Sentence-Based Movement
Tags
Summary
Editor's review
In terms of content, the book displays Zhang Er's ongoing thinking as a practitioner of "new poetry" writing. His poems are highly experimental, emphasizing the construction of internal structure and the expansion of intellectual space; the essays and interviews clearly present the thread of his poetic ideas, involving rereadings of classical poetics, responses to Western modern poetic theory, and judgments on the situation and possibilities of contemporary Chinese poetry. This structure of mutual intertextuality between creation and theory makes the book not only a collection of works but also a personal poetic archive with methodological significance.
For readers, the value of this book lies in the "meta-poetic" perspective it offers. It is not content with emotional expression or scenic description but constantly interrogates the boundaries and ethics of poetic writing. Zhang Er's writing is restrained and dense, requiring readers to summon considerable concentration and thought in dialogue with it. Therefore, this book is more suitable for serious readers who are not satisfied with the surface beauty of poetry and who desire to delve into the internal mechanisms of Chinese poetic writing and understand the intellectual dimension of contemporary poetry. It may challenge some ingrained reading habits, but it can also open an important window for a deeper understanding of the complexity and richness of contemporary poetry.
Who it's for
A good fit for
- Poetry researchers and writers with a deep interest in contemporary Chinese poetic theory and creative methodology
- Advanced poetry enthusiasts hoping to move beyond lyrical reading and explore poetic language, form, and philosophical speculation
- Readers concerned with the genre of "poet criticism" or "creative talks" in contemporary Chinese literature
- Readers who wish to gain a systematic understanding of Zhang Er's personal poetic trajectory and poetic ideas
Not a good fit for
- Casual readers seeking light entertainment or purely emotional solace
- Readers unfamiliar with or resistant to strongly experimental and speculative texts
Reading tips
- It is suggested not to read linearly according to the table of contents; begin with poems or interviews of interest, establish an intuitive understanding, and then enter the more theoretical essays.
- Keep notes while reading, recording lines in the poems that confuse or excite you and the core concepts touched upon in the essays, and try to establish connections between the two.
- Reading this book is a mental training; do not strive for complete understanding at once. Read repeatedly at intervals, focusing on one dimension each time, such as language, structure, or ideas.
About the publisher
Adhering to the publishing purpose of "broad education," East China Normal University Press extends beyond its three main areas of textbooks, academic works and general-interest books, and its catalogue clearly reflects a vision that bridges Chinese and foreign humanities and social sciences. In foreign literature it offers classics such as Yasunari Kawabata's Snow Country and The Old Capital (translated by Chen Dewen), Jane Austen's Pride and Prejudice, and Rilke's annotated edition of The Notebooks of Malte Laurids Brigge (translated by Chen Zao); in architecture, Chen Congzhou's two-volume Appreciation Dictionary of Chinese Gardens; in social psychology, The Social Animal: 12th Edition; and it also includes philosophy titles, traditional-culture works such as the six-volume Paintings for the Protection of Life, and education books. Its authors include renowned Chinese and foreign writers and skilled translators, showing a publishing profile that balances classic translation, scholarly accumulation and public reading. Public information is limited; the above is based only on the books in the catalogue.
Contents
- 版权信息
- 造句集
- 造句
- 虹桥速写
- 交通协奏曲
- 八卦岭札记
- 隧道之歌
- 电流之歌
- 布吉河小夜曲
- 另一天
- 菊江旧事
- 空城纪,法诺酒吧
- 法诺吧之二,非虚构
- 幽径
- 半日谈
- 我们
- 依旧
- 巴黎写真
- 阴影也从我们身边经过
- 鹿
- 现实
- 飞地
- 别出的秘密
- 雨夜·野趣
- 怀古诗
- 酒馆私信
- 穿过
- 街区
- 新闻诗
- 流离
- 器官气候症
- 梦中的中年派
- 别京城
- 寄海南
- 忆永嘉
- 悲欢颂
- 模拟场,乐园路
- 镜中诗
- 蒙太奇,公园旧事
- 慢镜头,湖贝路
- 去中原已近小雪
- 癸巳年入冬,雨中作
- 癸巳年岁末,大寒
- 波士顿晨曲
- 距离
- 而你
- 雪中的国度
- 灰色的
- 季夏月中与太阿骑虎入洞背会文波、灿然、乐天诸友
- 言语的脸庞
- 秋浦歌
- 一种声音
- 契约
- 冬夜旅人
- 灰雀观
- 黑色森林
- 牧马人
- 黑鸟
- 追忆
- 有一次在湖畔
- 湖
- 回印第安湖
- 雕刻
- 美剧片段:旅馆
- 美剧片段:医院
- 美剧片段:寄信
- 美剧片段:神学聚会
- 美国之音
- 雕像
- 夜饮
- 除夕
- 变速器
- 波澜微惊的地方
- 雨中剧
- 无邪诗
- 接木诗
- 教育
- 我们之中
- 榕树下,忆故人
- 失火
- 暴雨
- 鸟经
- 纸牌游戏
- 玩具
- 壮游图
- 之一
- 之二
- 之三
- 之四
- 之五
- 之六
- 之七
- 之八
- 之九
- 之十
- 之十一
- 之十二
- 之十四
- 之十五
- 之十六
- 之十七
- 之十八
- 之十九
- 之二十
- 之二十一
- 之二十二
- 之二十三
- 之二十四
- 之二十五
- 之二十六
- 之二十七
- 之二十八
- 之三十
- 之三十一
- 之三十二
- 之三十三
- 之三十四
- 短剧
- 短剧
- 短剧
- 短剧
- 短剧
- 短剧
- 短剧
- 短剧
- 短剧
- 短剧
- 短剧
- 短剧
- 短剧
- 短剧
- 短剧
- 短剧
- 短剧
- 短剧
- 短剧
- 短剧
- 短剧
FAQ
Is this book a poetry collection or a theoretical work?
Does reading this book require a strong theoretical foundation in poetry?
What is Zhang Er's poetic style like?
Related on WeRead
Comments
Find this book
This site is an index: you start “Search all sources” in your browser, and the entries it lists all point to third-party sites; please judge their availability yourself.
About the author
Zhang Er: biographical information about this author is not currently available in public sources. What can be confirmed is a single work, Sentence-Book Movement (Ju Ben Yundong), commonly classified as modern poetry. Because public material is limited, the author's nationality, dates of birth and death, educational background, and literary activities cannot be verified and are not speculated upon here. Judging from the available clues, Zhang Er's writing centers on modern poetry, and the title Sentence-Book Movement suggests an attention to language, sentence patterns, and a sense of movement, possibly reflecting a conscious exploration of poetic form and linguistic experiment. The classification of the work as modern poetry indicates that the writing is connected to the broader current of contemporary Chinese-language poetry. With only one work currently known, it is difficult to judge the overall shape and evolution of the author's writing or to assess its influence. Readers wishing to learn about Zhang Er should rely primarily on Sentence-Book Movement and consider the author's linguistic awareness and poetic aims through reading it; further information awaits fuller public sources.