Liao Tianding
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers who enjoy wuxia and anti-Japanese resistance fiction set against historical backgrounds
- Readers who want to learn about the anti-Japanese memory of Taiwan's people through accessible storytelling
- Readers drawn to narratives that interweave personal growth with a revenge thread
- Readers interested in jianghu gangs, master-disciple traditions, and similar elements
Not a good fit for
- Readers who prefer pure historical scholarship and reject literary invention
- Readers sensitive to violent revenge scenes
- Readers looking for lighthearted, humorous, or urban fiction
Reading tips
- First sort out the timeline of Liao Tianding's family tragedy, apprenticeship, alliances, and revenge; the later resistance arc will then read more smoothly.
- When reading the sections on eliminating tyrants and Japanese police, notice how the author uses detail to portray motives rather than focusing only on the fights.
- Read alongside the historical background of Taiwan's cession in the late Qing to understand how individual fate relates to the upheavals of the era.
- For a book club, build discussion around how revenge is transformed into national duty.
Contents
- 版权信息
- 一、割让台湾 卖身葬父
- 二、牛刀初试 一鸣惊人
- 三、黑巷风云 赌局乾坤
- 四、初登仙境 风月无边
- 五、绝妙好计 血债血还
- 六、身入虎穴 大开眼界
- 七、变生肘腋 祸起萧墙
- 八、姐弟相会 咫尺天涯
- 九、过街老鼠 人人喊打
- 十、避灾入狱 弱肉强食
- 十一、招兵买马 奸情败探
- 十二、杀人偿命 欠债还钱
- 十三、以牙还牙 以眼还眼
- 十四、死亡游戏 鸡飞狗跳
- 十五、出奇致胜 搬家成功
FAQ
Is this book suitable for readers who don't know much about Taiwan's history?
What stages does Liao Tianding's growth go through?
How are the wuxia elements combined with the anti-Japanese main line?
Comments
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About the author
Public information about Ouyang Yunfei is limited: his nationality, dates of birth and death, and English name are not recorded, and only five works under his name can currently be confirmed. Judging by subject matter, his writing spans two categories, social fiction and wuxia fiction. "Liao Tianding" and "Big Fish Eats Small Fish" lean toward social themes, while "Ice Sword, Cold Love," "Golden Sword and Dragon Pearl: Ghost-Faced Hero Story ②," and "Rose Nail: Ghost-Faced Hero Story ①" belong to the wuxia tradition; the numbered "Ghost-Faced Hero" titles suggest a series. He thus works in popular fiction across both contemporary social life and martial-arts legend. Though the number of works is small, they show a clear sense of genre and a tendency toward serialization. Given the limited material, his style and influence cannot yet be described in detail.