Restoring Elegance: Song Lyrics cover

Restoring Elegance: Song Lyrics

Rating 3.8
Word count
2.1K words
Chapters
2

Tags

Summary

The Complete Lyrics in Restored Elegance (Fuyaz Gec) runs to fifty juan and contains more than four thousand ci lyrics from the Tang and Northern Song, together with appended ci criticism; it is the largest general anthology of ci from the Song dynasty. Chen Zhensun's Zhizhai Shulu Jieti and Huang Sheng's preface to Zhongxing Yilai Juejiao Cixuan both mention it.

Editor's review

The Complete Lyrics in Restored Elegance is the largest general anthology of ci from the Song dynasty: fifty juan, over four thousand Tang and Northern Song lyrics, with appended ci criticism, making it both an anthology and a compilation of source material. Its compiler, Tongyang Jushi, took “restored elegance” as his guiding principle, and the selection reflects a distinct stance in ci scholarship; readers can encounter a large body of Tang and Northern Song lyrics and, through the appended criticism, learn how Song readers understood ci. Chen Zhensun's Zhizhai Shulu Jieti and Huang Sheng's preface to Zhongxing Yilai Juejiao Cixuan both mention the work, showing its place in Song ci documentary sources. The 2024 Shanghai Jinzhang Shuju printing gives contemporary readers convenient access to this large anthology. It is not a book to plow through juan by juan: begin with the appended criticism to grasp the editorial aims, then read lyrics by poet or period; readers interested in ci documentary sources, the transmission of Tang and Song ci, and anthology criticism will find rich material here.

Who it's for

A good fit for

  • Tang and Song ci enthusiasts who want to read the lyrics systematically
  • Students of classical Chinese literature looking for leads in ci documentary sources
  • Readers studying ci anthologies and ci criticism
  • Readers who like to understand Tang and Song ci through the lineage of anthologies

Not a good fit for

  • Readers who want only a few famous pieces and light entertainment
  • Beginners with little patience for classical-language ci criticism and large general anthologies

Reading tips

  1. Read the appended ci criticism first to understand the “restored elegance” editorial aims, then turn to the lyrics.
  2. There is no need to read every juan; skip by familiar poet and compare with standard anthologies.
  3. Keep a notebook of critical judgments in the ci criticism for later checking and comparison.

About the publisher

Jinzhang Book Company (Jinzhang Shuju) China · Founded in 1901

Jinzhang Book Company (Jinzhang Shuju) was a private publishing and distribution house in Shanghai during the late Qing and early Republican periods, issuing traditional works by lithographic printing. Judging from the 1,194 titles in the collection, its publishing focused on classical poetry, Eastern philosophy, historical reading, traditional Chinese medical texts, and canonical works, along with books on literary appreciation. Representative titles include the poetry and prose collections of Du Fu and Ouyang Xiu; historical works such as the Book of Han and Zizhi Tongjian; classical texts such as the Book of Documents and Mencius; and specialized and literary classics such as Treatise on Cold Damage and Li Sao. Its author resources cover major figures across the ages, including Du Fu, Ban Gu, Sima Guang, Zhang Zhongjing, Qu Yuan, Ouyang Xiu, and Tang Shenwei, reflecting the house's characteristic reliance on traditional scholarship and medical literature while serving general readers. Public information on its early history and operational details is limited, so no conjecture is offered here.

Contents

  1. 版权信息
  2. 复雅歌词(宋) 鲖阳居士

FAQ

What does The Complete Lyrics in Restored Elegance cover?
According to the source, it has fifty juan, contains more than four thousand Tang and Northern Song lyrics, and appends ci criticism; it is the largest general anthology of ci from the Song dynasty. It covers Tang through Northern Song lyrics and does not include works from the Southern Song or later, so readers can plan their reading accordingly.
What is the use of the appended ci criticism?
The appended criticism is key to understanding the compiler's selection criteria. Readers can see Song standards for evaluating ci and Song tastes in ci scholarship, and can compare the criticism with specific lyrics to see how an anthology shaped the preservation and transmission of works.
Can someone without a background in ci read it?
Yes, but it is best to begin with lyrics by familiar poets and move gradually into the criticism. The book is large; readers with no background should not force their way from the beginning, and may use annotated editions or literary histories for support to make it easier.
What place does this book hold in ci documentary sources?
The source notes that Chen Zhensun's Zhizhai Shulu Jieti and Huang Sheng's preface to Zhongxing Yilai Juejiao Cixuan both mention the book, showing it drew attention in the Song. As a large general anthology of ci, it has documentary value for preserving Tang and Northern Song lyrics and for reflecting Song conceptions of ci.

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About the author

鲖阳居士 Author

Tongyang Jushi is an author in the field of classical poetry, and publicly available information is limited, with biographical details largely unverifiable. Two works are attributed to this name, both titled Fuyo Geci (Lyrics Restored to Elegance). Judging from the title and the categories under which it is listed, the content likely concerns the compilation and critical selection of ci poetry, touching as well on themes of Eastern philosophy, and reflecting traditional literati interest in an elegant, orthodox style of ci. Owing to the lack of reliable evidence such as editions, dates of composition, or prefaces and colophons, it is difficult to determine its editorial principles or criteria for selecting lyrics, and it would be inappropriate to infer the author's identity, native place, or circle of acquaintances. On the available evidence, Tongyang Jushi's work is best regarded as a compilation or commentary within classical ci scholarship, useful for studying traditional poetry criticism and notions of elegance and vulgarity. Readers should note these limitations and approach questions of authorship and textual origin with caution.

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