The Light of Ancient Porcelain
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Summary
Approaching ancient porcelain through its forms, colors, materials, techniques and historical background, it presents in all dimensions the aesthetic charm with which Chinese ceramics conquered the world, focusing on where their beauty lies, how ordinary people can appreciate it, and the functions and roles these ceramics played in ancient Chinese society and culture, so that through each ceramic work we can trace the aesthetic tastes, folk customs and craftsmanship of successive eras.
After reading this book, when we face a piece of porcelain in a museum, we will know how to appreciate the elegance of its form, the beauty of its colors, the interest of its decoration, the meaning of its details and the story behind it—gaining a more concrete and profound understanding and feeling of the beauty of Chinese ceramics, rather than simply summing it up with the single word "beautiful."
Editor's review
Who it's for
A good fit for
- Enthusiasts with a strong interest in traditional Chinese culture and the aesthetics of objects
- Beginner readers who wish to understand the development of Chinese ceramic art systematically but are intimidated by technical terms
- People in design and art-related fields seeking inspiration from Eastern aesthetics
- Readers who enjoy richly illustrated, beautifully bound books that offer both reading and collectible value
Not a good fit for
- Ceramic specialists seeking rigorous academic research and in-depth technical analysis of kilns
- Collectors and investors expecting practical porcelain authentication skills and market value
Reading tips
- Reading in chapter order is recommended to build a historical framework of ceramic development
- When viewing the images, combine them with the text to carefully appreciate the beauty of form, glaze color and detail
- Use it as an "exhibition guide," reading it before and after visiting a museum's ceramics galleries for greater benefit
About the publisher
Hunan Fine Arts Publishing House focuses on art education and art theory, with publishing directions spanning art, design, architecture, social sciences, and popular science. In architecture and garden studies, works such as Chen Congzhou's The Art of Chinese Gardens, Wang Shu's Building a House, and Tong Jun's Villas in Southeast China combine scholarly depth with readability. In art history and popular art, it offers Huang Binhong's A Minimalist History of Chinese Painting: Subtle Insights into Ancient Paintings (Annotated Edition), along with distinctive titles such as Letters to a Friend and 99 Ways to Tell a Story. Botanical notes in Forest Flowers: Margaret Mee's Botanical Notes and the popular science book Feeding Time at the Zoo expand its publishing scope beyond art, while authors such as Matt Madden, Huang Yuanfan, and Li Yongxue further enrich its content resources. The collection available here contains 21 related books; as public information is limited, the above summary of its publishing characteristics is based only on these titles.
