Two Poems on Listening to Songs cover

Two Poems on Listening to Songs

Rating 3.9
Word count
2.6K words
Chapters
48

Tags

Summary

"Two Songs of Listening to Music" is a poetic work by the Tang dynasty poet Zhang Hu.

Editor's review

Zhang Hu is known for his palace poems and for writing on the theme of listening to music; in these two songs he turns musical experience into lines that can be recited and felt, brief yet clearly layered. This edition preserves the original poems, making it a light entry point for reading Tang poetry on a specific theme. Readers can use it to sense how Tang poets wrote about sound, banquets, and fleeting shifts of mood, and can read it alongside Zhang Hu's other palace poems to observe how he handles auditory imagery. The Nanhai Publishing House edition is easy to carry, suited to dipping into on a commute or before sleep; there is no need to finish it in one sitting, and repeated recitation brings out the rhythm between the lines. For readers new to Zhang Hu, these two short poems are not demanding, yet they open a window onto the poetic style of the mid-to-late Tang.

Who it's for

A good fit for

  • General readers who want an easy introduction to Tang quatrains
  • Literature lovers interested in musical themes in Tang poetry
  • Middle-school students and Chinese teachers needing short texts for recitation
  • People who like carrying a small booklet to read anywhere

Not a good fit for

  • Researchers expecting detailed annotations and scholarly textual criticism
  • Readers hoping for long narrative poems or a complete poetry collection
  • Those who prefer modern vernacular interpretation and do not want to engage with the original text

Reading tips

  1. First read aloud twice to feel the pauses and rhymes, then look at the literal meaning line by line.
  2. After reading, try describing the listening scene in your own words to check whether you have grasped the imagery.
  3. Read alongside Zhang Hu's other short poems and compare his different approaches to writing sound and palace sorrow.

About the publisher

Nanhai Publication Company China · Founded in 1988

Nanhai Publication Company is a comprehensive publisher known for its literature and arts titles, covering fields such as classical poetry, martial arts fiction, and folk literature. Judging from the more than 1,600 books in the database, the company has released classical poetic works including the Nineteen Old Poems and the Nine Songs, as well as multiple volumes of Huanzhulouzhu's series The Swordsmen of Mount Shu, along with related writings by authors such as Guan Hanqing, Qu Yuan, Zuo Si, and Wang Zhihuan. Its publishing character lies in balancing the organization of classic texts with the dissemination of popular literature, placing poetry anthologies alongside long martial arts novels and presenting a relatively diverse literary profile. Public information is limited, and further details about its editorial practices and series planning remain to be supplemented.

Contents

  1. 版权信息
  2. 【元日仗】张祜
  3. 卷511_68【连昌宫】张祜
  4. 卷511_69【正月十五夜灯】张祜
  5. 卷511_70【上巳乐】张祜
  6. 卷511_71【千秋乐】张祜
  7. 卷511_72【春莺啭】张祜
  8. 卷511_73【大酺乐二首】张祜
  9. 卷511_74【邠王小管】张祜
  10. 卷511_75【李谟笛】张祜
  11. 卷511_76【宁哥来】张祜
  12. 卷511_77【丁巳年仲冬月江上作】张祜
  13. 卷511_78【邺中怀古】张祜
  14. 卷511_79【读池州杜员外杜秋娘诗】张祜
  15. 卷511_80【杭州开元寺牡丹】张祜
  16. 卷511_81【招徐宗偃画松石】张祜
  17. 卷511_82【平阴夏日作】张祜
  18. 卷511_83【赠处士】张祜
  19. 卷511_84【邠娘羯鼓】张祜
  20. 卷511_85【退宫人二首】张祜
  21. 卷511_86【耍娘歌】张祜
  22. 卷511_87【悖拏儿舞】张祜
  23. 卷511_88【题灵彻上人旧房】张祜
  24. 卷511_89【晚秋潼关西门作】张祜
  25. 卷511_90【赠内人】张祜
  26. 卷511_91【洛中作】张祜
  27. 卷511_92【折杨柳枝二首】张祜
  28. 卷511_93【华清宫四首】张祜
  29. 卷511_94【赠窦家小儿】张祜
  30. 卷511_95【听崔莒侍御叶家歌】张祜
  31. 卷511_96【长门怨】张祜
  32. 卷511_97【读老庄】张祜
  33. 卷511_98【偶题】张祜
  34. 卷511_99【别玉华仙侣】张祜
  35. 卷511_100【汴上送客(一作汴上同杨升秀才送客归)】张祜
  36. 卷511_101【邮亭残花(一作平原路上题邮亭残花)】张祜
  37. 卷511_102【秋时送郑侍御】张祜
  38. 卷511_103【宿武牢关】张祜
  39. 卷511_104【夜宿湓浦逢崔升】张祜
  40. 卷511_105【京城寓怀】张祜
  41. 卷511_106【集灵台二首(后篇一作杜甫诗)】张祜
  42. 卷511_107【感归】张祜
  43. 卷511_108【偶作】张祜
  44. 卷511_109【劝饮酒】张祜
  45. 卷511_110【阿鸨汤】张祜
  46. 卷511_111【马嵬坡】张祜
  47. 卷511_112【太真香囊子】张祜
  48. 卷511_113【雨霖铃】张祜

FAQ

Does this book contain only two poems?
Judging from the title and the material, "Two Songs of Listening to Music" consists of Zhang Hu's two works on the theme of listening to music, and is very short. It is best treated as a small volume for close reading of a single piece rather than an anthology of many poems.
Can I read it without any background in classical poetry?
Yes. The two poems are short with concentrated imagery; reading the original through once and looking up a few words is enough to get started. Reading aloud is recommended, and there is no need to aim for word-by-word accuracy at first.
Is it suitable for classroom teaching?
It works well as short supplementary material. Teachers can guide students to notice the sound descriptions and emotional shifts in the poems and have them try rewriting or imitating them; the brevity makes it easy to complete within a class.

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About the author

张祜 Author

Zhang Hu was a poet of the Tang dynasty. Reliable public sources on his life, official career, and dates of birth and death are limited, so they cannot be described in detail. Eight works are held in the collection, mostly classical poetry on subjects such as listening to songs, inscribing temples, hearing bugles, mourning friends, writing about gardens, and yuefu pieces under the Hengchui qu titles. Poems such as "Two Songs on Listening to Singing" and "Hearing the Dawn Bugle at Guazhou" draw poetic meaning from everyday sights and travel scenes, with plain, lucid language and restrained feeling, bearing the melancholy tone of late Tang literati. His inscriptions on temples and gardens often sketch scenery in fine detail while conveying a sense of personal circumstance. The Hengchui qu pieces follow old yuefu titles and have a simple, sorrowful style. Though less renowned than the major poets of his day, Zhang Hu is noted for clear elegance and emotional resonance, and is occasionally cited in Tang and Song poetry talks and anthologies, exercising some influence on the lyrical and scenic art of later regulated quatrains. Given limited sources, his chronology and acquaintances still await further study.

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