A Masterstroke
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers devoted to social mystery fiction who seek stories combining depth with a sense of their era
- Readers interested in postwar Japanese social and economic history who wish to glimpse the era through literature
- Readers who appreciate a cold, realistic style and enjoy reflecting on human nature and institutional problems within suspenseful narratives
- Readers who wish to understand the essence of Matsumoto Seicho's writing through his outstanding short stories
Not a good fit for
- Readers who seek only fast pacing, high-intensity action, and twists, and who lack patience for social description
- Readers expecting pure orthodox puzzle-solving, locked rooms, or impossible crimes in the classical mystery mode
Reading tips
- Reading in order is recommended, as it allows you to perceive the evolution of the author's style and shifts in social concerns across different periods.
- It is worth doing a little background reading on the specific historical stages of Japan depicted (such as the economic boom), which can deepen your appreciation of the works' critical force.
- Focus on the social motives and economic drivers behind characters' actions; this is the key to understanding the core of Matsumoto Seicho's work.
About the publisher
New Star Press focuses on classic works, mystery and detective fiction, science fiction, history, foreign literature and art, and its 602 titles in the library show a balance between popular reading and humanistic depth. Representative books include The Complete Works of Shakespeare: Illustrated Collector's Edition, And Then There Were None, Murder on the Orient Express, The Player of Games, Local Government in Qing China, A Good Man Is Hard to Find and A Collection of Fine Ukiyo-e Prints, spanning classic literature, detective fiction, science fiction, local history and visual art. Its authors and contributors include William Shakespeare, Agatha Christie and Iain M. Banks, as well as translators such as Zhu Shenghao and Su Fuzhong and illustrators such as John Gilbert and George Cruikshank. Known for the detective series Midnight Library and for social-science and humanities titles, the press emphasizes edition design and reading experience; public information is limited, so this profile highlights the publishing features reflected in the library's books.
Contents
- 版权信息
- 出版前言
- 前言
- 第一章 巨匠的出发点
- 某《小仓日记》传
- 恐吓者
- 第二章 我的最爱
- 等待一年半
- 订地方报纸的女人
- 理外之理
- 删除的还原
- 第三章 听得见歌声、看得见画面
- 搜查圈外的条件
- 真假森林
- 第四章 “日本的黑雾”放晴了吗?
- 《昭和史发掘》——二·二六事件
- 《日本的黑雾》——放逐与清共
- 咖啡时光Ⅰ
FAQ
How does this book compare with Matsumoto Seicho's other full-length novels (such as "Suna no Utsuwa")?
Are the mystery elements strong in this book? Is it mainly about solving cases?
What are the features of this edition published by New Star Press?
Comments
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About the author
Seichō Matsumoto is regarded as the pioneer of Japanese social-school mystery fiction. Born in 1909 in Kokura, Fukuoka Prefecture (present-day Kitakyushu), he left elementary school and worked as a handyman and a printer before joining the Asahi Shimbun, and these experiences at the bottom of society later provided rich material for his writing. In 1953 he won the Akutagawa Prize for A Certain "Kokura Diary". The 1958 novel Points and Lines set off a boom in social-school mystery fiction. His other major works include The Cast of the Sand, Zero no Shōten and The Black Fog of Japan, and Chinese editions of his works also include The Railway Track, The Black Earth and The Water's Flesh. Rather than merely solving puzzles, his writing uses criminal cases to expose social structures and the dark side of human nature; his cold, realistic style has had a profound influence on later mystery literature. He died on August 4, 1992.
Liu Ziqian is a translator and compiler active in Chinese-language publishing who works mainly with foreign literature. Public information about her is limited: her dates of birth and death, nationality, and educational background are not recorded, and only nine related works can currently be confirmed. Judging from the works in the database, her work centers on the translation of Japanese literature. Her representative translations include The Eighth Day's Cicada, Osamu Dazai's No Longer Human, and a collection of classic Japanese literature. She has also worked on works with elements of mystery and detective fiction, such as The Master Stroke, The Two-Sen Copper Coin, The Phantom Thief with Twenty Faces, and The Spider Man, and has translated The Revolutionary. These translations span foreign literature, social fiction, and mystery and detective fiction, showing that her choices balance literary fiction and popular narrative. Her translations are known for staying close to the originals while remaining highly readable, helping Chinese readers access modern and contemporary Japanese literature.