Sent to My Elder Cousin Pu
Tags
Summary
Editor's review
Who it's for
A good fit for
- Literary researchers interested in Tang poems of exchange and dedication and family writing
- Classical literature students who need short Tang poem texts for close-reading training
- Cultural and historical enthusiasts concerned with the emotions and social intercourse of late Tang scholars
- General readers who wish to accumulate experience in reading classical poetry by steeping themselves in short poems
Not a good fit for
- Readers expecting a systematic history of Tang poetry or long-form discussion
- Beginners who prefer vernacular stories and lack patience for classical-language poetry
- Readers of the supplementary-teaching type who need rich annotation and sentence-by-sentence translation
Reading tips
- First read the whole poem two or three times, mark unfamiliar words and phrases, then consult reference works to resolve them, preserving your first impressions.
- Compare the tone addressed to the cousin in the poem with contemporaneous exchange poems, and note the differences in the measure of expressing family affection.
- Write a short note in light of materials on Huang Tao's life and the late Tang background; there is no need for completeness—recording one or two insights is enough.
About the publisher
Jinzhang Book Company (Jinzhang Shuju) was a private publishing and distribution house in Shanghai during the late Qing and early Republican periods, issuing traditional works by lithographic printing. Judging from the 1,194 titles in the collection, its publishing focused on classical poetry, Eastern philosophy, historical reading, traditional Chinese medical texts, and canonical works, along with books on literary appreciation. Representative titles include the poetry and prose collections of Du Fu and Ouyang Xiu; historical works such as the Book of Han and Zizhi Tongjian; classical texts such as the Book of Documents and Mencius; and specialized and literary classics such as Treatise on Cold Damage and Li Sao. Its author resources cover major figures across the ages, including Du Fu, Ban Gu, Sima Guang, Zhang Zhongjing, Qu Yuan, Ouyang Xiu, and Tang Shenwei, reflecting the house's characteristic reliance on traditional scholarship and medical literature while serving general readers. Public information on its early history and operational details is limited, so no conjecture is offered here.
Contents
- 版权信息
- 【题槐】翁承赞
- 卷703_21【擢进士】翁承赞
- 卷703_22【擢探花使三首】翁承赞
- 卷703_23【书斋谩兴二首】翁承赞
- 卷703_24【辞闽王归朝寄倪先辈】翁承赞
- 卷703_25【晓望】翁承赞
- 卷703_26【万寿寺牡丹】翁承赞
- 卷703_27【松】翁承赞
- 卷703_28【柳】翁承赞
- 卷703_29【隋堤柳】翁承赞
- 卷703_30【句】翁承赞
- 卷704_1【送僧归北岩寺】黄滔
- 卷704_2【寓言】黄滔
- 卷704_3【长安书事】黄滔
- 卷704_4【贾客】黄滔
- 卷704_5【寄友人】黄滔
- 卷704_6【落花】黄滔
- 卷704_7【寄徐正字夤】黄滔
- 卷704_8【秋夕贫居】黄滔
- 卷704_9【书怀寄友人】黄滔
- 卷704_10【闺怨】黄滔
- 卷704_11【喜翁文尧员外病起】黄滔
- 卷704_12【寄郑县李侍御】黄滔
- 卷704_13【上李补阙】黄滔
- 卷704_14【送李山人往湘中】黄滔
- 卷704_15【书崔少府居(一作赠李补阙)】黄滔
- 卷704_16【敷水卢校书】黄滔
- 卷704_17【寄汉上友人】黄滔
- 卷704_18【贻林铎】黄滔
- 卷704_19【书怀】黄滔
- 卷704_20【送陈明府归衡阳】黄滔
- 卷704_21【秋辞江南】黄滔
- 卷704_22【入关旅次言怀】黄滔
- 卷704_23【贻李山人】黄滔
- 卷704_24【寄边上从事】黄滔
- 卷704_25【题东林寺元祐上人院】黄滔
- 卷704_26【送陈樵下第东归】黄滔
- 卷704_27【寄陈磻隐居】黄滔
- 卷704_28【寄林宽】黄滔
- 卷704_29【退居】黄滔
- 卷704_30【送友人边游】黄滔
- 卷704_31【下第出京】黄滔
- 卷704_32【游东林寺】黄滔
- 卷704_33【赠怀光上人】黄滔
- 卷704_34【忆庐山旧游】黄滔
- 卷704_35【别友人】黄滔
- 卷704_36【陈侍御新居】黄滔
FAQ
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About the author
Huang Tao, whose dates of birth and death, place of origin and English name are unknown, has only limited publicly available information. At present, four of his works are recorded: Chang'an Shu Shi (Letters from Chang'an), Ji Congxiong Pu (To My Elder Cousin Pu), Ji Tongnian Feng Sheren Wei (To My Fellow Examinee, Secretary Feng Wei), and Chang'an Shu Shi again. Judging from these titles, his writing centers on the scenes of Chang'an, reflections on travel, and poetic exchanges with relatives, friends and fellow examinees. His work falls within the tradition of classical poetry and also carries an inspirational, self-cultivating emotional tone. The repeated appearance of Chang'an Shu Shi suggests that it is his most closely attended representative piece. Because no verifiable biographical records survive, his official career, circle of acquaintances and full body of work cannot be reconstructed; yet the themes and genres of the extant titles suggest a writer familiar with the Tang literati conventions of letter-writing, poetic reply and lyrical expression, with a plain and condensed style that dwells on personal fortune and friendship. Through these titles, readers may gain a sense of his manner of expressing feeling through scenery and entrusting his thoughts to verse.