History of Love (Volume One) cover

History of Love (Volume One)

Rating 4.6
Word count
275K words
Chapters
414
ISBN
9787101165241

Tags

Summary

Qing Shi (History of Love), Part One, is a collection of short stories about love compiled by the Ming dynasty literatus Feng Menglong from a wide range of sources. It comprises twenty-four categories and more than 880 pieces. Categories such as "Chaste Love," "Love and Destiny," "Secret Love," "Chivalrous Love," and "Heroic Love" vividly depict the joys and sorrows, the infatuations and eccentricities of men and women in the real world, while categories such as "Ghostly Love," "Demon Love," "Love Beyond the Norm," "Love Across Boundaries," and "Traces of Love" brilliantly portray affections that extend the bond between men and women to all things in the world. It is truly a definitive compendium of ancient Chinese "love" culture. This edition is based on the photocopied Ming imprint in the Guben Xiaoshuo Jicheng (Collection of Ancient Novels) published by Shanghai Classics Publishing House, collated with reference to the sources of each piece, and provides concise annotations on allusions, figures, and rare characters and expressions.

Editor's review

Qing Shi is not a simple anthology of love stories but a carefully curated and commented collection of tales of feeling drawn by the Ming literatus Feng Menglong from notebooks, fiction, and historical biographies across the ages, organized under the rubric of "qing" (love, feeling, sentiment). This Zhonghua Book Company edition, with its rigorous collation and clear typesetting, offers readers a reliable text close to the original. As an editor, I believe the book's value far exceeds its appearance as a "story collection." Beyond compiling, Feng Menglong often voices his views in "The Historian of Love Remarks," and these comments profoundly embody his progressive idea of "using the true feelings between men and women to expose the false medicine of the orthodox moral code," elevating "qing" to a height from which it could confront rigid ritual propriety—a strikingly avant-garde stance for its time. Reading Qing Shi is not only to encounter one moving classical love legend after another, such as Hongfu fleeing by night or Liang Shanbo and Zhu Yingtai transforming into butterflies, but also to understand, through Feng Menglong's perspective, the profound reflections on human nature, emotion, and ethical relations in late Ming intellectual currents. Its style appeals to both refined and popular tastes, and its narration is concise and vivid; it has literary value for appreciation and is also valuable material for the study of Chinese social history, intellectual history, and folklore. For modern readers, the book's portrayal of the myriad phases of emotion can still resonate and provoke thought about love, marriage, and the essence of human nature.

Who it's for

A good fit for

  • Readers with a strong interest in classical Chinese literature and notebook fiction
  • Readers of literature and history who wish to understand Ming dynasty social thought and conceptions of emotion
  • Readers who enjoy exploring the depths of human nature and the core of traditional culture through stories
  • Scholars and students engaged in the study of premodern literature or social history

Not a good fit for

  • Readers seeking purely escapist, fast-paced modern romance stories
  • Beginners who find classical Chinese expression and classical narrative styles difficult to read

Reading tips

  1. Begin by browsing the table of contents and choosing stories that are familiar or of interest, gradually acclimating to the language style
  2. While reading, pay attention to Feng Menglong's comments after the stories ("The Historian of Love Remarks"); these are key to understanding the compiler's thought
  3. Read the book alongside other works by Feng Menglong, such as the Sanyan collections, to gain a fuller grasp of his literary views

About the publisher

Zhonghua Book Company China · Founded in 1912

Zhonghua Book Company is a publisher known for collating ancient texts and academic publishing, with its output centered on Eastern philosophy, culture, classic works, art, and historical reading. Its library contains 532 titles, including Chen Shou's Records of the Three Kingdoms, Guo Qingfan's Collected Commentaries on Zhuangzi, the four-volume Chinese Literature: Four Great Classical Novels, and the two-volume Table of Seal and Clerical Script Forms from Qin, Han, Wei, and Jin. These titles span historical classics, commentaries on the philosophers, classical novels, and philological reference works. Representative authors include Chen Shou, Guo Qingfan, Wu Cheng'en, Shi Nai'an, Cao Xueqin, Luo Guanzhong, Xu Wenwu, and the Hanyu Dazidian character-form group, reflecting a focus on primary sources and scholarly editors. Its publishing character lies in combining authoritative editions and annotated texts with both accessible classics and specialized research. Public information on its fuller catalog is limited; this note describes only the directions evident in the library's holdings.

