New Meanings in the Classics cover

New Meanings in the Classics

Rating 4.7
Word count
311K words
Chapters
166
ISBN
9787506887199

Tags

Summary

Classical New Meanings embodies the new approach to classical Chinese literature that set Wen Yiduo apart from traditional scholarship. It gathers the author's most important findings from his textual study of four ancient works—the Book of Changes, the Book of Songs, Zhuangzi, and the Songs of Chu—and stands as a representative work in pre-Qin literary studies. Its twenty-five essays include "A Classified Compendium of Exegetical Notes on the Book of Changes," "New Meanings in the Book of Songs," "A General Interpretation of the Book of Songs," "On the Character Hong in 'Xin Tai'," "New Meanings in the Erya," "A Collation and Commentary on the Inner Chapters of Zhuangzi," "Zhuangzi," "Exegetical Notes on Li Sao," "Explaining 'Tian Wen'," "A Collation and Supplement to the Songs of Chu," "Postscript to the Dunhuang Manuscript Fragment of the Phonology of the Songs of Chu," "Miscellaneous Notes from Putang," and "Postscript to the Yuhan Wang Hu." Together they reflect Wen Yiduo's deep erudition in the study of classical literature.

Editor's review

Classical New Meanings presents the essence of Mr. Wen Yiduo's scholarship. It is not merely a work of textual criticism on classical documents but a profound inquiry into the core of traditional culture and a creative transformation of it. With a poet's keen sensibility and a scholar's rigorous textual method, Wen Yiduo moves among the Book of Songs, the Songs of Chu, the Book of Changes, and other classics, and his interpretations often say what earlier scholars did not. They rest on a solid foundation of philology while embodying the speculative spirit of modern scholarship. His study of the "fish" image in the Book of Songs, for example, combines folklore, mythology, and textual analysis to reveal the hidden cultural psychology and lived world of the ancient Chinese, a method that was highly pioneering at the time. In reading this book we follow not only a master of Chinese classical learning but a cultural explorer full of passion and imagination. He seeks to recover from ancient texts the living spirit of a people, and this effort breathes new life into dusty classics, enabling them to speak to modern readers. For the reader, this is not only an addition to knowledge but a training in ways of thinking and aesthetic judgment, teaching us to reexamine our own cultural tradition with sympathetic understanding and a critical eye.

Who it's for

A good fit for

  • Readers with a basic familiarity with pre-Qin classics such as the Book of Songs and the Songs of Chu who wish to study them in depth.
  • University teachers, students, and researchers interested in interdisciplinary approaches to ancient Chinese literature, mythology, and folklore.
  • Lovers of literature who admire Wen Yiduo's person and writings and wish to understand his scholarship and scholarly method comprehensively.
  • Thoughtful readers dissatisfied with traditional annotations who seek inspiration from fresh perspectives and a new understanding of the core of traditional culture.

Not a good fit for

  • General readers seeking light, entertaining reading or narrative storytelling.
  • Beginners with no foundation in classical Chinese literature who expect an introductory guide.

Reading tips

  1. It is advisable first to have a basic impression of the original texts of the Book of Songs and the Songs of Chu, then to read Mr. Wen's exegeses alongside them and appreciate where his "new meanings" lie.
  2. While reading, one may appropriately consult Wen Yiduo's modern poetry and prose to sense how his dual temperament as poet and scholar converges in his scholarship.
  3. There is no need to read the whole book through at once; one may select chapters of interest (such as the section on the Book of Songs in "Letters from Kuangzhai") for close reading and reflection.

