The Reluctant Parting (Part Two)
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers who have finished Part One of Xi Fen Fei and want to follow the characters' fates
- Readers who enjoy multi-threaded emotional narratives and can patiently sort out character relationships
- Literature enthusiasts interested in Republican-era ideas of love and marriage and depictions of social manners
- Collectors of the Gu Mingdao Volume series who wish to complete their set
Not a good fit for
- Readers who have not read Part One and hope to understand all character relationships from scratch
- Readers who prefer a single protagonist and a single-thread narrative
- Readers who find old-style vernacular and the Republican-era context alienating
Reading tips
- Read Part One first if possible before entering this book; otherwise the multi-threaded character relationships are easily confused.
- Jot down the names and relationships of the several couples as you read to keep track of the threads of togetherness and parting.
- After finishing each small segment of an emotional line, pause to reflect on the circumstances and motives behind the characters' choices.
- Combine the series preface to understand Gu Mingdao's place in Republican-era popular fiction, then return to this book's ensemble method.
About the publisher
China Culture and History Press has long devoted itself to modern and contemporary literature and culture-and-history reading matter, with publishing directions centered on classic works, social novels, prose and miscellaneous writings, and Eastern philosophy, alongside culture-and-history periodicals such as Zongheng. Among the more than 1,500 titles in the collection, representative books include Zhang Henshui's Ti Xiao Yin Yuan, Lu Xun's Complete Classic Works (10 volumes) and Wild Grass, and Lao She's Four Generations Under One Roof series and the boxed set of Lao She's Classic Works (10 volumes), while its author resources are concentrated on figures such as Zhang Henshui, Lu Xun, Lao She and Sima Qian. Its publishing character lies in solid editorial work on culture-and-history source texts and in issuing famous authors' works in sets, balancing the readability of individual texts with the systematic presentation of complete collections for focused reading and collecting. Beyond these directions, public information on the press's contemporary original publishing is limited, so it is not elaborated here.
Contents
- 版权信息
- 作者简介
- 第一回 别有野心黉宫争逐鹿 独怀去志北国做迁莺
- 第二回 寂寞叹空房微嫌初起 绸缪欢子夜好梦重温
- 第三回 一衲远来邪辞诱老妇 千金散去豪博结同俦
- 第四回 逆耳有忠言几同水火 伤心逢厄运难作痴聋
- 第五回 含愁闻别曲无奈分飞 忍痛顾新巢不如归去
- 第六回 龃龉重生为狂童腻舞 凄凉难受痛爱女长殇
- 第七回 北国漫游争看丰采 沪江小憩肆力文章
- 第八回 镂玉雕琼为人作嫁 心猿意马有女同车
- 第九回 山水流连微通心坎语 神魂颠倒细味枕边书
- 第十回 闲谈情死案妙语双关 重感谷风篇愁怀独抱
- 第十一回 舌敝唇焦分忧来谏诤 山穷水尽忍痛做牺牲
- 第十二回 挥泪托雏儿伤心欲绝 含情求佳偶望眼几穿
- 第十三回 情海起疑云人遐室迩 瑶函醒绮梦凤去楼空
- 第十四回 日暮途穷分飞同命鸟 纸醉金迷群集百乐门
- 第十五回 惨剧刹那生香消玉殒 迷途一旦返今是昨非
- 第十六回 破镜欲圆 颜陈痛语 长风有志慧剑断情丝
- 跋一
- 跋二
FAQ
This is Part Two—can I skip Part One and read it directly?
Does this book mainly follow one couple or several?
What is distinctive about Gu Mingdao's romance fiction?
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About the author
Gu Mingdao (1897–1944), whose original name was Gu Jingcheng, was a native of Suzhou, Jiangsu, and a Republican-era writer of martial arts and romance fiction. A member of the Xing Society (Star Society) of the Mandarin Ducks and Butterflies school, he was known together with Wen Gongzhi and Yao Min'ai as one of the "three stalwarts of the martial arts world." He first made his name writing social romance fiction under the pen name Mei Qian Nüshi, and rose to fame in 1929 when his novel The Heroine of the Wild River was serialized in the supplement Kua Huo Lin (Happy Forest) of the newspaper Shen Bao. The work pioneered a path of romance-infused martial arts fiction combining chivalry and sentiment. Martial arts fiction was the mainstay of his output, though he also wrote social romance. Over his lifetime he produced eighteen martial arts novels, and among his other works are Records of the Crying Cuckoo, What Can Be Done, and Red Tears at the Thatched Gate. Crippled in childhood by bone tuberculosis, he long kept late hours writing, and he died of illness in Shanghai in 1944.