Ancient Poems: Translation and Commentary
Tags
Summary
Editor's review
Who it's for
A good fit for
- Modern readers interested in classical poetry but finding classical Chinese daunting, seeking an introductory guide
- Chinese literature students or classical poetry enthusiasts seeking deeper interpretation beyond textbook frameworks
- Writers or creators hoping to draw linguistic inspiration and aesthetic nourishment from classical poetry
- Contemplative readers who enjoy quiet reading and are willing to spend time savoring the beauty of words and ideas
Not a good fit for
- Readers seeking fast-food-style, highly anecdotal poetry tidbits or gossip
- Specialist researchers requiring strict academic textual criticism or documentary research materials
Reading tips
- You need not read in order; start with the commentary on a poem you are most familiar with or fond of to get a feel for the author's interpretive style
- While reading, first savor the original poem and form your own impression, then compare it with the author's translation and commentary to appreciate the similarities, differences, and insights
- The book's analysis of poetic technique and imagery is quite deep; slow, careful reading in a quiet environment is recommended, with notes jotted down as you go
About the publisher
Public information about Beijing Women and Children Publishing House is limited. Judging from the nine titles in our database, its publishing scope covers foreign literature, literary appreciation, history, applied psychology, and classical poetry. Representative books include Edith Hamilton's 1200 Years of Greek and Roman Mythology, the two-volume Listening to Zhu Ziqing on the Classics (Listening to Zhu Ziqing on Ancient Poetry and Listening to Zhu Ziqing on Classical Literature), William Arthur Shaw's A History of Western Currency, as well as All I Ask for in Life Is Love and Freedom, Story Healing, Annotated Translations of Ancient Poems, The Great Masters: From Confucius to Plato, and Marry Me. Its authors include modern writers such as Zhu Ziqing and Lao She, along with Wu Tingting, Zhao Yipeng, Evan Poster, and Wu Liheng. Overall, it shows a publishing character that balances classic translation with literary popularization and attends to psychological and life themes.
Contents
- 版权信息
- 自序
- 诗经
- 周颂·清庙之什
- 清庙
- 维清
- 天作
- 周颂·臣工之什
- 臣工
- 振鹭
- 有瞽
- 周颂·闵予小子之什
- 闵予小子
- 大雅·文王之什
- 文王
- 大明
- 绵(片段)
- 大雅·生民之什
- 生民(片段)
- 凫鹥
- 大雅·荡之什
- 崧高(片段)
- 小雅
- 鹿鸣
- 伐木(首章)
- 采薇(首尾两章)
- 出车
- 大东
- 宾之初筵
- 国风·秦风
- 蒹葭
- 国风·魏风
- 伐檀
- 国风·唐风
- 绸缪
- 国风·曹风
- 蜉蝣
- 国风·周南
- 关雎
- 卷耳
- 桃夭
- 国风·召南
- 何彼襛矣
- 野有死麕
- 国风·王风
- 黍离
- 君子于役
- 采葛
- 国风·邶风
- 击鼓
- 国风·鄘风
- 载驰
- 国风·卫风
- 氓
- 木瓜
- 国风·齐风
- 鸡鸣
- 国风·郑风
- 将仲子
- 遵大路
- 风雨
- 子衿
- 出其东门
- 国风·陈风
- 月出
- 屈原
- 离骚
- 九歌
- 湘君
- 湘夫人
- 东君
- 河伯
- 山鬼
- 国殇
- 九章
- 涉江
- 哀郢
- 梁鸿
- 五噫歌
- 汉乐府
- 有所思
- 上邪
- 上山采蘼芜
- 辛延年
- 羽林郎
- 古诗十九首
- 行行重行行
- 青青河畔草
- 今日良宴会
- 西北有高楼
- 涉江采芙蓉
- 冉冉孤生竹
- 生年不满百
- 凛凛岁云暮
- 曹操
- 步出夏门行
- 短歌行
- 曹丕
- 燕歌行
- 曹植
- 七哀
- 阮籍
- 咏怀
- 咏怀
- 咏怀
- 咏怀
- 张华
- 情诗
- 左思
- 咏史
- 陆机
- 赴洛道中作
- 陶渊明
- 归园田居
- 归园田居
- 饮酒
- 杂诗
- 读山海经
- 谢灵运
- 石壁精舍还湖中作
- 登池上楼
- 登江中孤屿
- 岁暮
- 东阳溪中赠答二首
- 鲍照
- 拟行路难
- 张融
- 别诗
- 孔稚圭
- 游太平山
- 王籍
- 入若耶溪
- 范云
- 之零陵郡次新亭
- 谢朓
- 之宣城郡出新林浦向板桥
- 王融
- 巫山高
- 吴均
- 山中杂诗
- 何逊
- 慈姥矶
- 相送
- 日夕出富阳浦口和朗公诗
- 阴铿
- 渡青草湖
- 晚出新亭
- 开善寺
- 庾信
- 奉和山池
- 拟咏怀
- 后记
FAQ
Is the book's interpretive angle overly personal?
What is the range of poems selected? Does it cover all major dynasties?
Is this book suitable as a poetry study aid for primary and secondary school students?
Comments
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About the author
Mu Zhai is an author engaged in the study and popularization of classical Chinese poetry; public information about him is limited, and his dates of birth and death, native place, and educational background are not clearly recorded. One work by him is held in the collection, Gu Shi Yi Ping (Translations and Commentary on Classical Poems). Judging from the title and its classification, the book addresses general readers and introduces classical poems through a combination of translation, annotation, and critical commentary: it clarifies wording and explains allusions and background, while also interpreting the meaning, structure, and artistic features of the poems, balancing readability with scholarly care. Such an approach requires the author to be familiar with the textures of the original language and to translate the ancient context into terms modern readers can understand, which gives the work practical value among introductory books on poetry. Because only this one work is currently available, his overall style and scholarly orientation are hard to assess fully, but it can be inferred that he concentrates on close reading and interpretation of classical poetry, helping readers understand both poetic meaning and poetic craft rather than merely presenting background or appreciation.