The Ancient Sea cover

The Ancient Sea

Rating 2.9
Word count
14K words
Chapters
86
ISBN
9787521230277

Tags

Summary

Ci poetry arose in the Tang dynasty, flourished in the Five Dynasties, and ultimately became the "literature of an age" in the Song. As "the remainder of shi," ci was used to express personal feelings and carries a strong individual and emotional character, which is why it has always been loved by those who consciously pursue personal freedom and are more willing to enjoy personal life. Even today, the life of ci has not ended.

Editor's review

Gu Hai is a book about ci poetry. Ci arose in the Tang, flourished in the Five Dynasties, and ultimately became the "literature of an age" in the Song—a trajectory clearly presented in the book. It seizes on a key judgment: ci is "the remainder of shi," excels at expressing personal feelings, and carries a strong individual and emotional character, and has therefore always been more beloved by those who consciously pursue personal freedom and are willing to enjoy personal life. This angle keeps the book from being limited to a survey of tonal patterns and cipai names; instead, it places ci back into human emotion and life choices for understanding, allowing readers to follow this thread and grasp why the ci form flourished and endured. The author Yongqiong Sangmu's narrative balances origins and development with interest, suitable for readers who want a systematic understanding of the evolution of the ci form without reading something too dry. The book also notes that "even today, the life of ci has not ended," prompting readers to connect classical ci with contemporary emotional expression. As an introduction to ci studies for general readers, it is moderate in length and clear in its thread, suitable as a first book for entering the world of ci or as a refresher.

Who it's for

A good fit for

  • Beginning readers of classical literature who want a systematic understanding of the origins and evolution of the ci form
  • Enthusiasts of Song ci who wish to understand why ci excels at lyric expression
  • Readers interested in the theory of "the remainder of shi" and the tradition of personal writing
  • General readers who hope to encounter the basics of ci studies in a relatively relaxed way

Not a good fit for

  • Scholarly readers seeking deep textual research or professional research materials on ci studies
  • Readers who prefer fiction and prose and have little interest in classical verse
  • Readers expecting close readings of individual ci works with extensive selected annotations

Reading tips

  1. First read the book's section on the origins of the ci form to establish the line of evolution from Tang through Five Dynasties to Song, then return to read each chapter closely
  2. When encountering ci works quoted in the book, it may help to find the original poem and read it through, comparing it with the book's views to appreciate its lyric qualities
  3. After finishing, choose a few Song ci you are familiar with and reread them to test whether the book's theory of "the remainder of shi" matches your own sense

About the publisher

Writers Publishing House China · Founded in 1953

Writers Publishing House is a Chinese publisher focused mainly on literary publishing. Its output covers classical literature, foreign literature, folk literature and Eastern philosophy, with some extension into popular reading such as social fiction and parenting books. Its catalogue contains more than 900 titles, including representative works such as Dream of the Red Chamber and its edited editions, Shakespeare's Macbeth and A Midsummer Night's Dream, and foreign literary classics such as The Brothers Karamazov and Lost Illusions. In terms of authors, it includes classical writers such as Cao Xueqin and Gao E, foreign masters such as William Shakespeare, Dostoevsky and Balzac, and translations by translators such as Zhu Shenghao, Geng Jizhi and Fu Lei. Overall, its publishing profile balances Chinese and foreign literary classics, emphasizes quality translations, and serves both academic and general readers; publicly available information on its specific publishing plans is limited.

Contents

  1. 版权信息
  2. 编委会名单
  3. 以民族的情意,打造文学的星辰——“中国少数民族文学之星”丛书总序
  4. 古海隆起的歌
  5. 欣赏
  6. 勿忘我
  7. 母亲
  8. 火
  9. 陪伴
  10. 夏春花
  11. 逃兵
  12. 行走
  13. 拐杖
  14. 风
  15. 铁匠的女儿
  16. 城下俗
  17. 沙棘
  18. 丢失的牛头
  19. 遗忘的人
  20. 沙
  21. 忠
  22. 迷楼
  23. 往前
  24. 抚平
  25. 笑脸
  26. 外婆
  27. 札达
  28. 益西
  29. 走失
  30. 再见吧,阿康
  31. 爱念
  32. 夏去
  33. 残疾的轮椅
  34. 一只张飞鸟死前的视角
  35. 敏感
  36. 平行线
  37. 一个历程
  38. 别
  39. 别·之二
  40. 灯红
  41. 谛听山神
  42. 余温
  43. 峡谷
  44. 初雪
  45. 雨下
  46. 春天的你
  47. 美人鱼
  48. 你不在
  49. 班公湖
  50. 海东
  51. 桃花寺
  52. 宫
  53. 和朋友
  54. 风筝
  55. 沙漠
  56. 思乡
  57. 抢夺
  58. 天空的信徒
  59. 碎星
  60. 枝丫
  61. 那吉
  62. 贪婪
  63. 柏树香
  64. 县城学生
  65. 普兰的春
  66. 小镇生活
  67. 偷东西的贼
  68. 家徒
  69. 行者
  70. 钟表
  71. 飞机幻想
  72. 玻璃
  73. 阿西茶馆
  74. 山西的朋友
  75. 攀高
  76. 新娘
  77. 搬家
  78. 牧歌
  79. 不安
  80. 杜鹃
  81. 豹村
  82. 活
  83. 彩虹
  84. 蜘蛛网
  85. 远航
  86. 父

FAQ

What is this book mainly about?
It mainly discusses the origins and evolution of ci: ci arose in the Tang, flourished in the Five Dynasties, and ultimately became the "literature of an age" in the Song. It unfolds around the characteristics of "ci as the remainder of shi" and its excellence at expressing personal feelings, helping readers understand why the ci form flourished and has endured to this day.
Do I need a foundation in classical poetry to read it?
Not necessarily. The book starts from the origins of the ci form with a clear thread and is aimed at general readers; some experience reading poetry will make it smoother, but readers without systematic study of ci studies can still follow.
What is the relationship between the title Gu Hai and ci?
According to available information, the specific connection between the title and the content is not explained. What is certain is that the book discusses the origins and characteristics of ci, and readers may wish to ponder for themselves the meaning the title conveys as they read.

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About the author

永琼桑姆 Author

Yongqiongsangmu is a writer about whom little public information is available. The only confirmed library record shows that the author has produced one work, Ancient Sea, which is classified as modern poetry. Since the dates of birth and death, nationality, educational background, and writing career are not clearly documented, this introduction can only focus on this single work. Judging from the modern poetry category to which Ancient Sea belongs, Yongqiongsangmu tends toward poetry as a genre, and the title carries maritime imagery, suggesting possible poetic themes of nature, time, or inner experience. On the basis of the available material, it is not yet possible to assess the author's overall style, linguistic features, or literary influence, nor is there supporting evidence from critics or readers. The introduction of the author and the work should therefore remain cautious, and readers may turn to the text of Ancient Sea itself to appreciate the author's mode of expression and emotional orientation. Further public information would be needed to supplement the author's life and creative trajectory.

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