Contents
- 版权信息
- 序言
- 第一章 先秦 初生
- 仰韶文化鹳鱼石斧图彩绘陶缸 画之初
- 马家窑文化彩陶 文明之光
- 龙山文化白陶鬶 变形记
- 西周原始青瓷壶 晨曦初现的薄光
- 秦兵马俑 被遗忘的战士
- 第二章 汉唐 成长
- 晋德清窑黑釉鸡首壶 吉
- 唐长沙窑 釉下彩之殇
- 唐三彩马 现实主义之巅
- 唐越窑秘色瓷瓜棱瓶 秘色之谜
- 唐邢窑白瓷双龙耳盘口瓶 雄浑中的秀色
- 唐鲁山窑花瓷腰鼓 暗夜之光
- 五代越窑双系罐 寂之源
- 第三章 宋初 长成
- 宋汝窑无纹水仙盆 梦
- 宋汝窑三足洗 造型的极致与终结
- 宋官窑方盆 横平竖直
- 宋官窑笔舔 无用之用
- 宋官窑弦纹盘口瓶 气定神闲,波澜壮阔
- 宋哥窑双鱼耳香炉 静夜焚香
- 宋哥窑胆瓶 轻风吹到胆瓶梅
- 宋钧窑天蓝葡萄紫海棠式花盆 异彩纷呈
- 宋定窑白瓷孩儿枕 婴戏的魅力
- 宋定窑印花白鹿衔芝图折沿盘 白色的奢华
- 宋磁州窑梅瓶 风花雪月
- 宋登封窑珍珠地划花虎纹橄榄瓶 虎虎虎
- 宋耀州窑凤纹提梁壶 壶里乾坤
- 宋龙泉窑琮式瓶 玉琮
- 宋龙泉窑双摩羯鱼耳纸槌瓶 墙外香的雪拉同
- 宋景德镇窑青白釉瓜形壶 一壶风雅
- 宋吉州窑木叶碗(盏) 奇迹
- 宋建窑兔毫盏 点茶神器
- 辽黄釉凤首瓶 朝凤英姿飒爽
- 宋绿釉狮子香炉 神完气足
- 第四章 元 分水岭
- 元青花凤首扁壶 飞升
- 元青花鱼藻纹大盘 中国水墨与伊斯兰装饰
- 元龙泉褐彩玉壶春瓶 玉壶买春的典雅
- 第五章 明 巨人
- 明永乐青花龙纹扁瓶 气壮山河
- 明永乐青花缠枝莲纹盘 缠绕世界的莲花
- 明永乐青花压手杯 盛名之下
- 明永乐甜白釉刻花缠枝莲纹梅瓶 通感的诱惑
- 明永乐翠青釉三系盖罐 暗藏杀机
- 明宣德宝石红釉僧帽壶 伟大的探险
- 明宣德填红釉三鱼纹高足碗 时间之间
- 明成化斗彩鸡缸杯 生“鸡”勃勃
- 明嘉靖矾红地黄彩花卉纹四方盘 忧郁的微光
- 明嘉靖五彩鱼藻纹盖罐 光恰似水
- 明万历青花花鸟图绣墩 不秀而敦
- 明仿官釉笔山 安稳如山
- 明宜兴窑时大彬紫砂壶 文人意趣的胜利
- 明德化白瓷观音像 造像之美
- 第六章 清 盛极而衰
- 清康熙青花云肩纹将军罐 威风八面
- 清康熙五彩道教人物图瓶 色彩的交响乐
- 清康熙青花夔凤纹双陆尊 一步之遥
- 清康熙青花松鼠葡萄纹葫芦瓶 自然灵感与把玩
- 清康熙素三彩三果纹盘 茄紫鹅黄皮瓜绿
- 清康熙青花山水棒槌瓶 蓝色水墨
- 清康熙五彩十二花神杯 茶杯里的四季
- 清康熙青花团花锯齿纹摇铃尊 如观美人
- 清康熙孔雀绿釉花觚 阴柔之美
- 清康熙冬青釉云纹水盂 案上风景
- 清康熙绿釉暗刻螭龙纹双耳托盏 茶杯的进化
- 清康熙豇豆红八大码 美人醉
- 清康熙人物故事图盘 另一扇窗
- 清雍正洒蓝釉地黄花盘 明日黄花
- 清雍正粉彩花鸟抱月瓶 瓷上绘画的极轨
- 清雍正粉彩福寿双全橄榄瓶 一个时代的侧影
- 清雍正斗彩鸳鸯莲池纹盘 平淡天真
- 清雍正珐琅彩瓷赭墨竹石图碗 端起一片竹林
- 清雍正青花釉里红牡丹图瓶 诗书画印
- 清雍正茶叶末釉螭耳花浇 从来多古意
- 清雍正海棠式花觚 结构之美
- 清雍正黄地青花寿桃纹盘 两种意志
- 清雍正十二色菊瓣盘 色彩的盛宴
- 清乾隆粉红地粉彩扒花番莲纹碗 锦上添花
- 清乾隆白釉番莲纹玲珑碗 要有光
- 清嘉庆红地描金万福连连盖罐 极致的奢华
- 清道光红地留白梅花纹盖碗 雅俗之间
- 清大雅斋瓷绿地墨彩菊花纹渣斗 一个女人的生活与爱
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About the author
Tu Ruiming is a Chinese-language author whose writing centres on ceramics and material culture. Public information about him is limited, and his nationality, dates of birth and death, and English name are not clearly recorded. Five of his works are listed here, including The History of Porcelain Picked Up, The Light of Ancient Porcelain and Fragments of Civilization in Porcelain, as well as the two-volume Jingdezhen Porcelain Maker: Tu Ruiming's Ceramic Aesthetics and the three-volume Grand Show of Eastern Aesthetics: Tea Ceremony X Porcelain X Gardens. His subjects revolve around Jingdezhen's porcelain-making tradition, the appreciation of ancient porcelain, and Eastern aesthetics of daily life such as tea ceremony and gardens, and his books are usually presented as history, design and culture titles. His writing tends to link the history of objects with the history of civilization, helping readers understand shifts in craft and taste through shards and vessels. His work suits readers interested in ceramic culture, traditional design and the aesthetics of everyday life.