The First Half of My Life
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers interested in the history from the late Qing to the early years of New China who wish to understand this complex transition through a witness's eyes
- Readers drawn to the fate of individuals caught in the tide of history and interested in themes of identity, guilt, and punishment
- Scholars and enthusiasts of modern Chinese history, Puyi's life, or late Qing court culture
- Readers who enjoy personal biographies marked by a strong sense of their era and deep self-reflection
Not a good fit for
- Readers expecting purely objective historical facts untouched by any period's context
- Readers seeking light entertainment who would find heavy historical reflection and personal confession oppressive
Reading tips
- Read alongside late-life footage of Puyi, related historical documentaries, and scholarship for a more rounded understanding
- Attend to the subtleties of the narrator's tone and choice of detail, and consider the author's state of mind at different stages of his life and writing
- Compare with memoirs or biographies of other political figures of the same era to see how different individuals responded to and narrated the same historical currents
About the publisher
Beijing United Publishing Co., Ltd. is a publisher known for its literature and history titles, with 2,065 books in the collection. Its publishing covers foreign literature, contemporary Chinese prose and essays, history, folk literature, and cultural books. Its list ranges from Sima Qian's complete edition of the Records of the Grand Historian to foreign classics such as The Book of Disquiet, All Quiet on the Western Front, Snow Country, The Stranger, and Jean-Christophe, as well as modern Chinese works including Teahouse and Dawn Blossoms Plucked at Dusk. Its authors and translators include Yasunari Kawabata, Fernando Pessoa, Erich Maria Remarque, Jin Xinyi, Zhou Miao, and Chen Chao. Public information is limited, but its catalogue reflects a balance between Chinese and foreign literary classics and historical and cultural works.
Contents
- 版权信息
- 中国人的骄傲
- 第一章 我的家世
- 一、醇贤亲王的一生
- 二、外祖父荣禄
- 三、慈禧太后的决定
- 四、摄政王监国
- 五、亲王之家
- 第二章 我的童年
- 一、登极与退位
- 二、帝王生活
- 三、母子之间
- 四、毓庆宫读书
- 五、太监
- 六、我的乳母
- 第三章 北京的“小朝廷”
- 一、袁世凯时代
- 二、丁巳复辟
- 三、北洋元老
- 四、不绝的希望
- 五、庄士敦
- 六、结婚
- 七、内部冲突
- 八、遣散太监
- 九、整顿内务府
- 十、紫禁城的末日
- 十一、在“北府”里
- 十二、三岔口上的抉择
- 十三、由“使馆区”到“租界地”
- 第四章 天津的“行在”
- 一、罗振玉的努力
- 二、我和奉系将领之间
- 三、谢米诺夫和“小诸葛”
- 四、东陵事件
- 五、领事馆、司令部、黑龙会
- 六、郑孝胥的理想
- 七、“行在”生活
- 第五章 到东北去
- 一、不静的“静园”
- 二、日本人意见分歧
- 三、会见土肥原
- 四、白河偷渡
- 五、在封锁中
- 六、我的所见与所思
- 七、会见板垣
- 第六章 伪满十四年
- 一、同时上演的另一台戏——摘录一个参与者的记述(1931—1932)
- 二、登场
- 三、“元首”的“尊严”
- 四、李顿调查团
- 五、第三次做“皇帝”
- 六、吉冈安直
- 七、我的恐惧
- 八、四大“诏书”及其他
- 九、在羊的面前是狼
- 十、“后”与“妃”的命运
- 十一、大崩溃
- 第七章 在苏联的五年
- 一、疑惧和幻想
- 二、放不下来的架子
- 三、我不认罪
- 四、远东国际军事法庭
- 第八章 由抗拒到认罪
- 一、回到了祖国
- 二、第一次写自传
- 三、乾隆的田黄石印
- 四、黑色的皮箱
- 五、交代一段历史真相
- 六、检举与认罪
- 七、震动
- 八、原形毕露
- 第九章 认罪以后
- 一、观测“气象”
- 二、劳动滋味
- 三、生活检讨会
- 四、血泪控诉
- 五、平顶山的方素荣
- 六、台山堡一家农民
- 七、第三次崩溃
- 第十章 一切都在变
- 一、最初的答案
- 二、会见亲属
- 三、日本战犯
- 四、离婚
- 第十一章 “世界上的光辉”
- 一、在我心里失掉过的
- 二、解放了的人
- 三、美与丑、善与恶
- 四、“监狱”
- 五、“所方”
- 六、命运是可以掌握的
- 第十二章 特赦
- 一、中共中央的建议
- 二、一九五九年十二月四日
- 三、告别
- 溥仪一生大事记
- 附录 从我的经历揭露日本军国主义的罪行——纪念“九·一八”事变三十周年
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About the author
Aisin-Gioro Puyi was the last emperor of China's Qing dynasty and a highly unusual twentieth-century Chinese autobiographer. Publicly available information about the details of his life is limited, so this page does not elaborate on them. Judging from the fourteen works held in the collection, his writing centers almost entirely on his own experience, most importantly the autobiography From Emperor to Citizen (My First Half of Life), which appears in an unabridged edition, a latest complete edition, a multi-volume edition, and other versions, as well as an edition subtitled as the autobiography of the "Xuantong Emperor" Puyi. These works fall under the categories of general biography and documentary literature. Written in the first person, they recall court life, the changes of the times, and personal fate, in a plain and reflective narrative voice. Because of the eyewitness perspective, his autobiography has distinctive value as historical material and a notable reading influence, and it is an important reference text for understanding Chinese history from the late Qing to the Republican period.