She Came to Stay
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers interested in existentialist philosophy who wish to see its literary expression
- Researchers or enthusiasts interested in women's writing and female-perspective narrative
- Deep readers curious about complex human relationships and emotional structures
- Readers who wish to trace the development of Beauvoir's thought and understand the prelude to The Second Sex
Not a good fit for
- Readers of popular fiction seeking light, pleasant plots and clear moral conclusions
- Readers impatient with philosophical speculation and psychological analysis, who prefer strongly action-driven narrative
Reading tips
- Read alongside Beauvoir's philosophical work The Ethics of Ambiguity or a biography to understand her intellectual background
- Pay attention to details of "the gaze" and "self-construction" in the narrative; this is key to understanding the characters' motives
- Do not rush to make moral judgments about the characters; try to understand the existential dilemmas behind their choices
About the publisher
Shanghai Translation Publishing House is a Chinese publisher oriented mainly toward translation and publishing. Its publications cover foreign literature, world classics and classic works, as well as social culture, folk literature and classical poetry. The database contains 2,618 titles, including Never Let Me Go, Les Misérables (2 volumes), Don Quixote (illustrated collector's edition), The Complete Comedies of Molière (4 volumes), The Complete Novels of Kafka (3 volumes), The Collected Works of Dostoevsky (9-volume set), Reason and Persons, and Oedipus Rex (Translation Classics). Its author resources include foreign writers such as Kazuo Ishiguro, Victor Hugo, Cervantes and Molière, as well as translators such as Zheng Kelu, Sun Jiameng, Li Jianwu and Zhang Kun. The publisher has brands such as "Translation Classics Selections" and "Translation Documentary," and emphasizes translated works in foreign literature and the humanities and social sciences, while also publishing bilingual dictionaries and foreign-language educational books. Public information is limited; the above is based on the book information in the database.
Contents
- 版权信息
- 第一部
- 第一章
- 第二章
- 第三章
- 第四章
- 第五章
- 第六章
- 第七章
- 第八章
- 第二部
- 第一章
- 第二章
- 第三章
- 第四章
- 第五章
- 第六章
- 第七章
- 第八章
- 第九章
- 第十章
FAQ
What is the connection between She Came to Stay and Beauvoir's later work The Second Sex?
Is the three-person relationship in this book a purely emotional story?
Can readers without a philosophy background understand this book?
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About the author
Simone de Beauvoir (1908–1986) was a French existentialist writer, philosopher, and pioneering feminist theorist, born and died in Paris. She graduated from the Sorbonne, passed the philosophy agrégation in 1929 and met Sartre, and in 1945 co-founded Les Temps modernes with Sartre and others. Her landmark work The Second Sex laid the foundation of modern feminist theory, examining women's condition through facts, myths, and lived experience; her novel The Mandarins won the 1954 Prix Goncourt. Her autobiographical works, including All Said and Done, Memoirs of a Dutiful Daughter, A Very Easy Death, and The Ethics of Ambiguity, combine philosophical reflection with literary quality and span biography, social and cultural criticism, and foreign literature, earning her a wide readership in the Chinese-speaking world.
Zhou Yiguang is an author included in a Chinese book database, but the publicly available information about this person is quite limited: no clear record has been found of an English name, nationality, or dates of birth and death. The database contains two works by this author, the representative one being Female Guests (Nübin), usually classified under foreign literature. Judging from this classification and the nature of the work, Zhou Yiguang's writing appears to be connected with the translation and introduction of foreign literary works or with related literary creation, with themes leaning toward expressions of overseas literature and nuanced depictions of human relationships. The title Female Guests suggests that the work may center on female characters and their social circumstances, with an emphasis on psychological and emotional portrayal. Because the available material confirms only these limited facts, it is not yet possible to reconstruct a complete biography or the full scope of the author's writing; readers seeking further understanding will have to wait for more public information to emerge.