The Demon of Love
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers interested in Singaporean society and culture and Chinese emotional-ethical issues
- Literary enthusiasts who enjoy deep psychological description and analysis of human nature
- Readers seeking to reflect on modern interpersonal relationships and the nature of desire through fiction
- Readers who appreciate realistic works with delicate writing and steady narrative style
Not a good fit for
- Readers seeking light entertainment or fast-paced plots
- Readers who are sensitive to or averse to themes of marriage and romantic ethics
Reading tips
- It is recommended to read in a relatively quiet environment so as to appreciate the characters' psychological fluctuations in depth.
- Pay attention to the detailed descriptions of Singapore's urban landscapes and social atmosphere; they form an important background for the story.
- After reading, consider: to what extent are personal emotional choices constrained by social norms and the pull of inner desire?
About the publisher
World Joint Publishing House Pte. Ltd. is a publishing institution registered in Singapore. Its publishing scope covers social novels, wuxia novels, time-travel and alternate-history fiction, folk literature, social sciences and medicine, and extends to books, pamphlets, sheet music and periodicals. Titles in its catalogue, such as Dù Bǎi (Ferrying), Tianbao Escort Agency, Talking Foxes and Love in Liaozhai, Dementia Care Services and Management, and The Formulary of Jin Feng, a Renowned Veteran Chinese Medicine Doctor in Central Jiangsu, reflect a list that balances literary creation with practical medicine. Its authors include Dan Yuanjun, Liu Shengnan, Hong Xia, Jin Hu, Jin Feng, Yang Jing, Li Bingyang and Ziyi Piaopiao. Public information is limited, and its publishing character is best seen in this diverse mix of popular reading and professional practical titles.
Contents
- 版权信息
- 作者简介
- 序言
- 1.血婚
- 2.蜕变
- 3.尸体
- 4.剑诀
- 5.悟剑
- 6.苍莽山脉
- 7.险死还生
- 8.因祸得福
- 9.聚灵
- 10.锈剑九式
- 11.激战
- 12.四级玄兽
- 13.鬼杀
- 14.嘱托
- 15.再次袭杀
- 16.如小裳
- 17.鏖战
- 18.被救
- 19.宗师杨恨天
- 20.乱空山
- 21.齐聚
- 22.再无英雄
- 23.幻蛉虫
- 24.钥匙
- 25.夺宝(上)
- 26.夺宝(下)
- 27.巨虫(一)
- 28.巨虫(二)
- 29.巨虫(三)
- 30.强援(上)
- 31.强援(下)
- 32.藏息诀
- 33.混乱
- 34.突破
- 35.砺剑
- 36.潜入
- 37.逃遁
- 38.启程
- 39.兰亭阁
- 40.肖雪
- 41.朱樱
- 42.怪人
- 43.依剑生
- 44.后土城
- 45.风起
- 46.白雾石林
- 47.逃
- 48.鬼物
- 49.破幻晶
- 50.际会
- 51.谈崩
- 52.枫青
- 53.强者之心
- 54.濒死
- 55.诡异男子
- 56.不再逃避
- 57.开启
- 58.血情花
- 59.秋水剑阵
- 60.噩耗
- 61.甲丁
- 62.鬼王
- 63.逝去
- 64.花毒
- 65.神功初成
- 66.白玉发箍
- 67.长天派
- 68.古怪小城
- 69.恶行
- 70.赤炎峡谷
- 71.明抢
- 72.百年硫磺草
- 73.密谋
- 74.紧急
- 75.神秘人
- 76.进城
- 77.葬礼
- 78.乱战
- 79.鬼杀之主
- 80.怒火
- 81.枫罗
- 82.往事
- 83.毒发
- 84.启程
- 85.拒婚
- 86.濛城
- 87.偶遇
- 88.封城
- 89.阿芸
- 90.最好的向导
- 91.相遇
- 92.水蟒
- 93.夜话
- 94.禁地
- 95.异虫
- 96.寻药
- 97.怪物
- 98.你是?
- 99.灭门
- 100.治伤
- 101.回家
- 102.苏醒
- 103.闭关(一)
- 104.闭关(二)
- 105.闭关(三)
- 106.侮辱
- 107.大乱伊始
- 108.真实身份
- 109.请柬
- 110.赴约
- 111.理由
- 112.血战离城
- 113.灭派
- 114.姐妹
- 115.生灵涂炭
- 116.亲人逝去
- 117.救援
- 118.赠发
- 119.火鑫
- 120.逼供
- 121.潜入
- 122.矛盾
- 123.身陷
- 124.被擒
- 125.肖茵
- 126.处决
- 127.死志
- 128.香消玉殒
- 129.落幕
- 130.归家
- 131.因由
- 132.传功
- 133.平城盛会
- 134.大傻
- 135.成就宗师
- 136.邀请
- 137.前夕
- 138.破界
FAQ
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About the author
Yang Xunan is an author about whom relatively limited public information is available. To date, only one work can be confirmed, Qing Mo (roughly, "The Demon of Passion"), commonly categorized under otherworld-continent fantasy. Since basic details such as dates of birth and death, nationality, and English name are not recorded in the available data, little can be verified about the author's personal background or creative history, and speculation should be avoided. Judging from the existing work, Yang Xunan's writing leans toward the fantasy genre of otherworld continents, which typically uses invented geography, races, and power systems to build an adventure space distinct from real-world logic. Such works tend to emphasize the construction of a worldview and the advancement of plot, with characters growing and making choices under unfamiliar rules, while conflicts often arise from clashes between different forces or values. As the only representative work currently traceable, Qing Mo suggests from its title that emotion and desire may be among the story's central threads, possibly interwoven with its fantasy setting. Given the limited material, a full assessment of the author's style, influence, and later works is difficult, and readers may form their own judgment by examining the book's specific content.