Grasping the Sound cover

Grasping the Sound

Rating 3.8
Word count
29K words
Chapters
53

Tags

Summary

Sheng Zhi

Editor's review

Sheng Zhi is a work on ci poetry by the ci scholar Chen Feishi. The author states that he has studied ci composition for forty years, accumulating what he learned from teachers and friends and from his own recitation into this volume. The book aims to guide readers in the approach to writing ci; it both carries on the Song and Yuan traditions of ci criticism represented by Zhang Yan, Shen Yifu, and Lu Fuzhi, and responds to the views of modern ci scholars such as Zhou Ji, Liu Xizai, Chen Tingzhuo, Tan Xian, Feng Xu, Kuang Zhouyi, and Chen Rui, bearing the clear character of ci-talk and ci-studies lecture notes. Its value lies in mutually corroborating earlier resources on ci criticism with the author's personal creative experience, offering learners of ci a path to follow rather than empty talk about stylistic rank. It should be read alongside specific ci works to grasp his discussions of tonal rules and compositional method. The views carry the author's personal stance; reading them together with various critics' discussions of ci makes his choices clearer. It suits readers with some grounding in ci studies who are learning to write ci or researching modern ci scholarship.

Who it's for

A good fit for

  • Readers with some grounding in ci studies who wish to learn the approach to writing ci
  • Scholars and graduate students researching modern ci studies and the ci-talk tradition
  • Enthusiasts familiar with Tang and Song ci who want to learn more about Qing and Republican-era ci criticism
  • Readers of literature and history who enjoy the ci-talk genre and are willing to read theoretical writing closely

Not a good fit for

  • Complete beginners with no grounding in ci studies encountering classical ci for the first time
  • Readers who only want appreciation of ci works and do not wish to engage with theoretical discussion

Reading tips

  1. Read through once to grasp the book's framework for discussing ci, then read closely chapter by chapter by themes such as tonal rules and compositional method.
  2. Where Zhang Yan, Zhou Ji, and other critics' views are discussed, look up the relevant passages in their original works and read them side by side.
  3. After each section, pick a corresponding ci work and try analyzing it according to the discussion to test your understanding.
  4. Use it alongside ci manuals and rhyme books, and look up tonal terminology promptly rather than skipping over it.

About the publisher

Jinzhang Book Company (Jinzhang Shuju) China · Founded in 1901

Jinzhang Book Company (Jinzhang Shuju) was a private publishing and distribution house in Shanghai during the late Qing and early Republican periods, issuing traditional works by lithographic printing. Judging from the 1,194 titles in the collection, its publishing focused on classical poetry, Eastern philosophy, historical reading, traditional Chinese medical texts, and canonical works, along with books on literary appreciation. Representative titles include the poetry and prose collections of Du Fu and Ouyang Xiu; historical works such as the Book of Han and Zizhi Tongjian; classical texts such as the Book of Documents and Mencius; and specialized and literary classics such as Treatise on Cold Damage and Li Sao. Its author resources cover major figures across the ages, including Du Fu, Ban Gu, Sima Guang, Zhang Zhongjing, Qu Yuan, Ouyang Xiu, and Tang Shenwei, reflecting the house's characteristic reliance on traditional scholarship and medical literature while serving general readers. Public information on its early history and operational details is limited, so no conjecture is offered here.

Contents

  1. 版权信息
  2. 序
  3. 叙
  4. 卷上
  5. 诗馀说
  6. 和声说
  7. 宫调说
  8. 词律与词谱
  9. 论词韵
  10. 词韵与诗韵
  11. 入声分部
  12. 方音不可为典要
  13. 用入声韵
  14. 上去通押
  15. 夹协
  16. 句中韵
  17. 孔广森分韵
  18. 四声不可紊
  19. 四声因调而异
  20. 切戒自恃天资
  21. 音理宜求密
  22. 词句随人而异
  23. 填词须据名家
  24. 比兴说
  25. 炼字炼句
  26. 行文两要素
  27. 论词境
  28. 词之结构
  29. 卷下
  30. 花间集
  31. 尊前集
  32. 金奁集
  33. 全唐诗附词
  34. 唐五代词选
  35. 乐府雅词
  36. 花庵词选
  37. 阳春白雪
  38. 绝妙好词
  39. 梅苑
  40. 草堂诗馀
  41. 中州乐府
  42. 元草堂诗馀
  43. 花草粹编
  44. 词综
  45. 历代诗馀
  46. 张惠言词选
  47. 周济词辨
  48. 宋七家词选
  49. 心日斋词录
  50. 宋六十一家词选
  51. 宋词三百首
  52. 宋词举
  53. 九种词集

FAQ

What is Sheng Zhi mainly about?
This book is Chen Feishi's work on ci, centered on the approach to learning ci and covering tonal rules, compositional method, and assessment of ci criticism through the ages. Drawing on forty years of experience in studying ci, the author engages in dialogue with the views of Zhang Yan, Zhou Ji, Liu Xizai, and other critics; it is a ci-studies work in the nature of ci-talk.
What background should I have before reading Sheng Zhi?
It is advisable to first become familiar with representative Tang and Song ci works, understand basic ci prosody, and read some classic ci-talk. The book often cites earlier views on ci criticism, and without a foundation it is easy to lose track of the author's choices. Reading it after gaining some experience in writing or studying ci will be more rewarding.
How is this book different from ordinary books of ci appreciation?
It does not mainly appreciate specific ci works but discusses methods of learning ci, tonal rules, and the merits and flaws of various critics' views; it is a work of theoretical guidance. Readers should come with questions and verify against ci works themselves, rather than expecting ready-made explanations of famous pieces.

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About the author

陈匪石 Author

Chen Feishi is a writer on ci studies about whose life relatively little is known. Public information is limited, and no clear records of his birth and death dates, native place, or educational background are available. What can be confirmed is that two of his works survive, Song ci ju and Sheng zhi, commonly classified under literary appreciation. Judging from the titles and orientation of these two works, Chen Feishi's writing focuses on the selected reading of Song ci and the exposition of ci poetics. Song ci ju guides readers toward understanding famous Song ci authors and their works through illustrative examples, showing a clear emphasis on appreciation and teaching, while Sheng zhi leans toward discussion of ci prosody, rhyme and tonal patterns, and compositional method, reflecting attention to the formal norms of the genre. One concentrates on interpreting works and the other on analyzing metrical rules, so the two complement each other and can serve as references for beginners and enthusiasts of ci studies. Because biographical materials are scarce, his scholarly background and sphere of influence are difficult to examine in detail, and readers should rely chiefly on the works themselves.

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