The Swan cover

The Swan

Rating 4.1
Word count
132K words
Chapters
17
ISBN
9787513360319

Tags

Summary

A curious scoop of lime-vanilla ice cream, an unlikely friendship unfolding on a bench. Summer is drawing to a close. For one fleeting moment, he glimpses the swan.

Editor's review

This short story uses a scoop of lime-vanilla ice cream as its opening note, tracing a friendship across generations as they talk on a bench at summer's end. Bradbury does not rush to explain who the characters are; instead he lets dialogue and sensory detail unfold naturally—the ice cream's curious flavor, the bench-side conversation, the swan glimpsed for an instant—together weaving a tender, wistful atmosphere of summer's final chapter. The story's power lies in capturing the "instant": the moment he sees the swan is both an affirmation of beauty and a premonition of loss. Best read on a late-summer afternoon or evening; brief in length yet long in aftertaste. Readers may take it as a prose poem about friendship, time, and fleeting beauty, without pressing for plot direction, and should instead notice the silences between lines of dialogue and the melting-ice-cream rhythm. For readers who love Bradbury's lyrical short fiction, this is a light yet lingering experience.

Who it's for

A good fit for

  • Readers who love Bradbury's lyrical short stories and summer atmospheres
  • Readers of literary short fiction who prefer dialogue-driven, lightly plotted work
  • Those moved by themes of friendship across generations and the passage of time
  • Readers who want sensory description and imagery in short fiction

Not a good fit for

  • Readers seeking strong conflict, twists, or suspense-driven momentum
  • Readers who want clear plot explanations and full character backgrounds
  • Readers impatient with slow-paced, atmosphere-centered short fiction

Reading tips

  1. Choose a quiet summer evening to read it through, letting the sensory details of ice cream and bench unfold without rushing to find a plot turn.
  2. While reading, notice how the dialogue shifts around the moment the swan appears, and feel how fleeting beauty echoes summer's end.
  3. After finishing, jot down one or two summer memories of your own to set against the cross-generational conversation in the text.

Contents

  1. 版权信息
  2. 天鹅
  3. 墓边祝酒
  4. 诗篇
  5. 东方快车一路向北
  6. 葛底斯堡下风向
  7. 永恒与地球
  8. 砰!你死了!
  9. 矮人
  10. 胡安·迪亚兹的毕生之作
  11. 夏日遇见狄更斯
  12. 观察者
  13. 军令如山
  14. 再来一段圆滑音
  15. 微笑
  16. 暗夜独行客
  17. 暗门怪谭

FAQ

How long is this story, and when is the best time to read it?
From the materials it is a short story centered on a scoop of ice cream and a bench-side conversation across generations. Best read in one sitting on a summer evening or night; it is short and atmospheric, and a little quiet time makes it easier to enter the text's rhythm.
Is the "swan" in the story a real animal or a symbol?
The materials only say "for one fleeting moment, he glimpses the swan," without specifying whether it is a real animal or a symbol. While reading, it can be understood as an image of fleeting beauty; the specific meaning is left for readers to feel in context, without insisting on a single interpretation.
Is it suitable for people who like fast-paced stories?
Probably not very suitable. This story is driven by dialogue and atmosphere, with a slow plot that centers on the feeling of summer's end and the aftertaste of a cross-generational conversation. Readers expecting strong conflict or twists may find the experience unsatisfying.
Can I read this directly without having read the author's other works?
Yes. The story stands alone and does not depend on prior settings. First-time Bradbury readers can treat it as an entry point to his lyrical short-story style, then decide whether to explore other works.

Comments

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About the author

Ray Bradbury Author · American · 1920–2012

Ray Bradbury (1920–2012) was an American novelist and screenwriter of science fiction, fantasy and horror. His work is known for its poetic language and its keen insight into technology and human nature, and is often grouped with science fiction and classic literature, spanning foreign literature and fine fiction alike. His major works include Fahrenheit 451, The Martian Chronicles, The Illustrated Man and Dandelion Wine, and Chinese editions of his work include the five-volume Classic Stories collection and the four-volume Selected Short Masterpieces, with 24 of his titles carried in our catalogue. He received the Hugo Award, the Pulitzer Prize and the National Medal of Arts, and has had a lasting influence on later science fiction and fantasy.

Qiu Chunhui Author

Qiu Chunhui is a translator of science fiction and fantasy. She holds degrees in engineering and psychology, currently works in the telecommunications industry, and translates genre fiction in her spare time; she lives in Canada. Public information about her is limited, and few details of her personal life are available, but her choice of works reveals a preference for imaginative, distinctive writing. She has translated portions of Ray Bradbury's self-selected short-story collection The Secret of the Cemetery Man and contributed to the Chinese edition of Selected Short Masterpieces of Ray Bradbury, and has also translated works such as The Swan; other representative translations include Inherit the Stars and Star Wars: The Force Awakens. In 2022 she received the Silver Award for Translation at the Chinese Science Fiction Nebula Awards.

阿古 Author

Agu is an author about whom little public information is available. The library currently holds five of the author's works, commonly classified under classics, science fiction, and foreign literature. Among the representative titles, The Ray Bradbury Classic Novel Collection (5 volumes) suggests an interest in translating or editing the work of the science fiction master Bradbury, while titles such as The Laughing Man, Midnight in June, The Banshee, and The Swan carry overtones of suspense, the Gothic, and the fantastic, indicating a fairly wide range of subjects. As the author's dates, nationality, and English name remain unconfirmed, it is difficult to outline a biography; based on the existing works, however, Agu's writing and editorial work center largely on classic literature and speculative genres, showing some accumulation in the dissemination of science fiction and foreign literature. The style tends toward eerie imagery and tense atmosphere to build narrative tension, offering readers a sense of borrowing from and extending the traditions of genre fiction.

汪杨达 Author · China

Wang Yangda is a Chinese author about whom little public information is available; neither the years of birth and death nor his educational background have been reliably documented. Two of his works are currently held in the collection, with representative titles including The Laughing Man and The Swan. Judging from the common categories, his writing spans science fiction and foreign literature, and his works combine imaginative narrative with a cross-cultural literary perspective, reflecting an interest in both science-fictional premises and literary expression beyond his own culture. Because verifiable biographical material is scarce, his writing style and literary influence cannot yet be fully assessed, and only a rough outline of his creative direction can be inferred from the existing titles. Readers seeking a fuller understanding of the author must rely on further public sources and close reading of the works themselves.

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