Record of the Old Garrison and the Cold Reed Horn cover

Record of the Old Garrison and the Cold Reed Horn

Rating 3.4
Word count
150K words
Chapters
47

Tags

Summary

A thousand scrolls of verse where mountain and stream meet; one boat of wine beneath the bright moon and clear wind. Ask who might serve as companions: beauties and talents, and the immortals.

Editor's review

"Old Garrison, Cold Reed Pipe" opens in a vein of poetic wine and elegance, setting "mountain and stream" and "bright moon and clear wind" alongside "beauties and talents, and the immortals" to create an atmosphere at once open and serene yet tinged with the desolate air of the frontier. The title's "old garrison, cold reed pipe" stands in subtle tension with the free-spirited verses of the text, signaling to readers that this is not merely a work of leisure but may harbor a spirit of self-possession amid troubled times. Ye Chucang's writing shows a grounding in classical verse, with crisp imagery and brisk rhythm, suited to being read and savored in scattered moments. Readers familiar with modern classical poetry can sense here how traditional imagery extends into a new context; ordinary readers might treat it as a window onto the hard-to-express mood of an era, concealed behind the solace of poetry and wine.

Who it's for

A good fit for

  • Readers who enjoy classical verse and are interested in modern literati writing
  • Readers who wish to feel frontier imagery and the air of the distinguished scholar in short pieces
  • Readers who need fragmentary reading and prefer condensed language

Not a good fit for

  • Readers expecting a complete novelistic plot and character arcs
  • Beginners unfamiliar with classical Chinese or classical verse expression
  • Readers seeking systematic historical narrative or textual research

Reading tips

  1. First read the verses aloud to feel the syllables and parallelism, then return to the title "old garrison, cold reed pipe" to consider its intent
  2. Break the four lines apart, associate each with images and moods, record your own responses, then compare them with the author's intent
  3. Read alongside anthologies of modern classical verse or frontier poetry to observe how traditional imagery is carried on and transformed

Contents

  1. 版权信息
  2. 第一回 楔子
  3. 第二回 系颈以来似曾相识 排闼而入不知谁何
  4. 第三回 露消息奇方参谜语 叩山村避地识佳人
  5. 第四回 前度之艳史 泪于中宵流
  6. 第五回 联珠弩中宵惊杰士 孤树村客邸志奇逢
  7. 第六回 孤树村煮酒谈心 古凝神建瓴定策
  8. 第七回 软玉温香独来艳境 纸窗雪夜追述奇谋
  9. 第八回 弄聪明桃僵李代 走钦犯人去楼空
  10. 第九回 官太太床头传妙策 差伯伯意外遇佳人
  11. 第十回 乍现双尸失魂落魄 不禁一吓命将出师
  12. 第十一回 一士谔谔屈居坐末 有客翩翩来自江南
  13. 第十二回 紫藤篱外诗改村居 白草风中人来晚市
  14. 第十三回 珠走如意美人入局 车镶七宝妃子进宫
  15. 第十四回 春云乍展绣闼留宾 山雨欲来穷荒设教
  16. 第十五回 说大义鸠儿驯野性 约会师鸳侣走长途
  17. 第十六回 夜行船孤村访遗硕 破阵乐三泖练舟师
  18. 第十七回 恩变仇鸳鸯成小劫 假作真蚌蛤误渔人
  19. 第十八回 开狗府湖山蒙不洁 全鸳侣侠士结同盟
  20. 第十九回 美停云指掌太仓州 莽乞儿大闹断头港
  21. 第二十回 罢诗战鸾绡离绣阁 陈水嬉画桨演明湖
  22. 第二十一回 雌抚院闻歌知雅意 女才子雄辩析群疑
  23. 第二十二回 试水性龙舟传馀韵 得天助蛛网决休祥
  24. 第二十三回 述地势名词辩旧诂 泄机密抚部下征书
  25. 第二十四回 箫鼓画船临淮新涨 龙蛇上陆瀛海生波
  26. 第二十五回 抵掌谈兵别翻酒令 抱衾送笑独具风情
  27. 第二十六回 江上良宵名姬同枕 关中羽檄远道征师
  28. 第二十七回 闻恶耗两日夜行九百里 挫敌锋一女子杀六十人
  29. 第二十八回 惑虚利赤力克退兵 议战守郝子玉坚壁
  30. 第二十九回 月下沙明何来轻骑 濠边血冷突现佳人
  31. 第三十回 古凝神飞檄策各路 吉尔杭秉节视三边
  32. 第三十一回 童子跌金刚吉尔杭受缚 游龙遇醉鳖奇色渥褫官
  33. 第三十二回 以怨报德全家被困 引虎离山五儿复仇
  34. 第三十三回 订新欢祁夫人别嫁 闻密耗杨春华起兵
  35. 第三十四回 红石山上差官 荷叶岭前熟客
  36. 第三十五回 衙官卫霍拈须一笑 云霓幽燕弹指重关
  37. 第三十六回 骊山烽火传中夜 易水歌声又一时
  38. 第三十七回 制中权书生进大计 探敌信江左出偏师
  39. 第三十八回 粗客出嘉猷松江唾手 狡奴娴军略石瓮设奇
  40. 第三十九回 一棹载佳人朝山拜佛 千人下名邑行赏论功
  41. 第四十回 东门锁钥江口雄师 北地缁尘楼头歌舞
  42. 第四十一回 因美人留下一命 借题目激起三军
  43. 第四十二回 恒王旧人黄冠野服 云门仙诀玉版新诗
  44. 第四十三回 秦亡汉禅历历眼前 鹤驭鸾吟翩翩世外
  45. 第四十四回 出梦入梦迷离神境 欲去未去迢递心盟
  46. 第四十五回 看日出诠释旧闻 下峰腰惊睹异物
  47. 第四十六回 出梦境火攻第一关 遇道人金箴参万世

FAQ

Is this book a novel or a poetry collection?
From the available materials, it is short, with verse as its main body, closer to a work of classical poetry and prose than to a novel with a complete plot. It is best savored as verse; do not expect narrative development.
Why is there such a contrast between the title and the style of the verses?
"Old garrison, cold reed pipe" carries a frontier desolation, while the verses in the text write of poetic wine and elegance, talents and immortals. This contrast is precisely what merits attention; it may embody a mood of self-possession through poetry and wine amid troubled times, for readers to consider for themselves.
Is it suitable to read in one sitting?
It is short and can be finished quickly, but it is better suited to repeated recitation. Reading only a line or two at a time and pondering the tension among images in light of the title yields more than a hurried reading.

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About the author

叶楚伧 Author

Ye Chucang is the author of Gu Shu Han Jia Ji (An Account of the Old Garrison and the Cold Reed Whistle). Publicly available information about his life is limited: his nationality, dates of birth and death, and educational background are not clearly documented, and only one of his works is included in the collection. Judging from this work, which is classified under Eastern philosophy, the title evokes frontier garrisons and a bleak, mournful reed whistle, suggesting that the book may use historical or frontier imagery to develop its narrative and to reflect on human affairs and life. Owing to the scarcity of verifiable sources, it is difficult to determine the full range of his writing style and its specific influence. What can be confirmed is that Ye Chucang enters the view of Chinese-language readers through this single work, which offers a text worthy of reading and reflection. For both researchers and general readers, further understanding of the author and his writing will depend on the discovery and organization of more public documents.

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