Sources of Ancient Poetry cover

Sources of Ancient Poetry

Rating 4.3
Word count
168K words
Chapters
16
ISBN
9787548407300

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Summary

Shen Deqian (1673–1769), whose courtesy name was Queshi and whose literary name was Guiyu, was a native of Changzhou (present-day Suzhou) and a renowned poet of the Qing dynasty. His views on poetry emphasized style and tonal refinement, and he championed the traditional ideal of poetry as a gentle and sincere means of moral instruction. He compiled several important anthologies of poetry, including Gushi Yuan (Sources of Ancient Poetry), Tangshi Biecaiji (Selected Tang Poems), Mingshi Biecaiji (Selected Ming Poems), and Qingshi Biecaiji (Selected Qing Poems).

Editor's review

Gushi Yuan (The Source of Ancient Poetry) is a comprehensive anthology of poetry from antiquity to the Sui dynasty, compiled by the Qing scholar Shen Deqian to trace the origins of Tang poetry. Placed alongside the Complete Tang Poems, it may be called a "pre-Tang history of poetry," systematically outlining the development of poetry from the pre-Qin period to the Sui. Shen Deqian, known for his "theory of style and tone," selected poems with an emphasis on the gentle and sincere poetic teachings and on the origins and transformations of poetry; this makes Gushi Yuan not only a poetry anthology but also a classic selection embodying Qing dynasty poetics. The book includes a wealth of plain ancient ballads, the essence of the Book of Songs and the Songs of Chu, Han-Wei yuefu and ancient poems, and famous works of the Six Dynasties. Many widely recited pieces, such as the Nineteen Old Poems, "Song of Mulan," and "Song of Chile," are included. For modern readers, reading Gushi Yuan is a profound journey toward understanding the spiritual origins of Chinese poetry. It strips away the overly polished rhetoric of later ages and reaches directly to the sincere emotion and vitality of poetry at its birth—whether the work songs of early people or the impassioned songs of noble-minded figures, all radiate a raw and moving power. This edition from Harbin Publishing House is usually presented in simplified horizontal typesetting with appropriate annotations, balancing scholarship and readability. It is not a daunting academic work but a key that opens the first door to the glorious hall of Chinese literature. Reading it allows us, before savoring "moonlight before my bed," to first hear the echo of "guan-guan, cry the ospreys," and to build a more complete and more fundamental aesthetic coordinate system for poetry.

Who it's for

A good fit for

  • Readers interested in the origins of classical Chinese literature who wish to systematically understand pre-Tang poetry.
  • Students or researchers of literature who may use it as an important primary source and anthology reference.
  • Lovers of classical poetry who wish to go beyond Tang and Song verse and explore older poetic charm.
  • General readers seeking cultural nourishment and simple emotional and intellectual strength from classics.

Not a good fit for

  • Readers seeking light entertainment or modern poetry.
  • Readers expecting extremely detailed scholarly textual research and extensive vernacular translation (this book focuses more on selecting original texts).

Reading tips

  1. Read in chronological order to sense the evolution of poetic forms from plain two- and four-character lines to five- and seven-character lines.
  2. Focus on the Han yuefu and the Nineteen Old Poems to appreciate their natural, integrated imagery and profound reflections on life.
  3. Consider Shen Deqian's brief comments (if retained in the edition) to understand the compiler's perspective and Qing dynasty poetics.

About the publisher

Harbin Publishing House China · Founded in 1988

Harbin Publishing House is a comprehensive city publisher known for classic works and social fiction. Its "Little Blue Book Classic Works Collection" includes modern literary masterpieces such as Lu Xun's Wandering and A Madman's Diary, and Xiao Hong's The Story of Hulan River; the complete Lu Xun fiction is also in its catalogue. In history, Lü Simian's History of the Two Jin and Northern and Southern Dynasties appears in multiple volumes, while foreign literature and Eastern philosophy are represented by Yukio Mishima's The Temple of the Golden Pavilion and Spring Snow. Its authors include Lu Xun, Xiao Hong, Lü Simian and Yukio Mishima, as well as Yang Xiao, Tong Fan, Dong Haiyan and others. Common categories cover classic works, social fiction, history, foreign literature, Eastern philosophy and essays. Public information is limited, so this profile focuses on the publishing directions reflected in its 500 titles.

Contents

  1. 序
  2. 第1章:古诗源卷一
  3. 第2章:古诗源卷二
  4. 第3章:古诗源卷三
  5. 第4章:古诗源卷四
  6. 第5章:古诗源卷五
  7. 第6章:古诗源卷六
  8. 第7章:古诗源卷七
  9. 第8章:古诗源卷八
  10. 第9章:古诗源卷九
  11. 第10章:古诗源卷十
  12. 第11章:古诗源卷十一
  13. 第12章:古诗源卷十二
  14. 第13章:古诗源卷十三
  15. 第14章:古诗源卷十四1
  16. 第14章:古诗源卷十四2

FAQ

What is the relationship between Gushi Yuan and the Book of Songs and Songs of Chu?
Gushi Yuan is an anthology that includes selected representative pieces from the Book of Songs and Songs of Chu and places them within the sequence of pre-Tang poetic development; it is a later secondary selection and integration of ancient classics.
Does this edition have annotations? Is it suitable for beginners?
The Harbin Publishing House edition usually includes concise and necessary annotations to aid understanding of words and allusions. It is beginner-friendly and one of the better introductory anthologies for entering the field of pre-Tang poetry.
How did Shen Deqian's "theory of style and tone" influence the compilation?
Shen Deqian discussed poetry in terms of "style and tone," emphasizing formal and tonal qualities and moral instruction. Therefore, Gushi Yuan selects poems that stress "balance and harmony" in thought and "depth and elegance" in artistic style, aiming to uphold the refined tradition and show readers the proper path and source for learning poetry.

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About the author

Shen Deqian Author · Chinese (Qing dynasty) · 1673–1769

Shen Deqian (1673–1769), courtesy name Queshi and art name Guiyu, was a native of Changzhou in Suzhou Prefecture, Jiangsu, and a Qing dynasty official, poet and scholar. He passed the imperial examination as a jinshi in the fourth year of the Qianlong reign and rose to the posts of Grand Secretary of the Grand Secretariat and Vice Minister of Rites, later receiving the honorary title of Minister of Rites. In poetics he advocated the "ge Diao" theory, stressing metrical tone and the gentle, sincere tradition of poetic instruction, and exerted a profound influence on Qing poetry circles. He devoted himself to compiling anthologies of poetry from successive eras: Gushi Yuan traces ancient verse from pre-Qin times to the Sui dynasty and is an important reader for pre-Tang poetry, while the anthologies of Tang, Ming and Qing poetry select fine works with a critical eye, combining the functions of anthology and criticism. Nineteen of his works are held in the collection, spanning ancient poetry and literary appreciation, which shows how widely his compilations have circulated.

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