Weekend cover

Weekend

Rating 3.9
Word count
99K words
Chapters
44
ISBN
9787532750474

Tags

Summary

After more than twenty years in prison, Jörg is pardoned and released by the President. To celebrate his freedom, his sister Christiane organizes a weekend gathering at her house on the outskirts of Berlin, inviting Jörg's friends. Christiane hopes this will be a good opportunity to help her brother start a new life, but for those who attend, feelings are mixed and the past is hard to look back on. Jörg was once a member of the German Red Army Faction, a group deeply influenced by far-left ideology that grew out of the West German student movement of 1968 and developed into a violent terrorist organization in the 1970s, carrying out numerous kidnappings and murders that shocked the world in the 1970s and 1980s; Jörg was a participant in these terrorist acts. The reunion with Jörg brings back choices and judgments that seemed long gone. How should Jörg face the people around him, and how should he understand today's world? Over the three-day gathering, Jörg, his lawyer, his "revolutionary comrades," his former lover, and his son, with whom he has lost contact for years—each person's behavior, words, demeanor, mood... Times have changed, and it is not only Jörg; everyone is searching for their place anew, and everyone once again faces the perplexities of dreams, responsibility, guilt, forgiveness, friendship, and moral judgment—and a world now facing new terrorist threats makes all this more than mere retrospect.

Editor's review

Weekend is another major work by German author Bernhard Schlink after the global success of The Reader, continuing his deep exploration of history, morality, and human redemption. The novel is framed around a three-day weekend gathering that brings together a group of former left-wing extremists who once participated in terrorist activities and, after years in hiding, meet again to confront the crimes of the past, their present loss of identity, and their future choices. With cool restraint, Schlink portrays these characters' spiritual predicaments under the weight of history and how individuals seek new meaning in life after their ideals have been shattered. The novel does not simply depict political positions or ideological oppositions but delves into the complex contradictions within human nature—love, betrayal, fear, forgiveness, and the conflict between individual and collective memory. Schlink's background as a law professor lends the work a distinctive depth of reflection; through delicate psychological portrayal and dialogue, he explores the boundaries of moral responsibility, the inescapability of history, and whether redemption is possible. The literary value of Weekend lies not only in its compact narrative structure and tension-filled plot but also in its unique perspective on postwar German history and global political violence—a work both intellectually weighty and emotionally penetrating.

Who it's for

A good fit for

  • Readers interested in reflections on postwar German history and political violence
  • Literary lovers who enjoy explorations of moral dilemmas and human nature
  • Readers who appreciate Schlink's cool, restrained narrative style
  • Those concerned with themes of disillusioned idealism and personal redemption

Not a good fit for

  • Readers seeking light entertainment or fast-paced plots
  • Readers with no interest at all in political and historical backgrounds

Reading tips

  1. It is advisable to first learn about the historical background of left-wing extremist groups such as Germany's Red Army Faction to better understand the characters' motivations
  2. Pay attention to the subtext and psychological shifts in the characters' dialogue while reading; Schlink excels at revealing inner conflict through details
  3. The book can be read in comparison with The Reader to appreciate how Schlink continues to explore themes of history and guilt across different works

About the publisher

Shanghai Translation Publishing House China · Founded in 1978

Shanghai Translation Publishing House is a Chinese publisher oriented mainly toward translation and publishing. Its publications cover foreign literature, world classics and classic works, as well as social culture, folk literature and classical poetry. The database contains 2,618 titles, including Never Let Me Go, Les Misérables (2 volumes), Don Quixote (illustrated collector's edition), The Complete Comedies of Molière (4 volumes), The Complete Novels of Kafka (3 volumes), The Collected Works of Dostoevsky (9-volume set), Reason and Persons, and Oedipus Rex (Translation Classics). Its author resources include foreign writers such as Kazuo Ishiguro, Victor Hugo, Cervantes and Molière, as well as translators such as Zheng Kelu, Sun Jiameng, Li Jianwu and Zhang Kun. The publisher has brands such as "Translation Classics Selections" and "Translation Documentary," and emphasizes translated works in foreign literature and the humanities and social sciences, while also publishing bilingual dictionaries and foreign-language educational books. Public information is limited; the above is based on the book information in the database.

Contents

  1. 版权信息
  2. 星期五
  3. 一
  4. 二
  5. 三
  6. 四
  7. 五
  8. 六
  9. 七
  10. 八
  11. 九
  12. 一〇
  13. 一一
  14. 一二
  15. 一三
  16. 一四
  17. 一五
  18. 星期六
  19. 一
  20. 二
  21. 三
  22. 四
  23. 五
  24. 六
  25. 七
  26. 八
  27. 九
  28. 一〇
  29. 一一
  30. 一二
  31. 一三
  32. 一四
  33. 一五
  34. 一六
  35. 一七
  36. 星期天
  37. 一
  38. 二
  39. 三
  40. 四
  41. 五
  42. 六
  43. 七
  44. 八

FAQ

Will not having read The Reader affect my understanding of Weekend?
No. Weekend is an independent story with no direct plot connection to The Reader, though the two share a spiritual resonance in themes such as historical reflection and moral dilemmas.
Is the plot of this book tense?
The plot does not pursue external tension and excitement but creates inner tension through psychological confrontations, memories, and dialogue among the characters, making it suitable for readers who prefer intellectual depth and psychological description.
What are the characteristics of Schlink's writing style?
Schlink's language is concise, calm, and restrained, with a steady narrative pace; he is skilled at revealing characters' complex inner worlds through dialogue and detail, and his writing carries a distinctive speculative and legalistic flavor.

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About the author

Bernhard Schlink is one of the foreign-literature authors included in our collection, with five works currently listed, including Love's Flight, Summer Lies, Sigrun's Choice, and The Weekend, with Summer Lies appearing twice. Since the collection does not provide his nationality, birth and death dates, or English name, public information is limited, so this profile avoids speculation about his life and focuses instead on the character of his works. Judging from the titles and the common categories, Schlink's writing tends to center on emotional relationships, everyday ethics, and personal choices, and he is skilled at revealing distance, misunderstanding, and hidden tension between people within ordinary settings. His narrative is restrained and understated, leaving room for reflection. His works are classified under foreign literature and classic works, suggesting that readers and editors see them as both readable and literarily substantial. These four works already reflect his thematic interests and stylistic tone; if fuller author information becomes available, his life and creative development could be added later.

印芝虹 Author

Yin Zhihong is an author about whom little public information is available. The only work of hers confirmed in the library's holdings is Weekend, which is classified under foreign literature. Since her dates of birth and death, nationality, education, and professional experience cannot be verified, no speculation about her life is offered here. Judging from the available clues, the title Weekend suggests the work may center on everyday life, leisure time, or family relationships, while the foreign-literature classification hints at foreign subject matter, a translation background, or a cross-cultural narrative perspective. With so little material to go on, it is too early to assess her writing style or literary influence; readers may instead approach the work itself, attending to its choice of subject, narrative approach, and language, and thereby appreciate the observation and expression the author offers within a limited space.

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