Tang's Medical Talks
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Summary
The following year she passed away. Grieving that Heaven would not spare her, and regretting the ignorance of the physicians of the time, I devoted myself all the more to study, but being tied to examination preparation, I never reached deep mastery. After the age of thirty, I occasionally treated others and often achieved immediate results. Cases that other physicians had mismanaged to the point of danger I also often rescued.
Yet the longer I practiced, the less I dared to trust myself. For the Way of medicine is broad, great, subtle, and profound, truly without limit. The shallow see what is shallow; the deep see what is deep. I have broadly gathered the theories of various schools and, adding my own humble views, written several volumes, all of which met with war and fire and were utterly lost. I have occasionally recorded a few items, but regret having no books to verify them against. I would be grateful for instruction from those skilled in this Way.
Editor's review
Who it's for
A good fit for
- Chinese medicine enthusiasts interested in medical talks and physicians' essays
- Readers who wish to understand ancient physicians' motives for studying medicine and their mindset in practice
- Practitioners with some foundation in Chinese medicine who enjoy testing theory against clinical insight
- Readers in the humanities interested in traditional medical culture and reflections on medical ethics
Not a good fit for
- Beginners seeking systematic Chinese medicine textbooks or standard formula guides
- Readers expecting modern clinical guidelines or evidence-based medical evidence
- Readers who prefer strictly structured, clearly organized academic monographs
Reading tips
- First read through the autobiographical section to grasp the author's reasons for studying medicine and his attitude toward practice, then read the specific medical talk entries.
- Keep a notebook at hand and annotate entries that resonate with your own experience for comparison; there is no need to rush.
- Read alongside medical talk works of the same era to compare how different physicians view clinical successes and failures.
About the publisher
Jinzhang Book Company (Jinzhang Shuju) was a private publishing and distribution house in Shanghai during the late Qing and early Republican periods, issuing traditional works by lithographic printing. Judging from the 1,194 titles in the collection, its publishing focused on classical poetry, Eastern philosophy, historical reading, traditional Chinese medical texts, and canonical works, along with books on literary appreciation. Representative titles include the poetry and prose collections of Du Fu and Ouyang Xiu; historical works such as the Book of Han and Zizhi Tongjian; classical texts such as the Book of Documents and Mencius; and specialized and literary classics such as Treatise on Cold Damage and Li Sao. Its author resources cover major figures across the ages, including Du Fu, Ban Gu, Sima Guang, Zhang Zhongjing, Qu Yuan, Ouyang Xiu, and Tang Shenwei, reflecting the house's characteristic reliance on traditional scholarship and medical literature while serving general readers. Public information on its early history and operational details is limited, so no conjecture is offered here.
Contents
- 版权信息
- 序
- \补编·卷上
- \补编·卷下
FAQ
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About the author
Anonymous is not a real personal name but a general Chinese designation for authors whose names are unknown, lost, or unsigned. Neither nationality nor dates of birth and death can be verified, and available public information is limited, so the works attributed to this name are the only basis for description. The collection holds 2,078 works under Anonymous, spanning medicine, classics, historical readings, ancient poetry, classical literature, and philosophy. Representative works include The Yellow Emperor's Inner Canon: Lingshu, Mencius, The Book of Documents, Nineteen Old Poems, Complete Song Ci, and The Peacock Flies Southeast. Most of these works took shape through long transmission and editing, emerging either from collective folk creation or from authors whose names were lost over time. In ancient China, the Book of Songs, the Great Learning, and many popular storybooks and plays were signed Anonymous because their authors could not be traced. Anonymous works cross the classics, histories, philosophical writings, medical texts, and poetry; their subjects are broad, and their styles vary from archaic simplicity to clear naturalness, making them important and influential sources for understanding ancient Chinese thought, medicine, and literature.