Zilang
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers who enjoy documentary travel literature and prefer firsthand accounts
- Readers interested in polar landscapes, marine life, and exotic local customs
- Readers who hope to understand issues of war and peace through travel essays
- Adult readers who want to relax with an easy travelogue after work
Not a good fit for
- Readers who prefer rigorous academic research or systematic geographical knowledge
- Readers expecting fictional plots and character development
- Readers who are sensitive to descriptions of animal interaction and prefer to keep their distance
Reading tips
- Read in batches by geographical region, taking in one or two episodes at a time to keep the experience fresh
- Pause briefly at harrowing or wartime passages and locate the places on a map
- Read the marine-life chapters with family or friends and discuss the boundaries of human-wildlife interaction
Contents
- 版权信息
- 序
- 前言
- 国内篇
- 西藏
- 云去现佛陀
- 圣水沁心脾、圣山耀灵魂
- 考验灵魂
- 梦悟阿里
- 朝拜
- 冰窟窿
- 忠诚的圣象
- 觉姆的觉悟
- 懂感情的牦牛
- 南迦巴瓦拂去你脸上的面沙
- 千年古桃树花开别样红
- 天路、军魂
- 青海
- 世界上最大的玛尼堆
- 做客贡巴活佛家
- 外星人的杰作
- 恶魔之眼
- 甘肃
- 沐浴佛光
- 新疆
- 千里葡萄长廊
- 香妃故里
- 柳林密境
- 英雄不老守边疆
- 灵性之犬
- 莫要惊扰喀纳斯湖的水怪
- 迷失在大海道的外星人
- 火焰山已不再燃烧
- 真实的八卦城
- 触动灵魂的村落
- 又见泥火山
- 九个太阳
- 库车会王妃
- 安徽
- 池塘月沼
- 江西
- 晒秋
- 山美雾做裳
- 黑龙江
- 我找着了北
- 松花江上
- 华夏东极
- 第一束阳光
- 吉林
- 中国之唯一活火山
- 登塔望三国相依相好
- 贵州
- 苗家大年
- 小妹海量威震苗寨
- 小舟应景
- 抛了一个媚眼
- 雾中神游梵净山
- 云南
- 色彩之旋律
- 疗心销魂
- 古寨新魂
- 广东
- 第一枪由此打响
- 当一回渔民
- 幸遇“尼格”感受台风
- 穿越时空结识韩愈
- 福建
- 滩涂之美
- 泉州印象
- 曾吓坏美国的客家土楼
- 湖北
- 悬浮船
- 鹿呈祥
- 一炷香
- 国外篇
- 欧亚
- 欧亚一桥之距
- 中东
- 上帝常来的地方
- 文明之源
- 国宾待遇
- 领悟信仰
- 虔诚也疯狂
- 人类最早的城市
- 弹痕累累
- 库铁跟巴铁一样铁
- 中美洲
- 一方净土
- 失落在丛林里的玛雅文明
- 瘟君伴我访火山
- 恐而不惧
- 南美洲
- 海狮的母爱
- 生命的力量
- 物竞天择
- 海洋生物的天堂
- 冥想灵通
- 海底盛宴
- 鲨鱼也温柔
- 北美洲
- 西半球唯一的社会主义国家
- 穷而不悲
- 加勒比海
- 美洲最穷的国家
- 列强瓜分的岛屿
- 抱不动的魔鬼鱼
- 会发光的湖水
- 映入高山间的深海蓝光
- 太平洋
- 最接近天堂的地方
- 以胖为美不是传说
- 中亚五国
- 榆木疙瘩
- 仙风倩影
- 太极图案
- 地狱之门
- 白玉之城
- 偶遇阿凡提
- 人面太阳
- 久违的列宁
- 陕西乡党
- 造访东干人
- 远去的背影
- 风景在路上
- 仰视列宁峰
FAQ
Is this book a novel or a record of real experience?
Will readers with no travel experience feel distant from it?
Are the wartime passages too heavy?
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About the author
Public information about Lu Mingsheng is limited, and basic details such as his nationality, dates of birth and death, and English name cannot currently be confirmed. According to the library's holdings, only one work is attributed to him, Zilang, which is classified under literary appreciation, suggesting that his writing relates to literary reading and textual commentary. The title Zilang carries distinct literary imagery; although its specific content and format are not described in detail, the classification indicates that it is likely a work of literary appreciation or reading essays aimed at general readers. Because verifiable material is very scarce, Lu Mingsheng's life experience, creative development, and academic background cannot be outlined, nor is it possible to assess the actual influence of his work among readers. The available information can only sketch the profile of an author whose writing centers on literary appreciation; a fuller picture awaits further supplementation from bibliographic data and public publication information.
Yang Lingling is an author about whom public information is limited; the available records show only that three of her works are held in the collection, namely the Neil Gaiman fantasy novel trilogy, Don Quixote, and Zilang. Judging from these titles, her writing and editorial work mainly involve foreign literature and literary appreciation: on the one hand she attends to fantasy fiction as a popular genre, and on the other she engages with the translation and interpretation of classic works. Because her dates of birth and death, nationality, and detailed career are not publicly available, her academic background and professional experience cannot be established. On the existing evidence, her works span fantasy narrative and retellings of classics, indicating a sustained interest in different levels of foreign literature, from contemporary genre fiction to Western literary classics. Readers may treat her works as a reference for approaching foreign literature, while her specific contributions await further public documentation.