A Woman's Dream
Tags
Summary
Editor's review
Who it's for
A good fit for
- Deep readers with a strong interest in Japanese literature and Kawabata's works
- Readers eager to explore the complex emotions and inner world of women through literature
- Lovers of literature who appreciate a restrained, distilled style rich in imagery and suggestion
- Readers accustomed to reflecting on philosophical questions of existence, solitude, time, and memory
Not a good fit for
- Readers of popular fiction seeking strong plots, fast pacing, and clear resolutions
- Readers who do not respond to the traditional Japanese aesthetic of mono no aware and introspective psychological depiction
Reading tips
- Read in a quiet setting and immerse yourself, savoring the subtle shifts of emotion and sensory description
- Try treating each story as an independent spiritual tableau; do not rush to seek a continuous plot—focus on the overall atmosphere and mood
- After reading, pause to reflect on the images of dreams, flowers, rain, and mirrors, and consider their deeper connection to the characters' states of mind and the themes
About the publisher
Founded in 1987, Qingdao Publishing House has long focused on education, science and technology, children's books, and lifestyle titles, while steadily publishing classical and foreign literature. Its 827 titles in the catalog reflect a balance between making classics widely accessible and serving young readers. They include the four great classics of Chinese literature—Romance of the Three Kingdoms, Water Margin, Dream of the Red Chamber, and Journey to the West—as well as foreign literary translations such as Sei Shōnagon's The Pillow Book, works associated with Zhou Zuoren, and Victor Hugo's Les Misérables. The press also offers a color-illustrated series of recommended classics for primary and secondary school Chinese curriculum reading, using pictures and text to support student readers. Its common categories cover classical literature, essays and miscellaneous writings, folk literature, and foreign literature, with authors including Luo Guanzhong, Shi Nai'an, Cao Xueqin, Gao E, Wu Cheng'en, Sei Shōnagon, Zhou Zuoren, and Victor Hugo. Public information is limited, so this profile emphasizes the publishing directions shown by the catalog.
Contents
- 版权信息
- 译序
- 少年
- 一
- 二
- 三
- 四
- 五
- 六
- 七
- 八
- 九
- 十
- 十一
- 十二
- 十三
- 十四
- 十五
- 十六
- 十七
- 十六岁的日记
- 招魂祭一景
- 禽兽
- 女人的梦
- 重逢
- 水月
- 离合
FAQ
How does this book differ in style from Kawabata's better-known works such as Snow Country and The Old Capital?
What exactly do the 'women's dreams' in the book refer to?
What are the features of this Qingdao Publishing House edition?
Comments
Find this book
This site is an index: you start “Search all sources” in your browser, and the entries it lists all point to third-party sites; please judge their availability yourself.
About the author
Kawabata Yasunari (1899–1972) was a Japanese novelist and a leading figure of the New Sensationist school, born in Osaka. A prolific writer, he is represented on this site by 147 works, spanning essays and miscellaneous prose as well as foreign literature. His representative works include The Izu Dancer, Snow Country, Thousand Cranes, and The Old Capital; Snow Country in particular exists in multiple editions and translations, a sign of its wide circulation. Kawabata is known for his delicate prose, which interweaves human emotion with natural scenery to express the spiritual character of the Japanese people, and often conveys a sense of the beauty of impermanence in life and death. In 1968 he received the Nobel Prize in Literature, an important landmark in the global recognition of Japanese literature; he died in 1972. Beyond his novels, his essays and miscellaneous writings also deserve attention.
Wei Dahai is a scholar-translator of Japanese literature whose name frequently appears as the translator of foreign-literature titles. Public information about him is limited: his dates, birthplace, and educational background are not clearly documented. Judging from the sixteen works held in the collection, however, the focus of his work is clear. He has devoted himself to translating modern and contemporary Japanese fiction, especially the representative works of Yasunari Kawabata and Ryunosuke Akutagawa. The former includes Snow Country, The Old Capital, The Sound of the Mountain, House of the Sleeping Beauties, The Master of Go, and a ten-volume collection of Kawabata's novels; the latter includes Rashomon and Hell Screen and The Akutagawa Gateway and In a Grove. These translations are aimed at general readers and seek to capture both the lyrical and the austere qualities of the originals, balancing Kawabata's delicate melancholy against Akutagawa's terse intensity. For Chinese readers, Wei Dahai's translations are a familiar route into classic modern Japanese literature and are widely read in both casual reading and teaching contexts.