Imperial Phoenix 3
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Summary
This is a story of love and hate, life and death, empire and the human heart—serene on the surface, fierce to the bone. A long journey whose ambiguity and depth are best savored slowly on the tongue, like this deep, cold night: palace lanterns still lit, wind stirring jade blinds and golden hooks with a glittering clatter, a wisp of aloeswood curling up from a purple-gold lily censer.
And beneath the ash, a faint red spark smolders—silent power waiting for the moment it blazes forth.
The long wind rises, the phoenix dances: who will rule the realm?
This dazzling age, this opulent empire, these exquisite and brilliant men and women, these deep-laid plots and long-buried grudges, these desperate entanglements inked in vivid strokes across the vast blueprint of history by love and remembrance, longing and parting.
It begins now.
Editor's review
Who it's for
A good fit for
- Series readers who have finished the first two volumes of Di Huang and intend to continue
- Readers who enjoy court intrigue in historical romance and the gradual payoff of foreshadowing
- Readers who prefer finely wrought atmosphere and psychological portraiture
- Readers comfortable with long, multi-threaded narratives and willing to follow evolving relationships
Not a good fit for
- Readers new to the series who want to start from the middle
- Readers who prefer clear single storylines and brisk, lightweight pacing
- Readers uninterested in court intrigue and emotional entanglement
Reading tips
- Read in series order, beginning with the character camps and core conflicts of the first two volumes
- Watch for recurring images and conversational details; they often plant seeds for later chapters
- This volume bridges past and future; note unresolved questions as you go to connect smoothly with the finale
- If the threads feel numerous midway, return to the corresponding chapters in earlier volumes to compare characters' positions
About the publisher
Baihuazhou Literature and Art Publishing House is a professional literature and art publisher. Judging from the books in the database, its publishing focus is on foreign literature, world classics, prose and miscellaneous writings, and classic works, while also covering literary appreciation and cultural reading. Representative titles include The Painter of Modern Life, Jane Eyre, Six Chapters of a Floating Life, The Moon and Sixpence, Selected Prose of Ji Xianlin, A Sportsman's Sketches, and Collected Prose of Famous Masters, involving Chinese and foreign authors such as Charles Baudelaire, Charlotte Brontë, Shen Fu, and W. Somerset Maugham, as well as translators including Guo Hong'an, Chen Jinhui, Jing Xing, and Jiao Haili. Overall, the press emphasizes the introduction of classic texts and the compilation of prose works, presenting a publishing profile centered on literary reading and cultural accumulation. As public information is limited, other aspects are not elaborated here.
Contents
- 版权信息
- 卷二 六国卷
- 第二十一章 绝战
- 第二十二章 狼爪
- 第二十三章 云起
- 第二十四章 兵锋
- 第二十五章 挖心
- 第二十六章 心疑
- 第二十七章 奔逃
- 第二十八章 瓦解
- 第二十九章 错杀
- 第三十章 珠泪
- 第三十一章 重逢
- 第三十二章 乱起
- 第三十三章 争霸
- 第三十四章 窑子
- 第三十五章 女妆
- 第三十六章 魅惑
- 第三十七章 暴露
- 第三十八章 死境
- 第三十九章 人心
- 第四十章 猗兰
- 第四十一章 妖花
- 第四十二章 距离
- 第四十三章 家书
- 第四十四章 秋水
- 第四十五章 哭灵
- 第四十六章 幻阵
- 第四十七章 暗谋
- 第四十八章 深爱
- 第四十九章 深情
- 第五十章 深水
- 第五十一章 炸山
- 第五十二章 尊臀
- 第五十三章 回首
- 第五十四章 分桃
- 第五十五章 死生
- 第五十六章 归国
- 第五十七章 天伦
- 第五十八章 宫怨
- 第五十九章 布局
- 第六十章 铁壁
- 第六十一章 两心
- 第六十二章 如花
FAQ
Can Di Huang 3 be read on its own, skipping the first two volumes?
What role does this volume mainly play in the series?
Does intrigue or romance weigh more heavily in the book?
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About the author
Tianxia Guiyuan is a Chinese web-fiction author known for time-travel and alternate-history novels, with nine works included in this collection. Her stories usually unfold within the power structures of ancient or imagined dynasties, centering on the growth, strategies, and emotional choices of female protagonists, with intricate plotting and close interplay between character relationships and court politics. Her representative works have been adapted for television: Huang Quan became The Rise of Phoenixes, Fuyao Huanghou became Legend of Fuyao, and Di Huang became Feng Buqi, all starring well-known actors, which shows the influence of her stories in screen adaptation. Other works include Nüdi Bense and the separate volumes of Di Huang. Public information about her nationality, dates of birth and death, and personal background is limited, so no speculation is made here.
