Longing to Return
Tags
Summary
Editor's review
Who it's for
A good fit for
- Literature enthusiasts interested in case studies of Tang poets
- Readers hoping to understand the mid-Tang literati mindset of office and retreat
- General readers seeking to broaden their reading beyond Tang poetry anthologies
- Readers interested in the multiple identities and artistic cultivation of ancient literati
Not a good fit for
- Readers expecting a systematic dynastic history of Tang poetry or a literary history textbook
- Readers who prefer novelistic narrative and strong plot-driven reading
- Beginners who need extensive annotations and line-by-line appreciation of works
Reading tips
- First review the chronology of Gu Kuang's life, then read his representative poems to understand how demotion and seclusion shaped his writing.
- Take notes while reading on the similarities and differences between his style and that of his contemporaries, forming your own comparative notes.
- Read alongside basic knowledge of Tang official posts and geography to help understand contexts such as Zhuzuolang and Sihu Canjun.
- Limit each reading session to two or three sections, leaving time to savor the differences between his satirical poems and his later reclusive poetry.
About the publisher
Jinzhang Book Company (Jinzhang Shuju) was a private publishing and distribution house in Shanghai during the late Qing and early Republican periods, issuing traditional works by lithographic printing. Judging from the 1,194 titles in the collection, its publishing focused on classical poetry, Eastern philosophy, historical reading, traditional Chinese medical texts, and canonical works, along with books on literary appreciation. Representative titles include the poetry and prose collections of Du Fu and Ouyang Xiu; historical works such as the Book of Han and Zizhi Tongjian; classical texts such as the Book of Documents and Mencius; and specialized and literary classics such as Treatise on Cold Damage and Li Sao. Its author resources cover major figures across the ages, including Du Fu, Ban Gu, Sima Guang, Zhang Zhongjing, Qu Yuan, Ouyang Xiu, and Tang Shenwei, reflecting the house's characteristic reliance on traditional scholarship and medical literature while serving general readers. Public information on its early history and operational details is limited, so no conjecture is offered here.
Contents
- 版权信息
- 【宴城东庄】崔敏童
- 【奉和圣制早登太行山中言志】苗晋卿
- 【赋虞书歌】贾躭
- 【云门山投龙诗】赵居贞
- 【扈从回銮应制】萧华
- 【西河郡太原守张夫人挽歌】李岑2
- 【玄元皇帝应见贺圣祚无疆】李岑2
- 【复游浯溪】元友让
- 【南溪别业】蒋冽
- 【古意】蒋冽
- 【台中书怀】蒋冽
- 【经埋轮地】蒋冽
- 【山行见鹊巢】蒋冽
- 【巫山之阳,香溪之阴,明妃神女旧迹存焉】蒋冽
- 【夜飞鹊】蒋冽
- 【途次维扬望京口寄白下诸公】蒋涣
- 【登栖霞寺塔】蒋涣
- 【和徐侍郎书丛筱韵】蒋涣
- 【故太常卿赠礼部尚书李公及夫人挽歌二首】蒋涣
- 【挽涌泉寺僧怀玉】段怀然
- 【辞房相公】张偁
- 【移耶溪旧居呈陈元初校书】陈孙
- 【西河郡太原守张夫人挽歌(一作李岑诗)】李峰
- 卷二百五十九
- 【感怀弟妹(一作汝坟示弟妹)】沈千运
- 【赠史修文】沈千运
- 【濮中言怀】沈千运
- 【山中作】沈千运
- 【古歌】沈千运
- 【别李季友】王季友1
- 【寄韦子春(一作山中赠十四秘书兄)】王季友1
- 【杂诗】王季友1
- 【滑中赠崔高士瑾】王季友1
- 【还山留别长安知己】王季友1
- 【代贺若令誉赠沈千运】王季友1
- 【酬李十六岐】王季友1
- 【宿东溪李十五山亭】王季友1
- 【观于舍人壁画山水】王季友1
- 【玉壶冰】王季友1
- 【古塞曲】王季友1
- 【野外行】于逖
- 【忆舍弟】于逖
- 【杂诗】张彪
- 【神仙】张彪
- 【北游还酬孟云卿】张彪
- 【古别离】张彪
- 【回军跛者】赵徵明
- 【挽歌词】赵徵明
FAQ
Why was Gu Kuang demoted to Sihu Canjun of Raozhou?
What are the different accounts of Gu Kuang's style names?
Is this book suitable as an introductory text for Tang poetry?
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About the author
Gu Kuang was a Tang dynasty poet. Publicly available sources provide limited information about his life, including the dates of his birth and death and his native place; he is known today chiefly for his poetry. This collection holds six of his works—Song Li Shanren Returning to Yuxi, Three Yuefu Songs: The Hard Road, Letter to Liu Shisan on the Huai River, Remembering Chang'an on the Night of the Lantern Festival, Ten Poems in the Ancient Manner Restoring Lost Traditions, and Thoughts of Return—all classified as classical poetry. These titles show that his writing covers farewell, travel, longing for friends, reminiscence, and imitation of ancient models. He wrote short pieces sent to friends, yuefu-style songs on the hardships of the world, and poems recalling the Lantern Festival night in Chang'an. His language is plain yet his feelings are deep and subtle, and he has a distinctive place among Tang poets.