Contents

  1. 版权信息
  2. 情史叙
  3. 叙
  4. 前言
  5. 卷一 情贞类
  6. 范希周
  7. 盛道
  8. 祝琼
  9. 天台郭氏
  10. 罗敷
  11. 李妙惠
  12. 卢夫人
  13. 金三妻
  14. 申屠氏
  15. 王世名妻
  16. 惠士玄妻
  17. 从二姑
  18. 狄阿毛妻
  19. 泖湖谢氏
  20. 史五妻
  21. 王氏妇
  22. 徐君宝妻
  23. 邓廉妻
  24. 独腕尼
  25. 海昌董氏
  26. 章纶母
  27. 歌者妇
  28. 美人虞
  29. 随清娱
  30. 邺中妇人
  31. 张宁妾
  32. 绿珠
  33. 戚大将军妾
  34. 张小三以下贞妓
  35. 高娃
  36. 杨娼
  37. 韩香
  38. 关盼盼
  39. 李妹
  40. 沈真真
  41. 齐锦云
  42. 王四儿
  43. 朱葵
  44. 补遗
  45. 卷二 情缘类
  46. 赵简子
  47. 卖䭔媪
  48. 郑騊
  49. 周六女
  50. 张二姐
  51. 张夫人
  52. 郑中丞
  53. 刘奇
  54. 黄善聪
  55. 吴江钱生
  56. 刘举人妾
  57. 昆山民
  58. 赵判院
  59. 章泛
  60. 苏城丐者
  61. 侯继图
  62. 顾协
  63. 崔元综
  64. 韦固
  65. 孟光
  66. 络秀 崔敬女
  67. 朱显
  68. 程万里
  69. 单飞英
  70. 徐信
  71. 王从事妻
  72. 黄昌
  73. 萧匠
  74. 赵军
  75. 杨公
  76. 绍兴士人
  77. 崔英
  78. 玉堂春
  79. 补遗
  80. 卷三 情私类
  81. 张幼谦
  82. 晁采
  83. 范蠡
  84. 贾午
  85. 江情
  86. 薛氏二芳
  87. 梁意娘
  88. 章文焕
  89. 紫竹
  90. 莫举人
  91. 王生
  92. 张住住
  93. 潘用中
  94. 刘尧举
  95. 姚月华
  96. 扇肆女
  97. 阮华
  98. 狄氏
  99. 盈盈
  100. 王僧弥
  101. 阮咸
  102. 补遗
  103. 卷四 情侠类
  104. 太史敫女
  105. 卓文君
  106. 红拂妓
  107. 梁夫人
  108. 瑞卿
  109. 冯蝶翠
  110. 东御史妓 吴进士妓
  111. 娄江妓
  112. 沈小霞妾
  113. 邵金宝
  114. 董国度妾
  115. 严蕊 薛希涛
  116. 杨素
  117. 宁王宪
  118. 裴晋公
  119. 江陵刺史
  120. 京师兵官
  121. 于頔 韩滉
  122. 唐玄宗 僖宗
  123. 唐文宗
  124. 宋仁宗
  125. 袁盎 葛从周
  126. 杨震
  127. 李绅
  128. 刘禹锡
  129. 洛中节使
  130. 阃府
  131. 姜夔
  132. 严尚书
  133. 许俊
  134. 古押衙
  135. 虬须叟
  136. 昆仑奴
  137. 冯燕
  138. 荆十三娘
  139. 卷五 情豪类
  140. 夏履癸 商纣
  141. 汉灵帝
  142. 秦始皇
  143. 汉武帝
  144. 汉成帝
  145. 吴王夫差
  146. 魏文帝
  147. 吴孙亮
  148. 东昏侯
  149. 陈后主叔宝
  150. 隋帝广
  151. 唐玄宗
  152. 王衍
  153. 五云车
  154. 元武宗
  155. 元顺帝
  156. 河间王
  157. 张宪
  158. 王武子 杨国忠
  159. 岐王
  160. 韦陟
  161. 严世蕃
  162. 石崇
  163. 元载
  164. 宋祁
  165. 陈慥
  166. 刘大刀
  167. 王太常
  168. 寇莱公
  169. 柳睦州
  170. 史凤
  171. 凌延年
  172. 张敉
  173. 阮籍
  174. 谢鲲
  175. 杜牧
  176. 李白
  177. 谢希孟
  178. 俞大夫
  179. 韩汝玉
  180. 康海
  181. 杨慎
  182. 唐寅
  183. 鸳鸯寺 双飞寺
  184. 馀杭广
  185. 刘氏子妻
  186. 张俊
  187. 补遗
  188. 卷六 情爱类
  189. 丽娟 李夫人
  190. 飞燕 合德
  191. 邓夫人
  192. 蜀甘后
  193. 杨太真
  194. 吴绛仙
  195. 卓文君
  196. 王元鼎
  197. 何恢 潘炕
  198. 程一宁
  199. 温都监女
  200. 长沙义妓
  201. 王巧儿
  202. 真凤歌
  203. 南都妓
  204. 马琼琼
  205. 李师师
  206. 锺夫人
  207. 樊事真
  208. 般般丑
  209. 丘长孺
  210. 范笏林
  211. 卷七 情痴类
