Tianjun
Tags
Summary
But if a butterfly's wingbeat can trigger a tornado, what upheaval might George's dreams set off? One dream ends, and a small painting vanishes. A second dream ends, and a worldwide plague breaks out. A third dream ends.
Editor's review
Who it's for
A good fit for
- Readers who like Le Guin's work and are used to slow-paced, speculative science fiction
- Readers interested in dreams, the subconscious, and power manipulation
- Book club members who want to discuss ethical dilemmas through fiction
- Mature readers who can accept an oppressive atmosphere and open-ended questions
Not a good fit for
- Science fiction readers expecting fast-paced action or satisfying reversals
- Readers sensitive to plots involving mind control or loss of control over dreams
- Readers who prefer light, healing stories with clear good-and-evil endings
Reading tips
- Read chapter by chapter and note the subtle changes in reality after each dream to follow the chain of cause and effect.
- When reading Haber's treatment passages, pay attention to the persuasive logic in his words and see how manipulation is packaged as benevolence.
- After finishing, discuss with like-minded readers who should bear responsibility if dreams really could change the world, grounding the ethical question in specific characters.
- If it feels oppressive, pause between chapters and switch to short stories or nonfiction to adjust the pace.
About the publisher
Beijing Daily Press takes world history, historical reading and foreign literary translations as important publishing directions, alongside science fiction and prose. Its catalogue includes Edward Gibbon's unabridged The History of the Decline and Fall of the Roman Empire, Gu Cheng's Southern Ming History and his works on Ming history, reflecting a balance between general and dynastic history; in literature there are Fu Lei's translations of Balzac and of world classics, as well as science fiction and prose such as The Universe Omnipotent Detective Agency, A Canticle for Leibowitz and The Peregrine, with authors ranging from Gibbon, Gu Cheng and Balzac to Fu Lei, Romain Rolland and Douglas Adams. Building on current affairs, history and culture, Beijing-flavoured culture and children's books, the press combines classic translation with original historical writing, emphasising complete editions and translation quality. Public information is limited, so other details are omitted.
Contents
- 版权信息
- 1 ONE
- 2 TWO
- 3 THREE
- 4 FOUR
- 5 FIVE
- 6 SIX
- 7 SEVEN
- 8 EIGHT
- 9 NINE
- 10 TEN
- 11 ELEVEN
FAQ
I haven't read Le Guin before. Will I struggle if I start with this book?
Is the science fiction premise complicated? Do I need to understand a lot of terminology?
The book involves a psychiatrist manipulating a patient. Is it heavy reading?
Is it suitable for a book club?
Comments
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About the author
Ursula K. Le Guin is an author with seventeen works in this Chinese-language book database. Her writing spans science fiction, otherworldly realms and foreign literature, and is often grouped under fine fiction and classic works. Representative titles include Finding and Losing, The Earthsea Cycle Six-Book Set, Earthsea: A Wizard of Earthsea, Earthsea II: The Tombs of Atuan, Earthsea III: The Farthest Shore, The Dispossessed, as well as The Private Lectures of a Literary Master (three volumes) and Creating the World with Imagination. These works show that she uses imagined worlds as a stage for storytelling, balancing the readability of genre fiction with reflection on human nature and social questions, and she therefore has a lasting influence among fantasy and science fiction readers. Public information in the database about her nationality, dates of birth and death, and detailed biography is limited, so no speculation is offered here; readers may sense her style and imaginative worlds through the works themselves.
Xia Xing is a Chinese translator about whom little public information is available. Two translated works are currently listed under this name: Robert J. Sawyer's The Neanderthal Parallax and related editions of The Terminal Experiment. In The Neanderthal Parallax, a work of foreign science fiction, Xia Xing translated the volume Hominids. Based on the available material, Xia Xing's translation work serves the introduction of hard science fiction, handling narratives that involve parallel worlds, Neanderthal civilization, and anthropological imagination, where the language must balance scientific concepts with literary readability. No reliable record of the translator's biography, nationality, or education is available, so no speculation is offered here; the entry presents only the direction and contribution of the work itself.