Safety Line
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Summary
Set in a fictional small county, this book uses a single accident and the chain of events it triggers to present a panoramic view of daily work, clashes of ideas, and the contest between good and evil on the front lines of workplace safety supervision. It pays tribute to the heroes of our time while also reflecting on the relationship between economic development and workplace safety amid changing times.
Editor's review
Who it's for
A good fit for
- Readers interested in socially realistic themes and conflicts between workplace ethics and institutional human nature
- Practitioners in management, engineering, production, and other fields involving safety responsibilities
- Deep readers who enjoy finding real-world reflections and speculative topics in fiction
- Lovers of Chinese novels with steady craftsmanship and attention to character psychology and story structure
Not a good fit for
- Readers seeking light entertainment, pure diversion, or fast-paced web-fiction experiences
- Professionals expecting specific technical knowledge or operational guides on workplace safety
Reading tips
- Try shifting your reading perspective from 'accident story' to 'human nature laboratory,' focusing on each character's choices and changes under pressure
- Reflect on the boundaries between 'rules' and 'human feelings' encountered in your own work or life in light of the plot
- After reading, discuss the moral dilemmas raised in the book with others; this can deepen your understanding of its themes
About the publisher
Chongqing Publishing House is a comprehensive publisher known for its titles in the humanities, social sciences, literature and arts, with about 940 books in its catalogue. Its publishing areas cover world history, science fiction, foreign literature, architecture and philosophy. Representative titles include Xiang Da's A History of Communications Between China and the West, Liang Sicheng's Rules of Qing-Style Construction, Liu Cixin's The Three-Body Problem II: The Dark Forest and III: Death's End, Ann Rand's The Fountainhead (25th Anniversary Edition), and Brandon Sanderson's Stormlight Archive series. Its authors include Xiang Da, Liu Cixin, Liang Sicheng and Ann Rand. The press has developed distinctive strengths in historical source editing, the introduction and creation of science fiction, the translation of foreign literature, and architecture and philosophy titles, balancing scholarly value with general readership. As public information is limited, this profile outlines its publishing directions based only on the books in the catalogue.
Contents
- 版权信息
- 第一章 远不是“响了一声”那么简单
- 第二章 李董玩的什么鬼花样
- 第三章 按规矩办
- 第四章 陈益宁出事了
- 第五章 迂回也是进
- 第六章 真精明还是假精明
- 第七章 何必揪住不放
- 第八章 贴心人与放心人
- 第九章 终归要回斗龙港
- 第十章 反常,必然不平常
- 第十一章 汪海调研,意欲何为
- 第十二章 杨大队撂挑子,吴院长不配合
- 第十三章 排查问题与总结经验
- 第十四章 搅局者
- 第十五章 谁都不容易
- 第十六章 醉翁之意
- 第十七章 有人向省里举报了
- 第十八章 督查组来了,督查组走了
- 第十九章 敬酒罚酒都是酒
- 第二十章 舆情汹涌
- 第二十一章 假作真时真亦假
- 第二十二章 并非只有宁浩东
- 第二十三章 斗龙河的传说
- 第二十四章 压力啊压力
- 第二十五章 手上有了花名册
- 第二十六章 外调,在千里之外
- 第二十七章 轰然坍塌
- 第二十八章 在哪里,在哪里……
- 第二十九章 豪成撑不住了
- 第三十章 自从来了陈达元
- 第三十一章 “您拨打的电话已停机”
- 第三十二章 在路上
- 第三十三章 迟来的真相
- 尾声 事故,不是故事
- 后记 高擎安全线
FAQ
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About the author
Liu Guixian is an author for whom only limited public information is available. He is known for a single work, The Safety Line, which is classified as a social novel. Based on this limited publication record, it can be inferred that his writing addresses realistic social themes rather than purely fictional entertainment. Social novels generally focus on how ordinary people make choices and face circumstances within specific social settings, and the title The Safety Line itself suggests rules, boundaries, and risk prevention, hinting that the work may revolve around safety, responsibility, or interpersonal limits. Because biographical details, the full range of his writings, and critical commentary are lacking, it is difficult to assess his overall body of work or literary standing, and his nationality, dates of birth and death, and English name cannot be confirmed. On the available evidence, Liu Guixian is an author oriented toward social fiction, and his work merits attention from the perspective of realistic subject matter.