Sources of Ancient Poetry
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers interested in the origins of classical Chinese literature who wish to systematically understand pre-Tang poetry.
- Students or researchers of literature who may use it as an important primary source and anthology reference.
- Lovers of classical poetry who wish to go beyond Tang and Song verse and explore older poetic charm.
- General readers seeking cultural nourishment and simple emotional and intellectual strength from classics.
Not a good fit for
- Readers seeking light entertainment or modern poetry.
- Readers expecting extremely detailed scholarly textual research and extensive vernacular translation (this book focuses more on selecting original texts).
Reading tips
- Read in chronological order to sense the evolution of poetic forms from plain two- and four-character lines to five- and seven-character lines.
- Focus on the Han yuefu and the Nineteen Old Poems to appreciate their natural, integrated imagery and profound reflections on life.
- Consider Shen Deqian's brief comments (if retained in the edition) to understand the compiler's perspective and Qing dynasty poetics.
About the publisher
Harbin Publishing House is a comprehensive city publisher known for classic works and social fiction. Its "Little Blue Book Classic Works Collection" includes modern literary masterpieces such as Lu Xun's Wandering and A Madman's Diary, and Xiao Hong's The Story of Hulan River; the complete Lu Xun fiction is also in its catalogue. In history, Lü Simian's History of the Two Jin and Northern and Southern Dynasties appears in multiple volumes, while foreign literature and Eastern philosophy are represented by Yukio Mishima's The Temple of the Golden Pavilion and Spring Snow. Its authors include Lu Xun, Xiao Hong, Lü Simian and Yukio Mishima, as well as Yang Xiao, Tong Fan, Dong Haiyan and others. Common categories cover classic works, social fiction, history, foreign literature, Eastern philosophy and essays. Public information is limited, so this profile focuses on the publishing directions reflected in its 500 titles.
Contents
- 序
- 第1章:古诗源卷一
- 第2章:古诗源卷二
- 第3章:古诗源卷三
- 第4章:古诗源卷四
- 第5章:古诗源卷五
- 第6章:古诗源卷六
- 第7章:古诗源卷七
- 第8章:古诗源卷八
- 第9章:古诗源卷九
- 第10章:古诗源卷十
- 第11章:古诗源卷十一
- 第12章:古诗源卷十二
- 第13章:古诗源卷十三
- 第14章:古诗源卷十四1
- 第14章:古诗源卷十四2
FAQ
What is the relationship between Gushi Yuan and the Book of Songs and Songs of Chu?
Does this edition have annotations? Is it suitable for beginners?
How did Shen Deqian's "theory of style and tone" influence the compilation?
Comments
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About the author
Shen Deqian (1673–1769), courtesy name Queshi and art name Guiyu, was a native of Changzhou in Suzhou Prefecture, Jiangsu, and a Qing dynasty official, poet and scholar. He passed the imperial examination as a jinshi in the fourth year of the Qianlong reign and rose to the posts of Grand Secretary of the Grand Secretariat and Vice Minister of Rites, later receiving the honorary title of Minister of Rites. In poetics he advocated the "ge Diao" theory, stressing metrical tone and the gentle, sincere tradition of poetic instruction, and exerted a profound influence on Qing poetry circles. He devoted himself to compiling anthologies of poetry from successive eras: Gushi Yuan traces ancient verse from pre-Qin times to the Sui dynasty and is an important reader for pre-Tang poetry, while the anthologies of Tang, Ming and Qing poetry select fine works with a critical eye, combining the functions of anthology and criticism. Nineteen of his works are held in the collection, spanning ancient poetry and literary appreciation, which shows how widely his compilations have circulated.