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Summary
Mother was a factory worker who moved to the city. Her education was limited, but she loved to learn, and even amid the chaos around her she kept her inner balance. Father was an ambitious young man from a small town, of humble origins, who believed in striving and was determined to carve out his own path. The two great-uncles were like Boonie Bears and Briar—two old brothers keeping house together, one stubborn and proud all his life, the other clumsy but kind-hearted.
Yan Hong looks back on her family with deep feeling, her gaze cool yet tender. With delicate strokes she portrays these most familiar of ordinary people, and onto the page leap the honest family traditions, the love still clearly felt amid scarcity, and the finest feelings of Chinese kinship and human relations, awakening in us an emotion long mislaid.
Editor's review
Who it's for
A good fit for
- Readers interested in the relationship between family history, personal memory, and the times
- Readers who appreciate delicate, quiet prose of rich literary texture
- Readers in a phase of life review, hoping to make sense of their own origins
- Readers curious about the emotional structure and evolution of contemporary Chinese families
Not a good fit for
- Readers seeking strong plot and fast-paced storytelling
- Readers expecting grand narratives of specific historical events
Reading tips
- Read slowly in a relatively quiet setting, following the author's touch into the river of memory.
- As you read, reflect on your own family memories and emotional experience; deeper resonance may follow.
- No need to finish in one sitting—savor it piece by piece; each essay has its own independent mood and space for afterthought.
About the publisher
Beijing United Publishing Co., Ltd. is a publisher known for its literature and history titles, with 2,065 books in the collection. Its publishing covers foreign literature, contemporary Chinese prose and essays, history, folk literature, and cultural books. Its list ranges from Sima Qian's complete edition of the Records of the Grand Historian to foreign classics such as The Book of Disquiet, All Quiet on the Western Front, Snow Country, The Stranger, and Jean-Christophe, as well as modern Chinese works including Teahouse and Dawn Blossoms Plucked at Dusk. Its authors and translators include Yasunari Kawabata, Fernando Pessoa, Erich Maria Remarque, Jin Xinyi, Zhou Miao, and Chen Chao. Public information is limited, but its catalogue reflects a balance between Chinese and foreign literary classics and historical and cultural works.
Contents
- 版权信息
- 我奶奶
- 我姥姥
- 我妈
- 我爸
- 我舅姥爷
- 小舅姥爷的养女
- 姨姥爷的侄女
- 钟点工张小姐
- 护工小芹
- 姐妹俩
- 望六纺
- 家乡的格拉条
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About the author
Yan Hong is a Chinese author about whom limited public information is available. Her work centers on literary appreciation and prose essays. Seven of her books are included in the collection, showing a sustained and careful interest in the Book of Songs (Shijing) and in Tang and Song poetry. She contributed to Xu Yuanchong: The Breathtaking Tang and Song Poetry and Book of Songs (eight volumes) and wrote English-Chinese appreciation books such as Youyou Luming, There Are Fusu Trees, and Swallows Fly, which use the idea of “breathtaking beauty” to bring the imagery and feeling of classical verse to contemporary readers. She is also the author of A Misreading of Dream of the Red Chamber, a personal rereading of the classic, and of prose collections such as My Portable Life and My Home, written in a plain, warm style that draws on everyday details and personal reflection. Her writing combines popularization of classical literature with the temperament of the personal essay, and is suited to general readers interested in traditional poetry and literary reading.