One Hundred Sayings from Zhuangzi
Tags
Summary
Editor's review
Who it's for
A good fit for
- Beginners who wish to gain an initial understanding of Zhuangzi's thought but are intimidated by classical Chinese
- General readers interested in Chinese philosophy and the wisdom of life and seeking spiritual nourishment
- Students and teachers who need concise, authoritative materials to assist in understanding core chapters of Zhuangzi
- Modern people eager for flashes of classical wisdom and inner peace amid a busy life
Not a good fit for
- Researchers seeking a complete translation and annotation of the full Zhuangzi or deep scholarly textual research
- Enthusiasts of purely leisure reading who expect heavily story-driven, dramatized interpretation
Reading tips
- Need not be read in order; begin with passages or allusions that interest you or are familiar (such as “Zhuang Zhou dreams of a butterfly” or “Cook Ding carves an ox”)
- While reading, compare the book's interpretations with your own life experience and reflect on their modern significance
- After finishing a passage, try closing the book for a moment, recall it, and restate its core ideas in your own words
About the publisher
Zhonghua Book Company is a publisher known for collating ancient texts and academic publishing, with its output centered on Eastern philosophy, culture, classic works, art, and historical reading. Its library contains 532 titles, including Chen Shou's Records of the Three Kingdoms, Guo Qingfan's Collected Commentaries on Zhuangzi, the four-volume Chinese Literature: Four Great Classical Novels, and the two-volume Table of Seal and Clerical Script Forms from Qin, Han, Wei, and Jin. These titles span historical classics, commentaries on the philosophers, classical novels, and philological reference works. Representative authors include Chen Shou, Guo Qingfan, Wu Cheng'en, Shi Nai'an, Cao Xueqin, Luo Guanzhong, Xu Wenwu, and the Hanyu Dazidian character-form group, reflecting a focus on primary sources and scholarly editors. Its publishing character lies in combining authoritative editions and annotated texts with both accessible classics and specialized research. Public information on its fuller catalog is limited; this note describes only the directions evident in the library's holdings.
Contents
- 版权信息
- 引言 庄子能和鱼说话吗?
- 比天空更广阔的是人的心灵
- 自由与有待
- 局限带来的痛苦
- 内心安宁而高傲
- 什么是你真正的需要
- 尸祝与庖人
- 视而不见 充耳不闻
- 言谈的气味
- 返视生命过程的悲哀
- 爱他/她的一切,包括缺点
- 知己知彼
- 如果不是讲《庄子》
- 自己的路自己走
- 活在当下的皆大欢喜
- 我们从哪里看世界
- 不再孤独
- 怕见美人
- 梦与醒
- 梦想照进现实
- 一叶落而知秋
- 别做坏事也别刻意做善事
- 感情我们可以作主
- 先己后人
- 画眉深浅入时无
- 鸟飞无留迹
- 真与伪
- 饮冰之人
- 始简毕巨
- 打是亲骂是爱
- “有用”有什么用
- 同与异
- 静故了群动
- 政治宗教文学中的镜子
- 第二眼的美
- 不可以留意于物
- 相忘于道术
- 最能代表庄子观念的形象
- 大事不糊涂
- 舍生取义对吗
- 偷多偷少都一样
- 盗亦有道
- 坏人用了好玩意儿
- 大盗的两手
- 最好的统治者是感觉不到的
- 工具与机心
- 朴素之为美
- 书还要不要读
- 西施之颦为何美
- 给猴子穿衣服会怎样
- 形和神需要放松
- 纯粹的快乐植根于性命
- 巴黎发布的流行色
- 不要太有教养
- 与庄子谈天
- 我们站在大道上
- 尊重事物的千差万别
- 守道与权变
- 天地间一自然人
- 苟全性命于乱世
- 目送归鸿
- 七宝楼台碎拆下来不成片段
- 以理化情
- 有的人活着,却已死了
- 无知者无畏
- 庄子与孟子的共同语言
- 当赌注增加的时候
- 聪明的愚蠢
- 孤帆远影碧空尽
- 衡量乱世的一个标准
- 无故的离合
- 习非成是
- 人心险于山川
- 心死与心如死灰
- 谦卑地谛听和体察
- 《兰亭集序》的模本
- 对不可言说的保持沉默
- 贤人如何自处
- 有无之间
- 得意忘言
- 以天下为沉浊,不可与庄语
- 珍重你自己
- 宽贷假隐士
- 翻云覆雨
- 一周一乐
- 恬然的快乐
- 隐形灭影
- 真情不在形式
- 不如不葬
- 索引
- 后记
FAQ
How does this book differ from Yu Dan's Reflections on Zhuangzi?
Does the book include the full text of Zhuangzi?
Can someone without a foundation in classical Chinese understand it?
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About the author
Chen Yinchi is an author known for his work in making classical Chinese literature accessible and introducing readers to its appreciation. Public information about him is limited, and no clear record of his biography or official positions is available. The collection includes twenty-two of his works, covering ancient poetry, fiction and drama, and prose. His edited or authored volumes, such as the readers of Three Hundred Tang Poems, Three Hundred Song Ci, and A New Account of Tales of the World, along with the three-volume Chinese Literary Classics and the boxed set The Most Beautiful Classical Chinese Poetry, are aimed at general readers and emphasize the canonical quality of the selections and the readability of the annotations. The Evolution of the Literary Tradition: Lectures on the History of Ancient Chinese Literature reflects his effort to trace the development of literary history, while One Hundred Sayings from Zhuangzi shows his engagement with Eastern philosophy. Overall, his writing tends to guide readers into classic texts in plain language, balancing scholarship with popular accessibility.