Tags
Summary
Editor's review
Who it's for
A good fit for
- University students studying the Book of Documents and the history of the Yin-Zhou transition
- Readers interested in pre-Qin political ethics and the sense of anxiety
- Teachers who need a single chapter of the Book of Documents as classroom teaching material
Not a good fit for
- General readers hoping to read vernacular historical stories or novels
- Beginners with no classical Chinese foundation who are unwilling to consult annotations
- Readers who need a complete translation and annotation of the entire Book of Documents
Reading tips
- First learn the identities of Weizi, the Grand Tutor, and the Junior Tutor and the background of the late Shang, then turn to the original text.
- Read sentence by sentence against the annotations, focusing on the meanings of key phrases such as “indulged in drink” and “theft and villainy.”
- Read it alongside other early Zhou chapters of the Book of Documents to appreciate the differences in political discourse at the Yin-Zhou transition.
- After reading, summarize the disorders described by Weizi into several points to test whether you have understood the levels of his argument.
About the publisher
Bashu Publishing House is a publisher centered on collating and publishing classical Chinese cultural texts, with its main publishing areas covering classical literature, Eastern philosophy, ancient poetry, and educational classics. Its library currently holds 1,075 titles, including representative works such as Dream of the Red Chamber, the Preface to the Orchid Pavilion Gathering, Renjian Cihua, and Out to the Frontier, involving authors such as Cao Xueqin, Wang Xizhi, Wang Guowei, Wang Changling, Liu Xie, and Yan Yu. These reflect the publisher's focus on literary classics, poetry criticism, and philosophical readings. Its publishing character lies in working around ancient texts and canonical works, with attention to textual collation and presentation. Public information on its more detailed publishing background and series plans is limited; this introduction is based only on the library's book information.
Contents
- 版权信息
- 商书·微子第十七
FAQ
What is the main content of the “Weizi” chapter?
Why is the author of this book given as “anonymous”?
Do I need to read the entire Book of Documents before reading the “Weizi” chapter?
Comments
Find this book
This site is an index: you start “Search all sources” in your browser, and the entries it lists all point to third-party sites; please judge their availability yourself.
About the author
Anonymous is not a real personal name but a general Chinese designation for authors whose names are unknown, lost, or unsigned. Neither nationality nor dates of birth and death can be verified, and available public information is limited, so the works attributed to this name are the only basis for description. The collection holds 2,078 works under Anonymous, spanning medicine, classics, historical readings, ancient poetry, classical literature, and philosophy. Representative works include The Yellow Emperor's Inner Canon: Lingshu, Mencius, The Book of Documents, Nineteen Old Poems, Complete Song Ci, and The Peacock Flies Southeast. Most of these works took shape through long transmission and editing, emerging either from collective folk creation or from authors whose names were lost over time. In ancient China, the Book of Songs, the Great Learning, and many popular storybooks and plays were signed Anonymous because their authors could not be traced. Anonymous works cross the classics, histories, philosophical writings, medical texts, and poetry; their subjects are broad, and their styles vary from archaic simplicity to clear naturalness, making them important and influential sources for understanding ancient Chinese thought, medicine, and literature.