The Beauty of Ancient Beads cover

The Beauty of Ancient Beads

Rating 3.8
Word count
119K words
Chapters
95
ISBN
9787547748091

Tags

Summary

This book is about ancient beads—each small bead carrying within it centuries of vicissitude. Through pendants, earrings, rings, prayer beads, bracelets and necklaces, the two authors unfold the charm of ancient beads and the history and culture behind them, while bringing their beauty into everyday life.

Editor's review

The Beauty of Ancient Beads is not a simple catalogue of artifacts or a collector's guide; it is more like a faintly lit door into the depths of history. Drawing on her deep grounding in history and her literary sensibility, Xu Lihong restores cold, silent ancient beads to their status as warm historical tokens. The book's greatest value lies in its distinctive narrative perspective—it does not limit itself to traditional connoisseurial dimensions such as material, craft and dating, but places ancient beads within grand historical contexts and concrete scenes of daily life, exploring the cultural codes, shifts in belief, trade exchanges and emotional attachments they carry. From the jade dragons of the Hongshan culture to the glass eyes of the Warring States and Han, from imports along the Silk Road to court ornaments of the Ming and Qing, every bead is a fragment of frozen time, a slice of civilization. In reading this book, readers gain not only aesthetic pleasure and expanded knowledge but also a historical outlook and a nourishment of the humanistic spirit. It teaches us how to understand the ethos and texture of an era through a single small object. For the non-specialist reader, the prose is elegant and unhurried, free of the dryness of academic writing; for the collector, the cross-cultural comparisons and deep interpretations offer a dimension of reflection that goes beyond market value.

Who it's for

A good fit for

  • Readers with a strong interest in ancient Chinese material culture and the history of daily life
  • Enthusiasts of wenwan and ancient-bead collecting who wish to deepen their cultural understanding
  • Professionals and students in museology, archaeology and art history
  • Literary readers who enjoy essayistic historical narrative and seek an aesthetic reading experience

Not a good fit for

  • Pure pragmatists looking for quick authentication tips and market-price guides
  • Readers of picture-collection books expecting large numbers of high-resolution full-color plates

Reading tips

  1. Reading chapter by chapter is recommended, following the historical thread the author builds
  2. Keep a map at hand and imagine the movement of ancient beads along trade routes such as the Silk Road
  3. No need to rush; begin with chapters on periods or categories that interest you

About the publisher

Beijing Daily Press China · Founded in 1981

Beijing Daily Press takes world history, historical reading and foreign literary translations as important publishing directions, alongside science fiction and prose. Its catalogue includes Edward Gibbon's unabridged The History of the Decline and Fall of the Roman Empire, Gu Cheng's Southern Ming History and his works on Ming history, reflecting a balance between general and dynastic history; in literature there are Fu Lei's translations of Balzac and of world classics, as well as science fiction and prose such as The Universe Omnipotent Detective Agency, A Canticle for Leibowitz and The Peregrine, with authors ranging from Gibbon, Gu Cheng and Balzac to Fu Lei, Romain Rolland and Douglas Adams. Building on current affairs, history and culture, Beijing-flavoured culture and children's books, the press combines classic translation with original historical writing, emphasising complete editions and translation quality. Public information is limited, so other details are omitted.

