Gleaning History
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers interested in history but intimidated by the difficulty of official histories, eager for an easy introduction
- Crosstalk or traditional performing-arts fans who like Guo Degang's language style and want to see human relations and social tact from his perspective
- Content creators seeking writing material or speech anecdotes who need rich historical allusions and vivid examples
- General readers who want short, punchy, informative and entertaining pieces for fragmented time
Not a good fit for
- Academic-minded readers who seek rigorous historical scholarship and expect a systematic body of historical knowledge
- Readers who strongly dislike the author's personal style or his streetwise, bantering manner of expression
Reading tips
- Read it in the spirit of “listening to crosstalk” or “listening to storytelling,” focusing on narrative rhythm and verbal wit rather than fretting over factual detail.
- Treat it as a series of independent short historical sketches; read it in segments during commutes or before bed, savoring one or two stories at a time.
- While reading, consider reflecting on your own observations and experiences; the book's comments on human nature and success and failure often resonate intriguingly with modern workplace and life situations.
About the publisher
Hunan Literature and Art Publishing House is a publisher known for its literary titles, with a catalogue spanning foreign literature, world classics, classical Chinese literature, essays and miscellaneous writings, and mystery and detective fiction. Judging from the more than 1,100 books in the database, the press publishes foreign classics such as Crime and Punishment, Snow Country, The Complete Sherlock Holmes and Letter from an Unknown Woman, as well as Chinese classical and modern literary works including Lu Xun's Wandering and A Madman's Diary and Wu Jingzi's The Scholars. In terms of translators and authors, translations by Cao Guowei and Tan Jinghua appear in its foreign literature titles, and the authors involved include Dostoevsky, Kawabata Yasunari, Conan Doyle and Zweig. Its publishing character lies in introducing Chinese and foreign literary classics side by side, balancing popular and serious works and attending to both readability and literary value. Public information is limited; the above is a brief overview based solely on the books in the database.
Contents
- 版权信息
- 壹 民国风云
- 01 黄金荣:论资排辈,他才是上海滩第一教父
- 02 杜月笙:人生开了挂,全凭情商高
- 03 阮玲玉:死都不怕,她究竟在怕什么
- 04 胡蝶:中国第一位“电影皇后”的传奇人生
- 05 赵丹:颜值和演技留得住流量,留不住最美的女人
- 06 合肥四姐妹:选对幼儿园,不如选对娘
- 07 西南联大:入学不军训,组团暴走小半个中国
- 08 王亚樵:斧头帮帮主在此,杀手只是我的副业
- 09 施剑翘的刺客信条:为报杀父之仇,十年磨一“枪”
- 10 民国NBA:出球星算啥,出将军!
- 贰 大清钩沉
- 01 九子夺嫡:康熙传位之谜大揭秘
- 02 清宫绯闻:叔嫂恋究竟是真是假
- 03 顺治死亡迷雾:是“出家”还是“出痘”
- 04 清朝皇帝不易做:生得离奇,死得蹊跷
- 05 纳兰性德:翩翩浊世佳公子
- 06 蒲松龄:科举考试里填错答题卡怎么办
- 07 清宫选秀:甄嬛与慈禧的“C位出道”之路
- 08 多尔衮:当不了皇帝,就当皇帝的“后爹”
- 09 富察皇后:乾隆情史里的白月光
- 10 晚清科技总设计师:洋人的坚船利炮,其实我们也有!
- 11 启奏陛下:您可别买假货了!
- 叁 大明盛衰
- 01 明朝三大开国武将之死:朱元璋——这锅我不背
- 02 丞相的消失:千古奇案还是花样作死
- 03 郑和:一手“烂牌”怎么翻盘
- 04 于谦之死:拯救大明王朝的英雄为何被明英宗处决
- 05 魏忠贤:一个大太监的发家史
- 06 戚继光的名将升职门道:情商在线业务好!
- 07 金圣叹:他才是千古第一段子手!
- 08 蓝玉案:明朝“灭霸”朱元璋,一个响指万臣死
- 肆 两宋春秋
- 01 宋仁宗:这张千古帝王之好人卡我就收下了
- 02 宋仁宗:狸猫真的换了太子吗
- 03 苏家那点儿事(一):苏轼,用余生放飞自我
- 04 苏家那点儿事(二):天才一族是怎样练成的
- 05 苏家那点儿事(三):深扒苏轼的朋友圈
FAQ
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About the author
Guo Degang, born in Tianjin in 1973, is a Chinese crosstalk performer, film and television actor, and host, as well as the founder of the Deyunshe troupe. He began learning traditional storytelling at the age of eight and later turned to crosstalk, studying under Hou Yaowen. In 1996 he founded Deyunshe and has long devoted himself to performing and promoting crosstalk on stage, helping this traditional folk art form regain wide attention; in 2013 he appeared for the first time on CCTV's Spring Festival Gala. Beyond performing, he is an active writer, with 19 works in the collection, spanning biography, essays and miscellaneous writings, history, and folk literature. His writing draws on stage experience, reading, and observations of human affairs, with a humorous, brisk style steeped in colloquial speech and the flavor of storytelling, making it easy and rewarding to read and giving him considerable influence among both crosstalk fans and general readers.