Duke Cheng cover

Duke Cheng

Rating 3.8
Word count
22K words
Chapters
20

Tags

Editor's review

Published by Bashu Publishing House in 2024 and credited to an anonymous author, *Cheng Gong* signals to readers that this is no popular title resting on a famous name, but rather a work of classical-text scholarship or traditional literature whose value must be established from the text itself. Bashu Publishing House has long devoted itself to traditional-culture publishing, and its list tends toward editions with textual and scholarly grounding; the value of this book therefore lies not in story or topicality but in the readable, collatable, searchable traditional text it offers. For readers who prefer to work from primary sources, such books matter because they return us to the original text: instead of relying on secondhand summary, one confronts its arrangement, wording, and structure directly and forms one's own judgment. When reading, begin with the table of contents and preface to establish the book's editorial conventions, then decide whether to read straight through or selectively. If collation notes, annotations, or appendices are included, these often reveal more of the editor's labor than the main text and deserve separate attention. Note that an anonymous attribution means author biography cannot assist interpretation; concentrate instead on the text's internal logic and documentary context. Overall, this is a book for slow reading and repeated consultation, not for light entertainment or quick conclusions.

Who it's for

A good fit for

  • Readers interested in classical texts and textual scholarship who are willing to engage the original text directly
  • Students who need edition information on Bashu Publishing House's traditional-culture titles
  • Readers who prefer slow, careful reading and do not judge a book by its author's fame
  • Those engaged in textual editing, edition comparison, or reference retrieval

Not a good fit for

  • General readers seeking light stories or popular entertainment
  • Readers who depend on an author's life and background to understand a text
  • Readers who want quick conclusions and are unwilling to read the original closely

Reading tips

  1. Begin with the table of contents, preface, and editorial notes to establish the book's arrangement before deciding whether to read straight through or selectively.
  2. If collation notes, annotations, or appendices are included, look through them first to see where the editor's labor lies.
  3. Keep a notebook for questions and cross-references so the book is easier to consult again.
  4. Do not force yourself to finish in one sitting; proceed by chapter or theme, leaving time to digest.

About the publisher

Bashu Publishing House China · Founded in 1983

Bashu Publishing House is a publisher centered on collating and publishing classical Chinese cultural texts, with its main publishing areas covering classical literature, Eastern philosophy, ancient poetry, and educational classics. Its library currently holds 1,075 titles, including representative works such as Dream of the Red Chamber, the Preface to the Orchid Pavilion Gathering, Renjian Cihua, and Out to the Frontier, involving authors such as Cao Xueqin, Wang Xizhi, Wang Guowei, Wang Changling, Liu Xie, and Yan Yu. These reflect the publisher's focus on literary classics, poetry criticism, and philosophical readings. Its publishing character lies in working around ancient texts and canonical works, with attention to textual collation and presentation. Public information on its more detailed publishing background and series plans is limited; this introduction is based only on the library's book information.

Contents

  1. 版权信息
  2. 序
  3. 成公元年
  4. 成公二年
  5. 成公三年
  6. 成公四年
  7. 成公五年
  8. 成公六年
  9. 成公七年
  10. 成公八年
  11. 成公九年
  12. 成公十年
  13. 成公十一年
  14. 成公十二年
  15. 成公十三年
  16. 成公十四年
  17. 成公十五年
  18. 成公十六年
  19. 成公十七年
  20. 成公十八年

FAQ

Will the anonymous attribution affect my understanding of this book?
It has some effect but is not a decisive obstacle. Anonymity means you cannot draw on the author's life, teachers, or motives for interpretation; you must rely more on the text's structure, wording, and documentary context. Focus on the table of contents, editorial conventions, the main text's arrangement, and any annotations or collation notes, building your understanding from within the text rather than waiting for authorial background to supply answers.
Is this 2024 Bashu Publishing House title suitable for beginners?
It depends on the reader's habits. Bashu Publishing House's traditional-culture titles generally foreground the source text; without extensive plain-language annotation or an introduction, beginners may find it demanding. Look through the preface and a sample chapter first to gauge annotation density and language difficulty; if the original poses major obstacles, read alongside relevant reference works or research overviews.
Should this book be read straight through or selectively?
There is no single answer; start with the table of contents and editorial notes. If the book is structurally complete and its chapters form a continuous argument, reading straight through may work; if it is a compilation or organized by entry, selective reading and reference will be more efficient. Either way, read the preface first to understand the editorial approach, then set your pace.

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About the author

Anonymous Author

Anonymous is not a real personal name but a general Chinese designation for authors whose names are unknown, lost, or unsigned. Neither nationality nor dates of birth and death can be verified, and available public information is limited, so the works attributed to this name are the only basis for description. The collection holds 2,078 works under Anonymous, spanning medicine, classics, historical readings, ancient poetry, classical literature, and philosophy. Representative works include The Yellow Emperor's Inner Canon: Lingshu, Mencius, The Book of Documents, Nineteen Old Poems, Complete Song Ci, and The Peacock Flies Southeast. Most of these works took shape through long transmission and editing, emerging either from collective folk creation or from authors whose names were lost over time. In ancient China, the Book of Songs, the Great Learning, and many popular storybooks and plays were signed Anonymous because their authors could not be traced. Anonymous works cross the classics, histories, philosophical writings, medical texts, and poetry; their subjects are broad, and their styles vary from archaic simplicity to clear naturalness, making them important and influential sources for understanding ancient Chinese thought, medicine, and literature.

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