  212. 眇娼
  213. 哑娼
  214. 老妓
  215. 蜀王衍
  216. 宋子京
  217. 荀奉倩
  218. 韦生
  219. 陈体方
  220. 洛阳王某
  221. 乐和
  222. 尾生
  223. 傅七郎
  224. 王生 陶师儿
  225. 汉成帝
  226. 周幽王
  227. 北齐后主纬
  228. 后燕主熙
  229. 陈后主
  230. 齐景公
  231. 杨政
  232. 补遗
  233. 卷八 情感类
  234. 长门赋
  235. 白头吟
  236. 图形诗
  237. 慎三史
  238. 织锦回文
  239. 龟形诗
  240. 寄内诗
  241. 王孟端诗
  242. 寒梅
  243. 楚娘
  244. 郑德璘
  245. 唐晅
  246. 齐饶州女
  247. 李章武
  248. 王暹女
  249. 罗爱爱
  250. 胡馥之妇
  251. 王文献妻
  252. 王敬伯
  253. 僧安净
  254. 胡氏子
  255. 曾季衡
  256. 杞梁妻
  257. 孟姜
  258. 湘妃
  259. 汰王滩诗
  260. 卷九 情幻类
  261. 司马才仲
  262. 王生
  263. 娟娟
  264. 吴女盈盈
  265. 张氏女
  266. 沈亚之
  267. 张倩娘
  268. 柳氏女
  269. 石氏女
  270. 董子马姬
  271. 观灯美妇
  272. 刘道济
  273. 吴兴娘
  274. 贾云华
  275. 李夫人
  276. 杨太真
  277. 许至雍妻
  278. 韦氏妓
  279. 北海道人
  280. 真真
  281. 吴四娘
  282. 薛雍妻
  283. 胜儿
  284. 金山妇人
  285. 鬼国母
  286. 黄损
  287. 猪嘴道人
  288. 李月华
  289. 补遗
  290. 卷十 情灵类
  291. 陈寿
  292. 崔护
  293. 买粉儿
  294. 吴松孙生
  295. 唐文喻
  296. 速哥失里
  297. 马子
  298. 干宝
  299. 张果女
  300. 刘长史女
  301. 丽春
  302. 李强名妻
  303. 祝英台
  304. 季攸甥女
  305. 吴王女玉
  306. 长安崔女
  307. 周瑞娘
  308. 楼上童女
  309. 邹曾九妻
  310. 解七五姐
  311. 金明池当垆女
  312. 李会娘
  313. 西湖女子
  314. 易万户
  315. 草市吴女
  316. 韦皋
  317. 李元平
  318. 杨三娘子
  319. 绿衣人
  320. 张越吾
  321. 李庶
  322. 涂修国二女
  323. 李行修
  324. 杨玉香
  325. 王幼玉
  326. 王諿
  327. 严猛妇
  328. 汉武帝
  329. 王将军
  330. 孟才人
  331. 白女
  332. 卷十一 情化类
  333. 化女
  334. 石尤风
  335. 化火
  336. 化铁
  337. 心坚金石
  338. 望夫石
  339. 婆饼焦
  340. 双雉
  341. 连枝梓 双鸳鸯
  342. 双梓 双鸿
  343. 双鹤
  344. 连理树
  345. 并蒂莲
  346. 补遗
  347. 卷十二 情媒类
  348. 卢二舅
  349. 氤氲大使
  350. 潘法成
  351. 陈诜
  352. 赵汝舟
  353. 姚牧庵
  354. 马光祖
  355. 西毕氏
  356. 聂胜琼
  357. 秾芳亭
  358. 陈孚
  359. 高季迪
  360. 杨越渔
  361. 郭暧
  362. 武昌妓
  363. 赵令畤
  364. 清江引
  365. 回回偈
  366. 马仲叔
  367. 梁公肃
  368. 于祐
  369. 勤自励
  370. 郑元方
  371. 周商女
  372. 裴越客
  373. 大别狐
  374. 玄驹
  375. 卷十三 情憾类
  376. 昭君
  377. 侯夫人
  378. 世庙宫人
  379. 杜牧
  380. 吴氏女
  381. 建康龙生
  382. 太曼生
  383. 杨闷儿
  384. 谭意哥
  385. 王福娘
  386. 朱淑真
  387. 宇文女
  388. 朱静庵
  389. 非烟
  390. 南唐昭惠后
  391. 杨太真
  392. 孙楚
  393. 元微之
  394. 傅若金
  395. 徐文长
  396. 欧阳詹
  397. 朝云
  398. 蔡确
  399. 窦巩
  400. 周子文
  401. 张红桥
  402. 张璧娘
  403. 杨幽妍
  404. 颜令宾
  405. 余季女
  406. 冯爱生
  407. 永兴公主
  408. 刘令娴
  409. 李易安
  410. 李弄玉
  411. 薛宜僚
  412. 薄少君
  413. 李仲文女
  414. 谈生

