A Match Made in Heaven cover

A Match Made in Heaven

Rating 2.8
Word count
120K words
Chapters
9
ISBN
9787221177315

Tags

Summary

The state of Wei had rested and recuperated for twelve years. On the surface, all was calm, but in truth, dark currents surged in the court and the harem.

Emperor Jing's health was deteriorating day by day, and he issued an edict recalling the Eighth Prince Zhou Su, who was stationed away. The mistress of the harem, Shi Honglian, moved swiftly upon hearing the news, sending elite troops to intercept Zhou Su on his way back to the capital, determined to have him killed so that he could never inherit the throne.

To ensure a safe return to the capital, the Eighth Prince and his friends devised a feasible plan: the guards would cover decoys splitting into three routes back to the capital, while he himself would hide in the city, alone disguising himself as an accidentally deceased "corpse" lying in a coffin, hiring a mourner to escort the spirit to Lingcheng, the city closest to the capital.

The professional mourner Yan Xiaoxiao was hired to escort the spirit of someone who had died far from home to the distant Lingcheng. Her companion Ma Biao plotted to sell the handsome "corpse" to a matchmaker for a ghost marriage—little did he know that this handsome "corpse" was the Eighth Prince evading assassination!

In the middle of the night, the "corpse" suddenly crawled out of the coffin. Yan Xiaoxiao thought it was a corpse come back to life and, frightened out of her wits, gave the "corpse" a sound beating.

The Eighth Prince: This prince... thanks you.

Editor's review

The Perfect Match twists together palace intrigue and street-level comedy: to evade assassination, the Eighth Prince Zhou Su hides in a coffin and poses as a dead man, escorted by the professional mourner Yan Xiaoxiao, only to be soundly beaten when the "corpse" comes back to life at midnight. This premise itself carries a light sense of dislocation, letting the tense undercurrents of the succession struggle play out in absurd travel scenes. The author Tong Huo uses the identity contrast between "mourner" and "prince" to drive the plot; the power struggles of court and harem serve as background pressure, while the main line relies more on the misunderstandings and adjustments of the two traveling together to create appeal. For readers who enjoy sweet, satisfying ancient romance, identity dislocation, and light comedic pacing, this book is friendly to enter and vivid in scene; those expecting rigorous intrigue or weighty historical texture should adjust their expectations. It works well as light reading for commutes or bedtime, following Yan Xiaoxiao's "spirit escort" journey to see how this serendipitous bond takes root.

Who it's for

A good fit for

  • Readers who enjoy light comedic ancient romance and identity dislocation setups
  • Romance readers who prefer the pairing of a prince and a commoner
  • Readers who want light stories for commutes or bedtime
  • Readers interested in folk elements such as mourning rituals and ghost marriages

Not a good fit for

  • Readers seeking rigorous intrigue and deep court power struggles
  • Readers expecting weighty historical texture and serious narrative
  • Readers with low tolerance for exaggerated coincidences and comedic misunderstandings

Reading tips

  1. First accept the absurd premise of "a prince hidden in a coffin" and treat it as a comedic device rather than an object of historical verification; it reads more smoothly that way.
  2. Pay attention to the dialogue and misunderstandings as Yan Xiaoxiao and Zhou Su travel together; the relationship develops mainly through these daily interactions.
  3. Read the harem assassination passages as background pressure; there is no need to scrutinize the intrigue logic item by item—focus on how it pushes the two characters closer.
  4. It works well to read over several evenings, stopping each time at a resolved misunderstanding or a new trouble, preserving the light momentum of wanting to continue.

About the publisher

Guizhou People's Publishing House China · Founded in 1951

Guizhou People's Publishing House is a comprehensive publisher based in Guizhou, with publishing directions covering architecture, foreign literature, Eastern philosophy and history. Its library currently holds 232 titles, including representative works such as Liang Sicheng's A History of Chinese Architecture, Yasunari Kawabata's Snow Country, The Old Capital, The Izu Dancer and Thousand Cranes, Mou Zongsan's Nineteen Lectures on Chinese Philosophy, Jiang Tingfu's Modern Chinese History and Rashomon. Its author resources span architecture, foreign literature and philosophical studies. These titles show that the press both introduces foreign literary classics, including Japanese literature, and continues to publish academic and general-interest works on Chinese architectural history, Chinese philosophy and modern history, reflecting a publishing profile that balances Chinese and foreign works and combines classics with accessible reading. Public information on its fuller publishing history and key series is limited, so no speculation is offered here.

Contents

  1. 版权信息
  2. 第一章 冥婚
  3. 第二章 献祭
  4. 第三章 共眠
  5. 第四章 冲喜
  6. 第五章 敬天
  7. 第六章 相思
  8. 第七章 连理
  9. 番外 暖夜

FAQ

What are the main highlights of the story?
The core highlight is the comedic tension from identity dislocation: the Eighth Prince Zhou Su poses as a corpse in a coffin to evade assassination, the professional mourner Yan Xiaoxiao is hired to escort the spirit, and when the "corpse" crawls out at midnight it is taken for a risen corpse and beaten. The misunderstandings and adjustments of the two traveling together form the main interest.
Is there much court intrigue in the background?
The dark currents of court and harem and Shi Honglian's interception and killing of Zhou Su are the direct reason he hides in the coffin; they serve as the story's background pressure. The main line falls more on the journey encounter and getting along between Zhou Su and Yan Xiaoxiao, with the intrigue serving character action rather than unfolding independently.
What kind of person is Yan Xiaoxiao?
Yan Xiaoxiao is a professional mourner hired to escort a spirit, making a living by mourning for others. Her first reaction to the "corpse" crawling out at midnight is to strike and beat it after being frightened, showing her bold and direct side. Her identity gap with Zhou Su is the source of the story's conflict and humor.
What does the title "The Perfect Match" refer to?
From the materials, the title echoes the pairing of the Eighth Prince and the mourner—two characters of vastly different status bound together by an absurd twist of fate. One hides to evade disaster, the other is hired to escort a spirit, and they end up traveling together by mistake; the title carries a light comedic sense of irony and blessing.

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About the author

桐火 Author

Tong Huo is a web-fiction author about whom relatively limited public information is currently available. The library holds one work under this name, Tian Zuo Zhi He (A Match Made in Heaven). According to the existing information, this work is categorized as otherworld-continent fiction, suggesting that Tong Huo tends to set stories in constructed worlds and to develop character relationships and plot against such settings. Because the author's nationality, life history, and writing career are not yet clear, a more detailed account of their path as a writer cannot be given at present; the confirmable material mainly concerns the work itself. The title Tian Zuo Zhi He, read alongside the otherworld-continent category, indicates that the book may combine a broad fantasy world with attention to compatibility and emotional ties between characters, offering both world-building and relationship-driven storytelling. For readers, Tong Huo remains a new name to be discovered through the work, and the direction and stylistic development of future writing will need to be observed as more works appear.

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