Collection of Talent and Refinement
Tags
Summary
Editor's review
Who it's for
A good fit for
- Literary enthusiasts interested in the tradition of Tang poetry anthologies who want to broaden their reading horizons
- Students of classical Chinese literature who need to understand the compilation features of Five Dynasties anthologies
- Readers who enjoy close reading of poetry and are willing to compare the choices of different anthologies
- Professionals engaged in popularizing traditional culture who need material from anthologies
Not a good fit for
- Readers new to Tang poetry who want to study it systematically from scratch
- Readers who only want famous works by major poets and are unwilling to engage with an anthology's preferences
- Readers who need modern annotation and line-by-line translation to assist their reading
Reading tips
- First read through the table of contents, mark unfamiliar poets, then look up their lives and representative works as needed.
- Read it alongside the Three Hundred Tang Poems and note differences in the poems selected from the same poet.
- Read a few poems at a time, note the compiler's inclinations as you go, and build your own notes on the anthology.
Contents
- 版权信息
- 提要
- 才调集原序
- 钦定四库全书才调集巻一
- 钦定四库全书才调集卷二
- 钦定四库全书才调集卷三
- 钦定四库全书才调集卷四
- 钦定四库全书才调集卷五
- 钦定四库全书才调集巻六
- 钦定四库全书才调集巻七
- 钦定四库全书才调集巻八
- 钦定四库全书才调集巻九
- 钦定四库全书才调集巻十
FAQ
How is Caídiaojí different from common Tang poetry anthologies?
Can I read this book without a foundation in classical Chinese?
Is this book suitable for reading straight through from beginning to end?
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About the author
Wei Hu is known as the compiler of Caidiao ji (Collection of Talents and Tones), and public information about his life is limited: his birth and death years, native place, official career, and nationality are not clearly recorded. In extant sources he is known chiefly through this anthology of poetry. Caidiao ji consists of ten volumes and selects works by Tang dynasty poets, arranged by rhyme. Its scope is broad, covering poets from the early Tang to the late Tang, with a majority from the middle and late Tang and a particular emphasis on refined, melodious pieces that combine feeling and charm. The anthology circulated widely from the Song dynasty onward and is often mentioned alongside general collections such as Wen xuan and Wenyuan yinghua; it is important material for studying the transmission and reception of Tang poetry. Modern editions are mostly based on Song printed copies or Ming and Qing manuscripts, and can be used to examine the compiler's poetic tastes and the diversity of the Tang poetic world.