The Summer Office: Minister of War
Tags
Summary
Editor's review
Who it's for
A good fit for
- Scholars of classical studies and history studying the Rites of Zhou and pre-Qin institutional history
- Researchers of institutional history interested in the ancient ideal of establishing offices and assigning duties
- Users of primary sources needing to check the titles and staff numbers of the Summer Offices' subordinate officials
- Advanced readers with some grounding in classical Chinese and an interest in the classics section
Not a good fit for
- General history readers seeking details of actual pre-Qin military and governmental operations
- Beginners without classical Chinese reading ability encountering the classics section for the first time
- Readers expecting narrative storytelling or modern vernacular interpretation
Reading tips
- Read the opening general statement first, to grasp the institutional purpose of establishing offices, assigning duties and assisting the king in bringing peace to the realm
- Read alongside the other five offices, such as the Heavenly Offices and Earthly Offices, to understand the overall structure of the six-office system
- Consult the commentaries of successive dynasties to distinguish the original meaning of the text from later analogies to contemporary officialdom
- Arrange the lists of offices into tables for easy checking of subordinate ranks and staff numbers
About the publisher
"Republic-era Commercial Press Original Editions" refers to original books printed by The Commercial Press during the Republican period, not a separate publishing house. Judging from the 300 titles held in the collection, its publishing focus centers on classical poetry and lyrics, literary appreciation, classic works, military texts, prose and miscellaneous writings, and Eastern philosophy. Representative titles include Wang Guowei's Renjian Cihua, Zhong Rong's Shipin, the lyric collections of Xin Qiji and Liu Yong, Sun Wu's The Art of War, and Lü Buwei's Xianshi Lan. Its author resources are mainly classical writers, together with modern scholars such as Li Jingbang and Guo Huaruo, whose collations and annotations are also represented, giving the list a character centered on original texts while attending to annotation and appreciation. Public information on the precise Republican-era catalog and printings is limited; this overview is based only on the titles held in the collection.
Contents
- 版权信息
- 夏官司马第四
FAQ
What does the Summer Offices chapter mainly discuss?
Does this book reflect the actual pre-Qin bureaucracy?
What are the features of the Republican-era Commercial Press original edition?
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About the author
Anonymous is not a real personal name but a general Chinese designation for authors whose names are unknown, lost, or unsigned. Neither nationality nor dates of birth and death can be verified, and available public information is limited, so the works attributed to this name are the only basis for description. The collection holds 2,078 works under Anonymous, spanning medicine, classics, historical readings, ancient poetry, classical literature, and philosophy. Representative works include The Yellow Emperor's Inner Canon: Lingshu, Mencius, The Book of Documents, Nineteen Old Poems, Complete Song Ci, and The Peacock Flies Southeast. Most of these works took shape through long transmission and editing, emerging either from collective folk creation or from authors whose names were lost over time. In ancient China, the Book of Songs, the Great Learning, and many popular storybooks and plays were signed Anonymous because their authors could not be traced. Anonymous works cross the classics, histories, philosophical writings, medical texts, and poetry; their subjects are broad, and their styles vary from archaic simplicity to clear naturalness, making them important and influential sources for understanding ancient Chinese thought, medicine, and literature.