The Beauty of Fan-Shaped Prints cover

The Beauty of Fan-Shaped Prints

Rating 3.2
Word count
37K words
Chapters
10
ISBN
9787565823374

Tags

Summary

It mainly covers the vast and beautiful land, the long history of civilization, distinctive regional styles, profound architectural heritage, wonders of famous sites and historic monuments, precious natural treasures, the rich and profound Chinese language, the splendid art of countless ages, exquisite song and dance drama, and simple folk customs, fully demonstrating the profound cultural heritage and strong national cohesion of the Chinese nation in beautiful China, with strong systematicness, breadth, and scale.

Editor's review

The Beauty of Fan-Faced Printmaking is published by Shantou University Press. With his deep accomplishments in traditional art, the author Mr. Sun Changfu unfolds for us a magnificent picture of fan art and printmaking techniques interwoven. This book is not a simple listing of techniques or a collection of works; rather, from the multidimensional perspectives of cultural history, craft studies and aesthetics, it systematically sorts out the development thread, stylistic evolution and aesthetic connotations of this unique art form, fan-faced printmaking.

As an editor, I believe the core value of this book lies in its academic vision of "seeing the big from the small." Taking the fan surface—this small space—as an entry point, the author ingeniously connects the carving and printing techniques of printmaking, the careful selection of fan-rib materials, the literati charm of the images, and the social fashions behind them. The book's analysis of representative fan-faced printmaking works since the Ming and Qing dynasties is especially excellent: it not only attends to technical details such as composition, knife work and color registration, but also deeply interprets the subtle connections between image subjects and literati spirit and urban life, revealing how this "miniature art" carries grand cultural narratives.

In terms of reading experience, the book is richly illustrated and carefully arranged; high-quality images of original works let readers clearly perceive the strength of lines and the layers of color, as if handling these art treasures in person. The text combines academic rigor with readability, so that even non-specialist readers can follow the author's guidance and appreciate the refinement of traditional crafts and the elegant sentiments of ancient literati. Against the current background of traditional culture revival, this book is like an exquisite key, opening a new window for us to understand Chinese literati aesthetics and philosophy of life. It is not merely an art book, but a deep dialogue about craftsmanship, elegance and cultural inheritance.

Who it's for

A good fit for

  • Enthusiasts and researchers with a strong interest in traditional Chinese printmaking, fan art or craft art
  • People engaged in art education, art design or cultural creative development who hope to draw inspiration from traditional art
  • Collectors who enjoy collecting fine cultural objects and wish to improve their connoisseurship and aesthetic taste
  • Readers interested in Ming-Qing social culture and the history of literati life who wish to understand history through the perspective of material culture

Not a good fit for

  • Pure craft beginners expecting detailed, actionable step-by-step guides to printmaking or fan making
  • Readers seeking light entertainment or fast-food cultural consumption

Reading tips

  1. It is suggested to first look through all the images in the book to form an intuitive impression of fan-faced printmaking, then read the text carefully.
  2. While reading, combine relevant knowledge of Chinese painting history and printmaking history to form a more systematic cognitive framework.
  3. For works or chapters of interest, try extended reading or consult relevant museum collection materials to deepen understanding.

About the publisher

Shantou University Press China · Founded in 1993

Shantou University Press builds its publishing program on university textbooks, teaching reference books, and academic monographs, while also accumulating a body of literary and cultural titles. Its catalog shows a concentration on foreign and classical literary classics, including Leo Tolstoy's War and Peace, Wu Cheng'en's Journey to the West, Victor Hugo's Les Misérables, and Margaret Mitchell's Gone with the Wind, covering categories such as world classics and canonical works. Its author resources include major Chinese and foreign writers such as Tolstoy, Hugo, Dickens, Cervantes, Fabre, and Li Yu. Books on parenting and social sciences also appear in its list. Drawing on the regional culture of Chaoshan, the press balances teaching and research with cultural popularization, and Chaoshan culture titles are one of its emphases. Given limited public information, other details are not addressed here.

Contents

  1. 版权信息
  2. 文前
  3. 古代扇子的产生及其沿革
  4. 杨修误点成蝇使书画入扇
  5. 唐宋时期盛行团扇上书画
  6. 明清时期风靡折扇上书画
  7. 王羲之题字兴起书法入扇
  8. 圆满盈实的团扇书法艺术
  9. 错落有序的折扇书法创意
  10. 各有其妙的名家扇面书法

FAQ

Is this book suitable for readers with no art background at all?
Yes. The author lays out background knowledge and writes in an accessible way, focusing mainly on art appreciation and cultural interpretation rather than difficult technical analysis, so ordinary readers can also gain aesthetic enjoyment and cultural knowledge.
How clear and numerous are the images of fan-faced printmaking works in the book?
The book includes a considerable number of representative fan-faced printmaking works, with relatively high printing quality that shows the details of composition, lines and color in the originals well, offering important reference value for appreciation and research.
Does the book focus on art appreciation or historical verification?
The book combines art appreciation with historical and cultural verification. It conducts aesthetic analysis of specific artworks while examining them in the historical, social and cultural contexts in which they were produced; the two aspects complement each other.

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About the author

Sun Changfu Author · Chinese

Sun Changfu, a native of Yuncheng, Shanxi Province, graduated from Shanxi University of Finance and Economics and now teaches at Beijing Humanities University. Besides teaching, he has long been engaged in compiling popular-science and history-and-culture books. Thirty-four of his works are held in the collection, covering categories such as inspirational growth, popular science, culture, and agriculture and forestry. His writing turns knowledge into readable stories and themed features. Representative works include Humorous Short Stories, Safeguarding the Growth of Life, Choice Is So Firm, Amazing Little Creatures, Exploring with Columbus, How to Read Your Heart, and Startling Plant Secrets, and he has compiled such series as The Complete Book of China's Unsolved Mysteries, The Strange and Fascinating Animal World, The Vast and Beautiful Geography, and the series Gate of Exploration and Discovery and Glory of the Chinese Revival. Public information on his birth year, teachers, and awards is limited and hard to verify.

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