Responding to Change
Tags
Summary
Editor's review
Who it's for
A good fit for
- Lower-division STEM students reviewing basic concepts of material deformation
- Engineering technicians needing a quick refresher on strain-related fundamentals
- High-school physics teachers looking for reference phrasing for concept explanations
- General science readers interested in mechanics of materials as a transitional introduction
Not a good fit for
- General readers expecting light stories or literary popular science
- Readers with no high-school physics background who want zero-prerequisite reading
- Specialist researchers needing in-depth formula derivations and frontier research
Reading tips
- Read the conceptual definitions first and restate in your own words the difference between “strain” and “deformation”
- Sketch diagrams of force and temperature changes as you read to help build physical images
- After each section, think of a material example around you before moving on
- If using it alongside a course, take notes comparing the book’s phrasing with textbook chapters point by point
About the publisher
Bashu Publishing House is a publisher centered on collating and publishing classical Chinese cultural texts, with its main publishing areas covering classical literature, Eastern philosophy, ancient poetry, and educational classics. Its library currently holds 1,075 titles, including representative works such as Dream of the Red Chamber, the Preface to the Orchid Pavilion Gathering, Renjian Cihua, and Out to the Frontier, involving authors such as Cao Xueqin, Wang Xizhi, Wang Guowei, Wang Changling, Liu Xie, and Yan Yu. These reflect the publisher's focus on literary classics, poetry criticism, and philosophical readings. Its publishing character lies in working around ancient texts and canonical works, with attention to textual collation and presentation. Public information on its more detailed publishing background and series plans is limited; this introduction is based only on the library's book information.
Contents
- 版权信息
- 应变第五
FAQ
What background is needed to understand this book?
Is “strain” the same as “deformation” in everyday speech?
Is this book suitable as a textbook?
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About the author
Anonymous is not a real personal name but a general Chinese designation for authors whose names are unknown, lost, or unsigned. Neither nationality nor dates of birth and death can be verified, and available public information is limited, so the works attributed to this name are the only basis for description. The collection holds 2,078 works under Anonymous, spanning medicine, classics, historical readings, ancient poetry, classical literature, and philosophy. Representative works include The Yellow Emperor's Inner Canon: Lingshu, Mencius, The Book of Documents, Nineteen Old Poems, Complete Song Ci, and The Peacock Flies Southeast. Most of these works took shape through long transmission and editing, emerging either from collective folk creation or from authors whose names were lost over time. In ancient China, the Book of Songs, the Great Learning, and many popular storybooks and plays were signed Anonymous because their authors could not be traced. Anonymous works cross the classics, histories, philosophical writings, medical texts, and poetry; their subjects are broad, and their styles vary from archaic simplicity to clear naturalness, making them important and influential sources for understanding ancient Chinese thought, medicine, and literature.
