The Four Seasons
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Summary
Editor's review
Who it's for
A good fit for
- Readers interested in ancient conceptions of the seasons and agricultural calendar culture
- Those who enjoy extended reading that begins from a short classical phrase
- General readers who want a light introduction to traditional knowledge from the Classics
- People living in the countryside or attentive to the changes of the solar terms
Not a good fit for
- Readers seeking systematic agronomic knowledge or detailed seasonal research
- Readers of novels who expect long narrative and plot development
- Researchers who want complete annotation and scholarly interpretation
Reading tips
- Read the title explanation and original text first, then annotate in light of your own observations of the four seasons
- Read it in sections by spring, summer, autumn, and winter, comparing each with the season at hand
- After reading, consult commentaries on the Book of Changes, Hexagram Heng, to extend your understanding of “endure and complete”
About the publisher
Bashu Publishing House is a publisher centered on collating and publishing classical Chinese cultural texts, with its main publishing areas covering classical literature, Eastern philosophy, ancient poetry, and educational classics. Its library currently holds 1,075 titles, including representative works such as Dream of the Red Chamber, the Preface to the Orchid Pavilion Gathering, Renjian Cihua, and Out to the Frontier, involving authors such as Cao Xueqin, Wang Xizhi, Wang Guowei, Wang Changling, Liu Xie, and Yan Yu. These reflect the publisher's focus on literary classics, poetry criticism, and philosophical readings. Its publishing character lies in working around ancient texts and canonical works, with attention to textual collation and presentation. Public information on its more detailed publishing background and series plans is limited; this introduction is based only on the library's book information.
Contents
- 版权信息
- 四时第四十
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About the author
Anonymous is not a real personal name but a general Chinese designation for authors whose names are unknown, lost, or unsigned. Neither nationality nor dates of birth and death can be verified, and available public information is limited, so the works attributed to this name are the only basis for description. The collection holds 2,078 works under Anonymous, spanning medicine, classics, historical readings, ancient poetry, classical literature, and philosophy. Representative works include The Yellow Emperor's Inner Canon: Lingshu, Mencius, The Book of Documents, Nineteen Old Poems, Complete Song Ci, and The Peacock Flies Southeast. Most of these works took shape through long transmission and editing, emerging either from collective folk creation or from authors whose names were lost over time. In ancient China, the Book of Songs, the Great Learning, and many popular storybooks and plays were signed Anonymous because their authors could not be traced. Anonymous works cross the classics, histories, philosophical writings, medical texts, and poetry; their subjects are broad, and their styles vary from archaic simplicity to clear naturalness, making them important and influential sources for understanding ancient Chinese thought, medicine, and literature.