Contents

  1. 版权信息
  2. 前言
  3. 辑壹 挂坠
  4. 玄鸟
  5. 水墨南红
  6. 九宫牌
  7. 贝币谜团
  8. 谜一样美丽的鹿
  9. 玉□子
  10. 清露新桐
  11. 一块汉璧
  12. 辑贰 耳饰与戒指
  13. “鸿门宴”的玉玦
  14. 诗人看到的珠子
  15. 爱你一万年
  16. 丝路古币
  17. 眼睛珠
  18. 古罗马银币
  19. 点金术
  20. 金字塔珠子
  21. 辑叁 念珠与手串
  22. 老紫檀的亲和力
  23. 古水晶的磁场
  24. 腕上风情
  25. 老黄金的气场
  26. 眼睛橄榄缠丝
  27. 滚印
  28. 砗磲
  29. 算盘珠
  30. 沁色之思
  31. 风化纹
  32. 琥珀
  33. 珠与玑
  34. 多宝手串
  35. 孩儿面红珊瑚
  36. 圆珠
  37. 小随意
  38. 结绳记事
  39. 万年款
  40. 古珠的情绪
  41. 撒珠郎
  42. 寿珠
  43. 动荡之像
  44. 西藏蜜蜡
  45. 婚姻与金子
  46. 贸易珠
  47. 神秘“蝎子王”
  48. 西周玛瑙
  49. “十”为何是“7”
  50. 辑肆 项饰
  51. 新巴比伦塔形印章
  52. 《诗经》一景
  53. 色彩与民族性格
  54. 春秋水晶
  55. 管子的加工
  56. 古珠设计的规则
  57. 琉璃饮光而生
  58. 玉荷包
  59. 古珠的声音
  60. 配色的奥秘
  61. 古波斯印珠
  62. 所罗门宝藏
  63. 宋词中的珠帘
  64. 玉佩的谜底
  65. 九曲明珠
  66. 诗与远方
  67. 镶蚀红玉髓
  68. 货币珠
  69. 金珀圆珠
  70. 萨尔贡的红石头
  71. 孔雀顿悟
  72. 气候与手工
  73. 狮子印章
  74. 残玉片
  75. 公主的爱物
  76. 非洲古珠
  77. 战国小系璧
  78. 打乱历史的女人
  79. 匪夷所思
  80. 韩府的珍珠
  81. 黑珊瑚
  82. 琥珀宫灯
  83. 皇帝的纽扣
  84. 记忆绿松石
  85. 印珠
  86. 金镶玉
  87. 绿窗
  88. 砍凿水晶片
  89. 小玉璜
  90. 孔子的理想社会
  91. 船上生活
  92. 马赛克与青年会
  93. 珠子的功效
  94. 年末聚会
  95. 英雄史诗滚印

FAQ

Do I need professional archaeological knowledge to understand this book?
Not at all. The author writes in an essayistic style, weaving specialized knowledge into lively historical narrative, so even a newcomer can follow easily and gain a profound cultural experience.
Does the book contain many images of ancient beads?
The book includes necessary illustrations to aid understanding, but its core value lies in textual interpretation and historical construction; it is not an appreciation catalogue dominated by large high-resolution plates.
Which period of ancient beads does this book mainly discuss?
The time span is very broad, extending from prehistoric civilizations (such as the Hongshan culture) all the way to the Ming and Qing dynasties, covering several key stages in the course of Chinese civilization and touching on Sino-foreign cultural exchange.

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About the author

许丽虹 Author

Xu Lihong — public information about her is limited. What is known is that the library holds two works by her: The Beauty of Ancient Beads and One Bead, One Jade, One Poem, One Ci. Judging from the titles and the common categories under which her books appear, her writing centers on ancient bead-and-jade culture and classical poetry, with some theoretical organization, bringing object appreciation together with the reading of verse and prose to create a writing profile focused on traditional cultural interest. The Beauty of Ancient Beads attends to the materials, forms, and aesthetic meanings of ancient beads, guiding readers from ornaments into ancient daily life and craft traditions; One Bead, One Jade, One Poem, One Ci sets bead-and-jade imagery alongside poetic works, building connections between objects and texts. Her writing addresses general readers interested in ancient material culture, poetry, and collecting and connoisseurship, in a plain style that balances knowledge with readability. Because her dates, nationality, and other biographical details are not clearly recorded, no inferences are made here; this note is based only on the works at hand.

梁慧 Author

Liang Hui is a Chinese writer focusing on ancient beads and jade as well as classical poetry. Public information about her is limited, and her biography, nationality, and educational background are not recorded in the available sources. Two of her works are currently held in the collection: The Beauty of Ancient Beads and One Bead, One Jade, One Poem, One Ci, both of which center on ancient bead-and-jade culture and classical poetry. In terms of subject matter, Liang Hui's writing places material culture alongside the literary tradition: on the one hand, it attends to the forms, materials, and aesthetic appeal of ancient beads; on the other, it draws on poetic texts to interpret the place of beads and jade in the lives and feelings of people in earlier times, creating a two-way reading in which objects illuminate poems and poems explain objects. Her works are often classified under theory and ancient poetry, suggesting that they combine knowledge organization with appreciative guidance. Overall, Liang Hui writes for readers interested in traditional artifacts and classical literature, in plain language that emphasizes detail and textual evidence, building a readable path between bead-and-jade appreciation and the popularization of poetry.

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