential reading. “No one would believe it, but I'm actually a quiet person who dislikes activity,” Guo Degang says in Gleaning History of the Guo Lun series. “It's been raining lately, and every day I sit at home, read a little, watch some opera, and feel very happy.” He enjoys reading history: “Reading history can make a person wise. The ancients said, ‘By examining the past, one can know the future'—that's exactly what it means.”

Editor's review

Gleaning History is not a work of history in the strict sense, but a personal reading of historical figures and events through Guo Degang's distinctive street-level perspective and the witty brush of a crosstalk performer. The book's core value lies not in offering new historical evidence but in displaying the charm and wisdom of “history as read by the common people.” Guo Degang blends historical anecdotes and unofficial lore with his deep grounding in traditional performing arts and his life experience, narrating in the language of storytelling so that emperors, generals, and ministers, gifted scholars and beautiful ladies—figures once remote and untouchable—seem to become the main characters of idle chatter in a teahouse at the mouth of a hutong, gaining an extra measure of earthy warmth and human feeling. This approach strips away history's customary heavy shell, letting readers catch, amid a knowing smile, the points where human nature connects and the senselessness of worldly fortunes. For readers used to the solemn narrative of official history, the book may seem insufficiently “orthodox,” yet the other prism it offers for observing history—reading the art of getting along in the world through stratagems and shifts, savoring the myriad states of life through rises and falls—is precisely its distinctive appeal. It is more like “jottings on history,” suited to casual reading over tea or after a meal; no need to sit bolt upright, yet one may gain, with ease, a touch of history's texture and some enlightenment about life.

Who it's for

A good fit for

  • Readers interested in history but intimidated by the difficulty of official histories, eager for an easy introduction
  • Crosstalk or traditional performing-arts fans who like Guo Degang's language style and want to see human relations and social tact from his perspective
  • Content creators seeking writing material or speech anecdotes who need rich historical allusions and vivid examples
  • General readers who want short, punchy, informative and entertaining pieces for fragmented time

Not a good fit for

  • Academic-minded readers who seek rigorous historical scholarship and expect a systematic body of historical knowledge
  • Readers who strongly dislike the author's personal style or his streetwise, bantering manner of expression

Reading tips

  1. Read it in the spirit of “listening to crosstalk” or “listening to storytelling,” focusing on narrative rhythm and verbal wit rather than fretting over factual detail.
  2. Treat it as a series of independent short historical sketches; read it in segments during commutes or before bed, savoring one or two stories at a time.
  3. While reading, consider reflecting on your own observations and experiences; the book's comments on human nature and success and failure often resonate intriguingly with modern workplace and life situations.

About the publisher

Hunan Literature and Art Publishing House is a publisher known for its literary titles, with a catalogue spanning foreign literature, world classics, classical Chinese literature, essays and miscellaneous writings, and mystery and detective fiction. Judging from the more than 1,100 books in the database, the press publishes foreign classics such as Crime and Punishment, Snow Country, The Complete Sherlock Holmes and Letter from an Unknown Woman, as well as Chinese classical and modern literary works including Lu Xun's Wandering and A Madman's Diary and Wu Jingzi's The Scholars. In terms of translators and authors, translations by Cao Guowei and Tan Jinghua appear in its foreign literature titles, and the authors involved include Dostoevsky, Kawabata Yasunari, Conan Doyle and Zweig. Its publishing character lies in introducing Chinese and foreign literary classics side by side, balancing popular and serious works and attending to both readability and literary value. Public information is limited; the above is a brief overview based solely on the books in the database.

