Ode to Yan'an cover

Ode to Yan'an

Rating 3.4
Word count
480K words
Chapters
43
ISBN
9787506327244

Tags

Summary

After extensive deliberation on Ode to Yan'an, we settled on the following creative principles: first, we established a principle centered on national contradiction, with the KMT–CCP contradiction and intra-Party contradictions as secondary; second, we chose central events according to a principle centered on the Communist Party and Yan'an while radiating outward to the national anti-Japanese battlefield; third, we adopted a principle centered on Mao Zedong and the members of the Party's first-generation leading core, while also giving attention to representative figures from the Party, government, military, people, and intellectual circles.

Editor's review

Song of Yan'an is a long-form narrative work centered on Yan'an and radiating outward to the anti-Japanese battlefields across the country. Judging from the creative principles the author sets out, the book takes the national contradiction as its main thread, with the KMT-CCP contradiction and inner-party contradictions as secondary threads; the central events fall on the Communist Party and Yan'an, while representing figures from the Party, government, military, people, and intellectual circles. Mao Zedong and the first-generation leadership core are the narrative focus. This structure means it is neither a biography of a single figure nor a pure military history, but an attempt to present the overall picture of Yan'an during the War of Resistance amid interwoven contradictions. When reading, pay attention to the hierarchy of main and secondary threads: the national contradiction drives the larger situation, while the secondary threads supply the complex tensions within the Party and between the KMT and CCP. For readers unfamiliar with the roster of figures from this period, the large cast and overlapping identities may require sorting out as one reads. Overall it suits readers interested in the history of the War of Resistance and Party history of the Yan'an period, to be read as a literary-inflected historical narrative—easier to enter than a purely academic work, but one should remain conscious of the narrative stance.

Who it's for

A good fit for

  • General readers interested in the history of the War of Resistance and the Yan'an period
  • Readers who want to understand the Party, government, military, and people of the War of Resistance through a group portrait of figures
  • Readers who need a literary historical narrative as supplementary material for studying Party history
  • Readers who enjoy multi-threaded, multi-character historical epics

Not a good fit for

  • Professional researchers expecting rigorous academic verification and a citation system
  • Readers who prefer a single protagonist and tightly concentrated plot may find the threads dispersed
  • Readers entirely unfamiliar with the roster of figures from this period who are unwilling to sort them out

Reading tips

  1. Read the author's statement of creative principles first to grasp the hierarchy of main and secondary threads before entering the main text
  2. Keep brief notes on the identities and affiliations of the figures as they appear to reduce confusion
  3. Read chapters related to the national contradiction first as the main line; secondary-thread chapters can be revisited later
  4. Pair the reading with a chronology of major events from the War of Resistance to help locate events in time

About the publisher

Writers Publishing House China · Founded in 1953

Writers Publishing House is a Chinese publisher focused mainly on literary publishing. Its output covers classical literature, foreign literature, folk literature and Eastern philosophy, with some extension into popular reading such as social fiction and parenting books. Its catalogue contains more than 900 titles, including representative works such as Dream of the Red Chamber and its edited editions, Shakespeare's Macbeth and A Midsummer Night's Dream, and foreign literary classics such as The Brothers Karamazov and Lost Illusions. In terms of authors, it includes classical writers such as Cao Xueqin and Gao E, foreign masters such as William Shakespeare, Dostoevsky and Balzac, and translations by translators such as Zhu Shenghao, Geng Jizhi and Fu Lei. Overall, its publishing profile balances Chinese and foreign literary classics, emphasizes quality translations, and serves both academic and general readers; publicly available information on its specific publishing plans is limited.

Contents

  1. 版权信息
  2. 内容简介
  3. 前言
  4. 第一集
  5. 第二集
  6. 第三集
  7. 第四集
  8. 第五集
  9. 第六集
  10. 第七集
  11. 第八集
  12. 第九集
  13. 第十集
  14. 第十一集
  15. 第十二集
  16. 第十三集
  17. 第十四集
  18. 第十五集
  19. 第十六集
  20. 第十七集
  21. 第十八集
  22. 第十九集
  23. 第二十集
  24. 第二十一集
  25. 第二十二集
  26. 第二十三集
  27. 第二十四集
  28. 第二十五集
  29. 第二十六集
  30. 第二十七集
  31. 第二十八集
  32. 第二十九集
  33. 第三十集
  34. 第三十一集
  35. 第三十二集
  36. 第三十三集
  37. 第三十四集
  38. 第三十五集
  39. 第三十六集
  40. 第三十七集
  41. 第三十八集
  42. 第三十九集
  43. 第四十集

FAQ

Is this book a novel or a historical work?
Judging from the creative principles and narrative approach the author sets out, it is a literary-inflected historical narrative, taking a real historical period and real figures as its subject and unfolding around Yan'an and the anti-Japanese battlefields. It should not be held to the citation standards of strict academic work, nor should it be treated as a fictional novel.
Will it be hard to read if I am unfamiliar with the history of the Yan'an period?
There are many figures and threads, so there is indeed a threshold when one is entirely unfamiliar. It is advisable to read the author's statement of creative principles first, to understand that the main thread is the national contradiction and the secondary threads are the KMT-CCP and inner-party contradictions, and to read alongside a simple chronology; this markedly lowers the difficulty of sorting out the figures.
Why does the book also cover the KMT-CCP contradiction and inner-party contradictions?
According to the creative principles the author sets out, the book takes the national contradiction as primary and the KMT-CCP and inner-party contradictions as secondary. The secondary threads serve to present the complex relations among multiple forces under the larger situation of the War of Resistance, so that the narrative is not confined to a single battlefield; when reading, simply distinguish the primary and secondary levels.

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About the author

Chaozhu Wang Author · China · 1941

Wang Chaozhu was born in Wuqiao, Hebei, in 1941 and graduated from the Composition Department of the Central Conservatory of Music in 1966. He worked as a composer with the General Political Department Opera Troupe and later as a playwright with its drama troupe, joining the China Writers Association in 1988. In the early 1980s he turned to literary writing, focusing on historical biography and documentary prose as well as fiction. Drawing on modern Chinese revolutionary history and on political and military figures, his work is noted for careful attention to historical sources and for the portrayal of character. His more than thirty books include The Meritorious and the Guilty: The Tragedy of Pan Hannian, The Long March, Zhang Xueliang: Rebirth of the Young Marshal, Chiang Kai-shek and His Friends and Foes, and Hello, Xiaoping. He has also written for television and received Best Screenplay awards at the Feitian and Golden Eagle Awards.

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