The Art of Folding cover

The Art of Folding

Rating 4.0
Word count
131K words
Chapters
14
ISBN
9787539663784

Tags

Summary

Composed of twelve novellas and short stories, *The Folding Technique* begins in Bihe Town, where many characters are interconnected and recur, forming a whole that is also made up of independent pieces. These works display, from different dimensions, a person's restraint of inner desires and pursuit of ideals. Through a narrative technique that blends the real and the illusory, Chen Chongzheng moves from virtual reality to the cruel and true life of a small town, attempting to explore the love and pain buried deep in the hearts of a generation.

Editor's review

Folding Technique is a highly distinctive collection of novellas and short stories by the writer Chen Chongzheng, whose core appeal lies in its deft stitching together of the magical realism of the Chaoshan region with a sober meditation on a technological future. The book is neither simple regional narrative nor science-fiction allegory; through the central image of "folding technique," it constructs a literary field in which the real and the illusory generate each other and time and space are dislocated. The "Bihe Town" of the author's writing is permeated with the folk customs and clan texture peculiar to the Chaoshan region, yet is continually penetrated and "folded" by外来 technology, bizarre events, and mutations of the human heart, forming a unique narrative tension. Chen Chongzheng's prose is cold and precise, skilled at planting subversive foreshadowings in seemingly ordinary daily life, letting the absurd grow naturally and giving the reader continuous reading stimulation between the familiar and the strange. In terms of literary value, the book is a successful practice of combining "southern narrative" with "philosophical science fiction" in contemporary Chinese literature, demonstrating the author's maturity in narrative craft and depth of thought. For the reader, it offers not only strange and wondrous stories but also repeated journeys of reflection on identity, the authenticity of memory, and technological ethics. The meticulous depiction of local knowledge in the book gives fantasy a solid texture, making its "magic" more credible and more chilling than much empty imagination.

Who it's for

A good fit for

  • Readers who love magical realist literature with a regional flavor
  • Deep readers who prefer innovation in narrative structure and literary metaphor
  • Thinkers concerned with issues of technological development and its relationship to human nature and tradition
  • Readers who appreciate cold, restrained literary language rich in visual imagery

Not a good fit for

  • Lovers of popular fiction who seek fast pace, strong plot conflict, and clear endings
  • Traditional science-fiction readers who hope to see hard-core technical detail

Reading tips

  1. Try treating "Bihe Town" in the book as a holistic metaphorical symbol, and observe how it is repeatedly written and transformed across different stories
  2. There is no need to rush to seek a logical closure for every plot; instead, feel more the aesthetic experience brought by the layering of images and the creation of atmosphere
  3. Extended reading combined with materials on Chaoshan cultural background can deepen your appreciation of the entanglement of local and universal issues in the text

About the publisher

Founded in 1984, Anhui Literature and Art Publishing House is a professional literary and art publisher. Its collection of 389 titles spans classic works, essays and miscellaneous writings, Eastern philosophy, folk literature, classical literature and design. Representative books include Lao She's Camel Xiangzi, Laozi's Dao De Jing, Luo Guanzhong's Romance of the Three Kingdoms, and the Shakespeare drama collection featuring Hamlet, King Lear, Macbeth and Othello, with Zhu Shenghao's translations adding luster to the series. Its author resources range from classic Chinese and foreign writers such as Lao She, Laozi, Luo Guanzhong and William Shakespeare to translators and authors including Zhu Shenghao, Li Chensen and Liang Sicheng. The publisher is characterized by its balance of Chinese and foreign literary classics with traditional culture titles, combining scholarly value with popular reading. Public information is limited, and the above is based mainly on the books in the collection.

Contents

  1. 版权信息
  2. 自序:我的碧河世界
  3. 寻欢
  4. 念彼观音力
  5. 折叠术
  6. 虚度
  7. 尘埃法则
  8. 凤凰铁锁咒
  9. 心灵手术刀
  10. 海岸线
  11. 替身
  12. 红焰
  13. 爱慕
  14. 匕首

FAQ

Is this book science fiction?
It is closer to "philosophical science fiction" or "soft science fiction"; the science-fiction elements serve literary themes and philosophical reflection rather than being the core. The book's exploration of technologies (such as memory transfer and virtual reality) is full of humanistic concern and metaphorical color, focusing on how technology "folds" human cognition, emotion, and history.
Is "Bihe Town" in the book a real place?
"Bihe Town" is a fictional literary geographical space, but its texture, atmosphere, and many details are deeply rooted in the Chaoshan regional culture familiar to the author Chen Chongzheng. It is a "hometown" refined and reshaped by literature, both realistically palpable and dreamlike.
Does this book have a high threshold for reading?
It requires a certain patience and willingness to read closely. Because the narrative often leaps between reality, memory, and illusion and is rich in symbols and metaphors, readers accustomed to linear narrative may need some initial adjustment. But once you enter the context the author creates, you will gain a rich sense of layered depth.

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About the author

陈崇正 Author

Chen Chongzheng is a contemporary Chinese fiction author about whom limited public information is available; details such as nationality and dates of birth and death remain unclear. Judging from the six works held in the library, his writing spans science fiction and social fiction. His representative works include Xuanshu (Levitation), Zhedie (Folding), Black Mirror Doppelganger, Yingge Rice, Notes from Beauty City, and The Banana Grove Secret Room. These titles reveal a strong imaginative and technological bent—words such as "levitation," "folding," and "doppelganger" suggest an interest in speculative settings and future social issues—while titles like Yingge Rice, Notes from Beauty City, and The Banana Grove Secret Room carry a sense of local life and everyday space, hinting that his fiction may weave social-realist concerns into genre narrative. Lacking fuller author statements and critical material, this sketch can only rely on titles and categories; more biographical and creative background awaits public documentation.

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