In the Cage
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers interested in Henry James's work who wish to understand the stylistic transition of his middle period
- Literary lovers who prefer psychological realism and enjoy delicate inner portrayal and refined irony
- Readers interested in exploring social class, gender roles and early modernity
- Readers who appreciate short or novella-length narratives and seek deep themes within a limited space
Not a good fit for
- Readers expecting strong plot conflict or a fast narrative pace
- Readers impatient with extensive psychological description and subtle social dialogue
Reading tips
- It is advisable to learn something of late Victorian British society first, especially middle-class living conditions and means of communication, to help understand the textual details
- While reading, pay attention to the multiple symbolism of the core image of the "cage"—as physical space, and as the limits of social class and perception
- It may be worth comparing the way the heroine processes telegraph messages with how we handle fragmented information in today's age of social media; the work's prescience will become apparent
About the publisher
People's Literature Publishing House publishes across classical literature, foreign literature, documentary writing and folk literature, with 492 titles in its catalogue. Representative books range from the Chinese classic Romance of the Three Kingdoms to Lao She's Teahouse and Longxu Ditch in the Selected Works of Lao She, as well as translated foreign literature such as Faulkner's The Sound and the Fury, Dante's Divine Comedy and Elena Ferrante's Neapolitan Novels, alongside documentary and fictional works including Primo Levi's If This Is a Man and João Guimarães Rosa's The Devil to Pay in the Backlands. Its authors include Chinese writers such as Lao She, translators such as Shen Emeri and Li Wenjun, and foreign authors such as James Wood. Overall, the house has a strong record in editing classic works and translating foreign literature, with a publishing character that bridges Chinese and foreign writing and values textual quality.
Contents
- 版权信息
- 序一
- 开创心理现实主义小说先河的文学艺术大师——“亨利·詹姆斯小说系列”序二
- 翻译底本说明
- 第一章
- 第二章
- 第三章
- 第四章
- 第五章
- 第六章
- 第七章
- 第八章
- 第九章
- 第十章
- 第十一章
- 第十二章
- 第十三章
- 第十四章
- 第十五章
- 第十六章
- 第十七章
- 第十八章
- 第十九章
- 第二十章
- 第二十一章
- 第二十二章
- 第二十三章
- 第二十四章
- 第二十五章
- 第二十六章
- 第二十七章
- 后记
FAQ
What are the main features of this book compared with Henry James's other works?
Why is the "telegraph" in the story's setting important for understanding the work?
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Comments
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About the author
Henry James (1843–1916) was an American novelist and literary critic, born in New York and died in London. He lived in Europe for many years and settled in Britain, taking British citizenship in 1915 to protest the United States' non-participation in the war. His representative works include The Portrait of a Lady, Daisy Miller, The Wings of the Dove, The Ambassadors, The Golden Bowl and the novella The Turn of the Screw. James is known for his "international theme," often depicting the moral and emotional predicaments of characters caught between European and American cultures. He is also noted for psychological realism, with delicate prose that foregrounds the inner consciousness of his characters. This library holds eighteen of his works, including novels, selected short stories and an English-language original edition, generally classified under foreign literature and literary appreciation.
Public information about Wang Yuexi is limited. Only two works by this author are held in the library, both classified as foreign literature: The British Agent (The Complete Short Stories of W. Somerset Maugham, Volume 5) and In the Cage. Judging from these two titles, Wang Yuexi's translation or editorial work centers on Maugham's short stories, whose themes often involve espionage and the observation of human nature, and whose style is marked by concise narration, clever plot twists, and delicate psychological portrayal. Maugham's short fiction frequently reveals the absurdity and complexity of ordinary life in a calm, restrained tone, and the two works presented here continue that orientation. Because information such as dates of birth and death, nationality, education, and professional positions cannot be confirmed, no speculation is offered here; this note merely describes the direction of the author's work based on the available bibliographic information, for readers' reference.