Responsibility cover

Responsibility

Rating 3.7
Word count
352K words
Chapters
24
ISBN
9787221181299

Tags

Summary

Wu Chudong, deputy director of the Ruzhou Development and Reform Commission, is dispatched by Executive Vice Mayor Yang Shijie and successfully completes the construction of Rufeng Avenue and the restructuring and relocation of Fengxiang Machinery Factory—yet in doing so he treads on the interests of corrupt elements such as Liu Tianlong, deputy secretary of the municipal party committee. In the mayoral election, Liu Tianlong and Yang Shijie emerge as the strongest contenders. Liu Tianlong instructs Lü Kaiji of the Second Anti-Corruption Bureau and others to detain and interrogate Wu Chudong on bribery charges, aiming to bring down Yang Shijie behind him. Wei Yezhou, a member of the provincial discipline inspection commission's standing committee, steps in and clears Wu Chudong's name, but Yang Shijie, implicated by his own wife, withdraws from the mayoral race. Liu Tianlong, now mayor as he wished, rakes in profits from urban demolition and development.

Recommended by Municipal Party Secretary Wei Cunhu to study at the provincial party school, Wu Chudong joins forces with Yu Heping—once secretary to provincial organization department head Yan Qiushan—to draft a new vision for Ruzhou's economic development, which draws the attention of Provincial Party Secretary Han Shijiang; the two are sent back to Ruzhou with important tasks. Liu Tianlong, however, sees them as thorns in his side and uses his backers to squeeze and suppress them. The two sides battle again and again. The many problems exposed in Ruzhou come to the attention of the provincial discipline inspection commission, and Wei Yezhou is tasked with investigating Liu Tianlong's corruption ring. Liu Tianlong refuses to submit and puts up a desperate resistance—unaware that his high-level backers have already made him a discarded pawn in a larger game.

Editor's review

Xiao Renfu's *Duty* is a powerful work of realism focused on the ecology of contemporary Chinese officialdom. Drawing on his unique experience of long-term work within the system, the author uses a cool, meticulous brush to sketch the complex circumstances and inner struggles of grassroots cadres caught between ideals and reality, principle and flexibility, the individual and the collective. The book's most valuable quality lies in its transcendence of the sensationalism and exposure typical of officialdom novels: it probes deep into the core proposition of "duty"—what true responsibility means in a tangled reality, and how it should be practiced.

The plot does not advance through bizarre power intrigues but through a series of seemingly ordinary yet tension-filled scenes of daily work and life, peeling back layer by layer the ethical dilemmas and choices facing the protagonist. Xiao Renfu's narrative is steady and restrained, and his portrayal of characters' psychology is especially precise, freeing his officials from stereotype and giving them a flesh-and-blood texture of hesitation and perseverance. This sense of reality is precisely the foundation of the book's broad resonance. It is not merely an "industry novel" for those inside the system but a mirror reflecting the human relations and value choices of contemporary society.

For readers, reading *Duty* is a profound intellectual experience. It prompts us to ask: in our own positions and lives, how do we define and bear our own share of "duty"? The book offers no simple answers, but through the trajectories of its characters' fates it shows the costs and glories behind different choices. Its literary value and intellectual depth make it stand out among works of its kind.

Who it's for

A good fit for

  • Readers interested in contemporary Chinese social reality and the political ecology at the grassroots level
  • Thinkers who wish to explore profound questions of responsibility, ethics, and choice through literature
  • Lovers of fiction who appreciate realism and deep psychological characterization
  • Practitioners in management or public service seeking resonance and reflection

Not a good fit for

  • Entertainment-oriented readers seeking strong plot, fast pacing, and dramatic conflict
  • Readers expecting pure exposure of darkness or simple binary narratives

Reading tips

  1. Read with a calm, immersive mindset, following the protagonist's perspective gradually into the field of his work and life.
  2. Pay attention to the depiction of everyday details and dialogue, which are often key to understanding characters' motives and circumstances.
  3. After reading, consider comparing and reflecting on your own understanding of "responsibility."

About the publisher

Guizhou People's Publishing House China · Founded in 1951

Guizhou People's Publishing House is a comprehensive publisher based in Guizhou, with publishing directions covering architecture, foreign literature, Eastern philosophy and history. Its library currently holds 232 titles, including representative works such as Liang Sicheng's A History of Chinese Architecture, Yasunari Kawabata's Snow Country, The Old Capital, The Izu Dancer and Thousand Cranes, Mou Zongsan's Nineteen Lectures on Chinese Philosophy, Jiang Tingfu's Modern Chinese History and Rashomon. Its author resources span architecture, foreign literature and philosophical studies. These titles show that the press both introduces foreign literary classics, including Japanese literature, and continues to publish academic and general-interest works on Chinese architectural history, Chinese philosophy and modern history, reflecting a publishing profile that balances Chinese and foreign works and combines classics with accessible reading. Public information on its fuller publishing history and key series is limited, so no speculation is offered here.

Contents

  1. 版权信息
  2. 一
  3. 二
  4. 三
  5. 四
  6. 五
  7. 六
  8. 七
  9. 八
  10. 九
  11. 十
  12. 十一
  13. 十二
  14. 十三
  15. 十四
  16. 十五
  17. 十六
  18. 十七
  19. 十八
  20. 十九
  21. 二十
  22. 二十一
  23. 二十二
  24. 二十三

FAQ

Is this an officialdom novel? How does it differ from similar works?
The book's setting does involve officialdom, but its core transcends the traditional officialdom novel paradigm. It does not focus on rendering power struggles or revealing inside stories; rather, with "duty" as its spiritual core, it profoundly depicts grassroots cadres' ethical dilemmas, inner struggles, and value pursuits in concrete situations, with greater literary and intellectual distinction.
What is author Xiao Renfu's background? Does it influence his writing?
Xiao Renfu worked for many years in local government departments and has rich experience of life within the system. This unique background grounds his writing in reality; his portrayal of the logic of officialdom, cadres' psychology, and grassroots social life is extremely precise and down-to-earth, giving the work a strong sense of reality and credibility.
Is the book's tone pessimistic or positive?
The tone is calm, objective, and constructive. It neither avoids the complexity and challenges of reality nor extinguishes the warmth and perseverance in human nature. Through the choices and actions of the protagonist and those around him in difficult circumstances, the work ultimately conveys a profound strength that persists and bears responsibility even after seeing reality clearly; its underlying tone is serious yet warm.

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About the author

Xiao Renfu Author · China · 1960

Xiao Renfu (born 1960) is a Miao writer from Chengbu, Hunan, and a member of the China Writers Association. He formerly served as vice chairman of the Shaoyang Federation of Literary and Art Circles and chairman of the city's Writers Association. Drawing on institutional life and social reality, his fiction focuses on officialdom and the ups and downs of bureaucratic careers, rendering the workings of power and human nature through closely observed personal and professional relationships. His novels include Guan Yun, Weizhi, Xinfu, Daiyu and Shitu, as well as the historical novel Li Hongzhang; 17 of his works are held in this collection. Known for his sustained engagement with institutional themes, he has been called "the foremost writer of Chinese office novels." His work spans social fiction and historical narrative, combining accessible storytelling with sober observation of contemporary reality.

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