Hitler's Monsters
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Summary
Hitler, Himmler, and others sponsored astrological and cosmobiological theories and other fantastical doctrines, embraced fringe science, and encouraged research into the Holy Grail, sorcery, and medieval devil worship. They even cobbled together a Nazi "werewolf" unit for combat... The Gestapo forbade professional debunkers from exposing the secrets behind "magic," while Goebbels enlisted a famous Weimar-era horror novelist to assist with important propaganda tasks. In short, without understanding the relationship between the Nazis and supernatural imagination, one cannot fully understand the history of the Third Reich. Drawing on astrology, parapsychology, the supernatural, paganism, Aryan mythology, sorcery, wonder weapons, and the lost kingdom of Atlantis, the Third Reich reimagined Germany's politics and society, reshaped its science and religion, and pursued its racial utopia and imperial dream by confronting Britain, the United States, and the Soviet Union while smoothly advancing racial cleansing.
Editor's review
Who it's for
A good fit for
- General readers with a basic interest in WWII and Nazi German history
- Researchers examining the relationship between pseudoscience, mysticism, and political propaganda
- Film and game enthusiasts who enjoy approaching historical analysis through popular culture
- Students of the history of science and communication studies seeking case-study supplementary reading
Not a good fit for
- Professional readers expecting the rigorous argumentation and annotation of a serious academic monograph
- Readers who are themselves averse to topics such as mysticism and astrology
- Readers seeking a complete narrative of Nazi military campaigns or high-level politics
Reading tips
- Read the introduction or conclusion first to clarify the author's basic judgment on the relationship between "Nazis and supernatural imagination," then move on to the case studies in each chapter.
- When encountering fringe doctrines such as astrology and cosmobiology, note down their specific connections to Nazi propaganda and intelligence work.
- Read alongside introductory works on Nazi propaganda history or the history of pseudoscience, to avoid treating individual cases in the book as an overall explanation.
- Maintain an awareness of contrasting the Nazi-mysticism imagery in popular culture, and revisit related settings in films and games after finishing the book.
About the publisher
Shanghai Translation Publishing House is a Chinese publisher oriented mainly toward translation and publishing. Its publications cover foreign literature, world classics and classic works, as well as social culture, folk literature and classical poetry. The database contains 2,618 titles, including Never Let Me Go, Les Misérables (2 volumes), Don Quixote (illustrated collector's edition), The Complete Comedies of Molière (4 volumes), The Complete Novels of Kafka (3 volumes), The Collected Works of Dostoevsky (9-volume set), Reason and Persons, and Oedipus Rex (Translation Classics). Its author resources include foreign writers such as Kazuo Ishiguro, Victor Hugo, Cervantes and Molière, as well as translators such as Zheng Kelu, Sun Jiameng, Li Jianwu and Zhang Kun. The publisher has brands such as "Translation Classics Selections" and "Translation Documentary," and emphasizes translated works in foreign literature and the humanities and social sciences, while also publishing bilingual dictionaries and foreign-language educational books. Public information is limited; the above is based on the book information in the database.
Contents
- 版权信息
- 与魔鬼订立契约——不擅长政治的德意志民族的自画像
- 引言
- 第一部分
- 第一章 纳粹主义的超自然根源
- 第二章 从修黎社到纳粹党
- 第三章 发掘希特勒的魔法
- 第二部分
- 第四章 第三帝国向玄学开战
- 第五章 星辰坠入冻土
- 第六章 路西法的法庭
- 第三部分
- 第七章 超自然和第二次世界大战
- 第八章 恶魔的科学
- 第九章 纳粹的黄昏
- 后记
- 致谢
- 参考文献
FAQ
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About the author
Eric Kurlander is an author about whom publicly available information is currently limited; his nationality, dates of birth and death, and educational background are not clearly recorded in the available materials. The library holds one work by him, Hitler's Monsters, which is classified under world history. Judging from this representative work, Kurlander's writing interests center on twentieth-century world history, especially topics related to Nazi Germany and Hitler, following a path of popular history writing that takes historical figures and major historical events as its entry points. Because verifiable information is very limited, it is difficult to make a fuller judgment about his overall body of work, academic training, or writing style; it can only be confirmed that at least one of his works on Nazi history has been introduced to Chinese readers. Readers who wish to learn more about him and his scholarship will still need to rely on the disclosure of more public information; until then, no inferences or evaluations about Kurlander himself should go beyond his works.
Zhang Bing is a freelance translator and a former editor at the travel magazines Private Geography and Travel+Leisure. Public information about him is limited, and few details of his life are documented. He has long translated works from French and English. His French translations Investigation and History of the Body (Volume I) were shortlisted for the 2013 Fu Lei Translation Prize, while The Decline of Democracy and the City-State and others were shortlisted in 2012. He has also translated Verne's The Mysterious Island, along with English-language works such as Blood in the Water, Hitler's Monsters, and A Visit from the Goon Squad. His translations span a wide range of subjects, including documentary writing, literary fiction, world history, and mystery fiction, covering themes such as prison uprisings, historical reflection, and science-fiction adventure, demonstrating a facility for moving between nonfiction and fiction.