Commentary on the Classic of Filial Piety
Tags
Summary
Editor's review
Who it's for
A good fit for
- Students of literature and history who study the Thirteen Classics and need to read the Classic of Filial Piety closely
- Researchers of ancient texts interested in Han dynasty classical scholarship and Zheng Xuan's method of annotation
- Culture enthusiasts who wish to understand traditional filial ethics and its relation to ritual institutions
- Teachers of traditional culture courses who need a reliable annotated edition for reference
Not a good fit for
- Casual readers who want only vernacular stories and are unwilling to engage with philology and ritual terminology
- Beginners who lack a foundation in classical Chinese and need sentence-by-sentence modern translation
- Readers seeking modern ethical discussion with no interest in the tradition of classical annotation
Reading tips
- First read through the eighteen chapters of the Classic, then read Zheng's commentary chapter by chapter, noting its explanations of ritual terminology.
- Keep a notebook and excerpt commentary passages under three categories—doctrine, philology, institutions—to compare Zheng Xuan's approach.
- Read alongside the Old Text Classic of Filial Piety to observe how differences in wording between Old and New Text affect a commentator's interpretation.
- After each chapter, restate its main point in your own words, then check whether the commentary supplies key background.
Contents
- 版权信息
- 序
- 一
- 二
- 三
- 四
- 五
- 六
- 七
- 八
- 九
- 十
- 十一
- 十二
- 十三
- 十四
- 十五
- 十六
- 十七
- 十八
FAQ
What are the main features of Zheng Xuan's commentary on the Classic of Filial Piety?
Should I read the original text of the Classic before this commentary?
How should "transferring filial piety to loyalty" in the Classic be understood?
What is the idea of remonstrance against blind obedience in the book?
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About the author
Zheng Xuan (127–200), courtesy name Kangcheng, was a native of Gaomi in Beihai Commandery (present-day Gaomi, Shandong) during the Eastern Han dynasty and a leading synthesizer of Han-dynasty classical scholarship. He annotated the Confucian classics extensively, integrating the New Text and Old Text traditions and founding the school known as "Zheng Studies"; later generations honored him as the "God of the Classics." Nine of his works are held in this collection, including the Mao Shi Jian, Yili Zhushu, Liji Zhu, Xiaojing Zhengyi, Xiaojing Zhu, and Yiwei Bianzhongbei. His works are commonly classified under ancient poetry, literary appreciation, culture, Eastern philosophy, and classic works. His annotations are distinguished by meticulous glossing of names and things and by their broad incorporation of earlier scholarship, clarifying the meaning of the classics while preserving a wealth of Han-dynasty interpretations. His commentaries on the Three Rites were especially influential and have long been valued in ritual studies and classical education. Public information on the details of his life is limited, so this introduction focuses on the subjects and influence of his writings.