Hastening to Mourning
Tags
Summary
Editor's review
Who it's for
A good fit for
- General readers interested in traditional funeral customs and Han Chinese ritual systems
- Students and enthusiasts studying folklore, social history, or cultural anthropology
- Editors and authors who need to understand traditional funeral basics for related writing
- Readers of history and literature curious about kinship mourning systems
Not a good fit for
- Readers currently grieving a loss who need psychological comfort rather than ritual knowledge
- Those expecting a systematic funeral operations guide or a complete ceremonial procedure manual
- Readers wholly opposed to traditional ritual customs and uninterested in learning about them
Reading tips
- First clarify the applicable situations and mourning requirements of "ben sang," then extend to related funeral stages to form a chain of knowledge.
- Read alongside local folklore surveys or family memories to understand the differences between ritual regulations and actual practice.
- Pay attention to the sense of time urgency and ritual constraints embodied in "ben," and consider how traditional customs settle grief.
- The book is short; it is suitable to read in one sitting and then review the key points, retelling the ritual scenario in your own words to deepen memory.
About the publisher
Bashu Publishing House is a publisher centered on collating and publishing classical Chinese cultural texts, with its main publishing areas covering classical literature, Eastern philosophy, ancient poetry, and educational classics. Its library currently holds 1,075 titles, including representative works such as Dream of the Red Chamber, the Preface to the Orchid Pavilion Gathering, Renjian Cihua, and Out to the Frontier, involving authors such as Cao Xueqin, Wang Xizhi, Wang Guowei, Wang Changling, Liu Xie, and Yan Yu. These reflect the publisher's focus on literary classics, poetry criticism, and philosophical readings. Its publishing character lies in working around ancient texts and canonical works, with attention to textual collation and presentation. Public information on its more detailed publishing background and series plans is limited; this introduction is based only on the library's book information.
Contents
- 版权信息
- 正文
FAQ
What situation does "ben sang" specifically refer to?
Is this book a funeral operations guide?
Can readers without a folklore background understand it?
What should readers keep in mind when reading this book?
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About the author
Anonymous is not a real personal name but a general Chinese designation for authors whose names are unknown, lost, or unsigned. Neither nationality nor dates of birth and death can be verified, and available public information is limited, so the works attributed to this name are the only basis for description. The collection holds 2,078 works under Anonymous, spanning medicine, classics, historical readings, ancient poetry, classical literature, and philosophy. Representative works include The Yellow Emperor's Inner Canon: Lingshu, Mencius, The Book of Documents, Nineteen Old Poems, Complete Song Ci, and The Peacock Flies Southeast. Most of these works took shape through long transmission and editing, emerging either from collective folk creation or from authors whose names were lost over time. In ancient China, the Book of Songs, the Great Learning, and many popular storybooks and plays were signed Anonymous because their authors could not be traced. Anonymous works cross the classics, histories, philosophical writings, medical texts, and poetry; their subjects are broad, and their styles vary from archaic simplicity to clear naturalness, making them important and influential sources for understanding ancient Chinese thought, medicine, and literature.