Duke Cheng
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Editor's review
Who it's for
A good fit for
- Readers interested in classical texts and textual scholarship who are willing to engage the original text directly
- Students who need edition information on Bashu Publishing House's traditional-culture titles
- Readers who prefer slow, careful reading and do not judge a book by its author's fame
- Those engaged in textual editing, edition comparison, or reference retrieval
Not a good fit for
- General readers seeking light stories or popular entertainment
- Readers who depend on an author's life and background to understand a text
- Readers who want quick conclusions and are unwilling to read the original closely
Reading tips
- Begin with the table of contents, preface, and editorial notes to establish the book's arrangement before deciding whether to read straight through or selectively.
- If collation notes, annotations, or appendices are included, look through them first to see where the editor's labor lies.
- Keep a notebook for questions and cross-references so the book is easier to consult again.
- Do not force yourself to finish in one sitting; proceed by chapter or theme, leaving time to digest.
About the publisher
Bashu Publishing House is a publisher centered on collating and publishing classical Chinese cultural texts, with its main publishing areas covering classical literature, Eastern philosophy, ancient poetry, and educational classics. Its library currently holds 1,075 titles, including representative works such as Dream of the Red Chamber, the Preface to the Orchid Pavilion Gathering, Renjian Cihua, and Out to the Frontier, involving authors such as Cao Xueqin, Wang Xizhi, Wang Guowei, Wang Changling, Liu Xie, and Yan Yu. These reflect the publisher's focus on literary classics, poetry criticism, and philosophical readings. Its publishing character lies in working around ancient texts and canonical works, with attention to textual collation and presentation. Public information on its more detailed publishing background and series plans is limited; this introduction is based only on the library's book information.
Contents
- 版权信息
- 序
- 成公元年
- 成公二年
- 成公三年
- 成公四年
- 成公五年
- 成公六年
- 成公七年
- 成公八年
- 成公九年
- 成公十年
- 成公十一年
- 成公十二年
- 成公十三年
- 成公十四年
- 成公十五年
- 成公十六年
- 成公十七年
- 成公十八年
FAQ
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About the author
Anonymous is not a real personal name but a general Chinese designation for authors whose names are unknown, lost, or unsigned. Neither nationality nor dates of birth and death can be verified, and available public information is limited, so the works attributed to this name are the only basis for description. The collection holds 2,078 works under Anonymous, spanning medicine, classics, historical readings, ancient poetry, classical literature, and philosophy. Representative works include The Yellow Emperor's Inner Canon: Lingshu, Mencius, The Book of Documents, Nineteen Old Poems, Complete Song Ci, and The Peacock Flies Southeast. Most of these works took shape through long transmission and editing, emerging either from collective folk creation or from authors whose names were lost over time. In ancient China, the Book of Songs, the Great Learning, and many popular storybooks and plays were signed Anonymous because their authors could not be traced. Anonymous works cross the classics, histories, philosophical writings, medical texts, and poetry; their subjects are broad, and their styles vary from archaic simplicity to clear naturalness, making them important and influential sources for understanding ancient Chinese thought, medicine, and literature.