The Lazy True Master
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers interested in Song Dynasty biji and literary-historical notes
- Those who enjoy short entries that can be read and set aside at will, without seeking systematic coverage
- Literature and history enthusiasts with some grounding in classical Chinese who are willing to look things up themselves
- Readers who want to understand the intellectual interests and everyday thinking of Song Dynasty people
Not a good fit for
- Readers who need a complete storyline or continuous narrative
- Those with very little experience reading classical Chinese who rely on sentence-by-sentence translation
- Readers seeking systematic academic conclusions rather than scattered entries
Reading tips
- There is no need to read through in order; one can browse a few entries each day and make brief notes on interesting ones.
- For entries involving textual criticism of the classics and histories, read the original text first and then look up relevant background; there is no need to memorize conclusions.
- Keep a notebook and record entries by theme (institutions, poetry and prose, observations) for easy review.
- Read alongside other Song Dynasty biji to appreciate differences in what different authors focused on.
Contents
- 版权信息
- 懒真子
- 提要
- 卷第一
- 卷第二
- 卷第三
- 卷第四
- 卷第五
FAQ
What kind of book is Lanzhenzi?
Can someone without a foundation in classical Chinese read this book?
Is this book suitable for reading straight through from beginning to end?
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About the author
Ma Yongqing's biographical information is very limited in publicly available records: his place of origin, dates of birth and death, and English name are all difficult to establish with certainty. The only surviving work currently confirmed to be his is Lazy Zhenzi (Lanzhenzi), which is classified under Eastern philosophy and serves as the main basis for understanding his thought. The book takes the form of miscellaneous notes, dealing largely with reading reflections, the examination of names and things, and reflections on the principles of life. Its style is plain and concise, without elaborate exposition, and it often draws reflections on the classics and on human affairs from short entries, showing an orientation toward moral principle and introspection. Because relevant historical sources are scarce, present-day understanding of Ma Yongqing and his scholarship remains incomplete, which makes this work all the more valuable: it is both primary material for studying his thought and a concrete example for observing the note-writing form and the ways of Eastern philosophical reflection in earlier times. Readers who wish to approach this author can mostly only sense his stance and interests between the lines of Lazy Zhenzi.