FAQ

Is Qing Shi a novel written by Feng Menglong himself?
Not entirely. Qing Shi is mainly a compilation. Feng Menglong extensively gathered tales of emotion from various sources from the pre-Qin period to the Ming dynasty, selecting, organizing, polishing, classifying, and commenting on them. It contains his literary re-creation and profound intellectual concerns, but the stories mostly have identifiable sources.
How difficult is the classical Chinese in this book? Is it suitable for ordinary readers?
The language is simple classical Chinese; the narrative portions are relatively easy to understand, and the Zhonghua Book Company edition provides reliable editing and punctuation. Readers with some foundation in classical literature will not find it too difficult. Ordinary readers can use it as a good reader for improving their classical Chinese, progressing step by step.
What is the connection and difference between Qing Shi and the Sanyan?
Both are important works compiled by Feng Menglong, and both focus on the ways of the world and human nature. The Sanyan are collections of huaben fiction, emphasizing complete plots and artistic re-creation and aimed at a broad urban audience; Qing Shi is a compilation of notebook tales, focusing more on gathering historical material on the theme of "qing" and elaborating ideas, with a more miscellaneous format and style and a stronger scholarly flavor. Many story motifs are related across the two works.

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About the author

Feng Menglong Author · Chinese · 1574–1646

Feng Menglong (1574–1646), courtesy name Youlong and style name Mohan Zhai Zhuren, was a native of Changzhou in Suzhou Prefecture (present-day Suzhou, Jiangsu). A Ming dynasty writer and dramatist, he devoted his life to collecting and editing popular literature. He compiled Yushi Mingyan, Jingshi Tongyan, and Xingshi Hengyan, known collectively as the "Three Words," which became representative anthologies of vernacular short stories. He also compiled Qingshi and Gujin Tangui, revised Xin Lieguo Zhi and Pingyao Zhuan, and served as magistrate of Shouning County in Fujian. His works draw on urban life and folk legends, employ lively vernacular language, and focus on human nature and social manners, exerting a lasting influence on later vernacular fiction and drama. The library holds 200 of his works, spanning classical literature and social fiction.

栾保群 Author

Luan Baoqun is an author about whom little public information is available. The library currently holds three works under this name, all belonging to the Qingshi series: Qingshi (Volume One), Qingshi (Volume Two), and Qingshi (Complete in Two Volumes). Classified on the site as "classic works," these titles indicate a focus on organizing or presenting classical Chinese literature on love and romance. Qingshi is originally a compilation of classical-language notebook fiction assembled by Feng Menglong of the Ming dynasty, drawing widely on anecdotes, notebooks, and historical accounts of love stories and arranged by category, with content spanning everyday urban life and literati sensibilities. Luan Baoqun's versions are issued in separate volumes, making them convenient for readers to consult as needed. Since no clear records exist for birth and death dates, nationality, education, or career, no speculation is offered here; the understanding of this author rests mainly on the subject matter and arrangement of the works listed above. Overall, the work is closer to the collation and popularization of classical texts and may be useful to readers interested in traditional notebook fiction and narratives of love.

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