Ectopia
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers devoted to honkaku mystery who are willing to accept its expanded boundaries
- Mystery fans interested in philosophical themes such as identity and existentialism
- Readers who enjoy Gothic darkness and psychological horror elements
- Longtime Soji Shimada fans seeking a comprehensive understanding of his oeuvre
Not a good fit for
- Readers who seek pure, classical logic puzzles and reject supernatural or psychological horror elements
- Readers new to Soji Shimada who wish to start with his most classic representative works
Reading tips
- Read in a relatively quiet environment conducive to immersive reflection, to fully appreciate the psychological atmosphere
- Temporarily set aside demands for 'real-world plausibility' and first immerse yourself in the eerie world the author constructs
- After finishing the ending, revisit the details in earlier passages to appreciate the finesse of Shimada's foreshadowing
About the publisher
New Star Press focuses on classic works, mystery and detective fiction, science fiction, history, foreign literature and art, and its 602 titles in the library show a balance between popular reading and humanistic depth. Representative books include The Complete Works of Shakespeare: Illustrated Collector's Edition, And Then There Were None, Murder on the Orient Express, The Player of Games, Local Government in Qing China, A Good Man Is Hard to Find and A Collection of Fine Ukiyo-e Prints, spanning classic literature, detective fiction, science fiction, local history and visual art. Its authors and contributors include William Shakespeare, Agatha Christie and Iain M. Banks, as well as translators such as Zhu Shenghao and Su Fuzhong and illustrators such as John Gilbert and George Cruikshank. Known for the detective series Midnight Library and for social-science and humanities titles, the press emphasizes edition design and reading experience; public information is limited, so this profile highlights the publishing features reflected in the library's books.
Contents
- 版权信息
- 1
- 2
- 3
- 4
- 5
- 6
- 7
- 8
- 9
- 10
- 11
- 12
- 13
- 14
- 15
- 16
- 17
- 18
- 19
- 20
- 21
- 22
- 23
- 24
- 25
- 26
- 27
- 28
- 29
- 30
- 31 剧本
- 32
- 33
- 34
- 35
- 36
- 37
- 38
- 39
- 40
- 41
- 42
- 43
- 44
- 45
- 46
- 47
- 48
- 49
- 50
- 51
- 52
- 53
- 54
- 55
- 56
- 57
- 尾声
FAQ
Is the style very different from Shimada's other works?
Are there bloody or excessively horrifying descriptions in the book?
Is the solution to the puzzle convincing?
Comments
Find this book
This site is an index: you start “Search all sources” in your browser, and the entries it lists all point to third-party sites; please judge their availability yourself.
About the author
Soji Shimada, born on October 12, 1948 in Hiroshima Prefecture and a graduate of Musashino Art University, is a Japanese mystery novelist regarded as a mentor of the New Orthodox school. He made his debut in 1980 with The Tokyo Zodiac Murders and went on to write works such as The Crooked House, The Foreign Knight, Ki sou, Ten dou, and The Crystal Pyramid, creating the detectives Kiyoshi Mitarai and Takeshi Yoshiki. His works, often categorized as suspense mystery and foreign literature, are known for grand tricks, strange architecture, and intricate puzzle design, combining logical deduction with imagination, and are frequently listed among classic works by Chinese readers. The library holds 23 of his works, including several selected collections. In 2008, he received the Mystery Literature Award.
Lin Xinsheng is a Chinese author known for suspense and mystery fiction. Public information about him is limited: beyond his name, no confirmed English name, nationality, or dates of birth and death are available. Four of his works are included in the collection—The Screw Man, The Dance of Mitarai Kiyoshi, The Melody of Mitarai Kiyoshi, and Dislocation—all commonly classified as suspense and mystery. These titles suggest that his writing centers on puzzling cases, with an emphasis on plot momentum and the unfolding of deductive elements; the recurring name “Mitarai Kiyoshi” in the titles also hints at a connection to a character or series in mystery fiction. Because biographical and authorial statements are lacking, a more detailed account of his life and stylistic influences is not possible at present. Readers may begin with the four works above to get a sense of his narrative interests within the suspense and mystery genre.