Contents

  1. 版权信息
  2. 壹 民国风云
  3. 01 黄金荣:论资排辈,他才是上海滩第一教父
  4. 02 杜月笙:人生开了挂,全凭情商高
  5. 03 阮玲玉:死都不怕,她究竟在怕什么
  6. 04 胡蝶:中国第一位“电影皇后”的传奇人生
  7. 05 赵丹:颜值和演技留得住流量,留不住最美的女人
  8. 06 合肥四姐妹:选对幼儿园,不如选对娘
  9. 07 西南联大:入学不军训,组团暴走小半个中国
  10. 08 王亚樵:斧头帮帮主在此,杀手只是我的副业
  11. 09 施剑翘的刺客信条:为报杀父之仇,十年磨一“枪”
  12. 10 民国NBA:出球星算啥,出将军!
  13. 贰 大清钩沉
  14. 01 九子夺嫡:康熙传位之谜大揭秘
  15. 02 清宫绯闻:叔嫂恋究竟是真是假
  16. 03 顺治死亡迷雾:是“出家”还是“出痘”
  17. 04 清朝皇帝不易做:生得离奇,死得蹊跷
  18. 05 纳兰性德:翩翩浊世佳公子
  19. 06 蒲松龄:科举考试里填错答题卡怎么办
  20. 07 清宫选秀:甄嬛与慈禧的“C位出道”之路
  21. 08 多尔衮:当不了皇帝,就当皇帝的“后爹”
  22. 09 富察皇后:乾隆情史里的白月光
  23. 10 晚清科技总设计师:洋人的坚船利炮,其实我们也有!
  24. 11 启奏陛下:您可别买假货了!
  25. 叁 大明盛衰
  26. 01 明朝三大开国武将之死:朱元璋——这锅我不背
  27. 02 丞相的消失:千古奇案还是花样作死
  28. 03 郑和:一手“烂牌”怎么翻盘
  29. 04 于谦之死:拯救大明王朝的英雄为何被明英宗处决
  30. 05 魏忠贤:一个大太监的发家史
  31. 06 戚继光的名将升职门道:情商在线业务好!
  32. 07 金圣叹:他才是千古第一段子手!
  33. 08 蓝玉案:明朝“灭霸”朱元璋,一个响指万臣死
  34. 肆 两宋春秋
  35. 01 宋仁宗:这张千古帝王之好人卡我就收下了
  36. 02 宋仁宗:狸猫真的换了太子吗
  37. 03 苏家那点儿事(一):苏轼,用余生放飞自我
  38. 04 苏家那点儿事(二):天才一族是怎样练成的
  39. 05 苏家那点儿事(三):深扒苏轼的朋友圈

FAQ

What is the relationship between this book and Guo Lun? Do their contents overlap?
Gleaning History and Guo Lun both belong to Guo Degang's series of works interpreting history and culture, but with different emphases. Gleaning History focuses more on the narration and commentary of historical figures and events themselves, while Guo Lun ranges wider, touching on culture, folk customs, the jianghu, and many other fields. The two books basically do not overlap in specific content and can be seen as complementary.
How historically accurate is the content?
The author states in the preface that this book is “gleaned history,” gathered from dynastic notes, unofficial histories, and legends, and blended with his personal understanding and interpretation. It aims to offer an interesting interpretive perspective and talking points rather than rigorous historical scholarship. Readers are advised to treat it as a folk-narrative version of history and appreciate its wisdom and wit.
Is this book suitable for young readers?
The language is accessible and humorous, with strong storytelling that can spark an interest in history. But some content touches on the complex adult-world aspects of power games and human nature, and the interpretive angle is based on the author's rich life experience. Older teenagers with some capacity for discernment are advised to read it under the guidance of parents or teachers, as a diversion and supplement to conventional history textbooks.

Comments

Find this book

This site is an index: you start “Search all sources” in your browser, and the entries it lists all point to third-party sites; please judge their availability yourself.

About the author

Guo Degang Author · Chinese · 1973

Guo Degang, born in Tianjin in 1973, is a Chinese crosstalk performer, film and television actor, and host, as well as the founder of the Deyunshe troupe. He began learning traditional storytelling at the age of eight and later turned to crosstalk, studying under Hou Yaowen. In 1996 he founded Deyunshe and has long devoted himself to performing and promoting crosstalk on stage, helping this traditional folk art form regain wide attention; in 2013 he appeared for the first time on CCTV's Spring Festival Gala. Beyond performing, he is an active writer, with 19 works in the collection, spanning biography, essays and miscellaneous writings, history, and folk literature. His writing draws on stage experience, reading, and observations of human affairs, with a humorous, brisk style steeped in colloquial speech and the flavor of storytelling, making it easy and rewarding to read and giving him considerable influence among both crosstalk fans and general readers.

More by the same author

Top rated in the same category