About the publisher

China Book Publishing House China · Founded in 1986

China Book Publishing House specializes in publishing cultural studies titles. Its 139 books in the database cover history, literary appreciation, culture, Eastern philosophy, military affairs, and world history. Representative titles include Chinese academic classics such as Xiang Da's Tang Dynasty Chang'an and the Civilization of the Western Regions, Lu Xun's A Brief History of Chinese Fiction, Liu Yizheng's History of Chinese Culture, and Wen Yiduo's New Interpretations of the Classics, as well as world history and military translations such as J. F. C. Fuller's The Decisive Battles of the Western World and Their Influence upon History. Its authors and translators range from Xiang Da, Lu Xun, Liu Yizheng, and Wen Yiduo to Wang Ziwu, Li Chenxi, and Xiaoxiao Bingren, giving the press a publishing profile that values both classic Chinese scholarship and contemporary translations of foreign studies.

Contents

  1. 版权信息
  2. 中国学术论著精品丛刊编委会
  3. 引言
  4. 周易義證類纂
  5. 一 有關經濟事類
  6. 二 有關社會事類
  7. 三 有關心靈事類
  8. 四 餘録以下無類可入者如干條亦足補充舊注今并録之備參覽焉
  9. 詩經新義
  10. 一 好
  11. 二 覃 誕
  12. 三 汙
  13. 四 夭夭
  14. 五 肅肅
  15. 六 干 翰
  16. 七 游
  17. 八 楚
  18. 九 枚
  19. 十 麟
  20. 十一 角
  21. 十二 素絲
  22. 十三 紽 沱 差池 杝
  23. 十四 縫
  24. 十五 摽
  25. 十六 今
  26. 十七 塈 溉 介
  27. 十八 謂
  28. 十九 抱
  29. 二十 命
  30. 二十一 汜 沚
  31. 二十二 處 癙 鼠
  32. 二十三 唐棣 帷裳 常棣 維常
  33. 詩經通義
  34. 周南
  35. 召南
  36. 邶風
  37. 詩新臺鴻字説
  38. 一
  39. 二
  40. 三
  41. 四
  42. 五
  43. 爾雅新義
  44. 林烝天帝皇王后辟公侯君也〔詁〕
  45. 廢大也〔詁〕
  46. 貢賜也〔詁〕
  47. 黎衆也〔詁〕
  48. 翼敬也〔詁〕
  49. 漠察清也〔言〕
  50. 肇敏也〔言〕
  51. 蠲明也〔言〕
  52. 稱好也〔言〕
  53. 師人也〔言〕
  54. 宜肴也〔言〕
  55. 窕閒也〔言〕
  56. 對遂也〔言〕
  57. 濟益也〔言〕
  58. 樞達北方謂之落時落時謂之□〔宫〕
  59. 垝謂之坫〔宫〕
  60. 焚輪謂之□〔天〕
  61. 芍鳧茈〔草〕
  62. 萹苻止濼貫衆〔草〕
  63. 粼堅中簢筡中〔草〕
  64. 仲無笐〔草〕
  65. 龜俯者靈仰者謝前弇諸果後弇諸獵左倪不類右倪不若〔魚〕
  66. 鴗天狗〔鳥〕
  67. 狂□鳥〔鳥〕
  68. 蝙蝠服翼〔鳥〕
  69. 狻麑似虦貓食虎豹〔獸〕
  70. 猱蝯善援貜父善顧〔獸〕
  71. 莊子内篇校釋
  72. 内一 逍遥遊篇
  73. 内二 齊物論篇
  74. 内三 養生主篇
  75. 内四 人間世篇
  76. 内五 德充符篇
  77. 内六 大宗師篇
  78. 内七 應帝王篇
  79. 莊子
  80. 一
  81. 二
  82. 三
  83. 四
  84. 五
  85. 離騷解詁
  86. 天問釋天
  87. 楚辭校補
  88. 引言
  89. 凡例
  90. 校引書目板本表
  91. 離騷
  92. 九歌
  93. 九章
  94. 遠遊
  95. 卜居
  96. 漁父
  97. 九辯
  98. 招魂
  99. 大招
  100. 惜誓
  101. 七諫
  102. 哀時命
  103. 九懷
  104. 九歎
  105. 九思
  106. 敦煌舊鈔本楚辭音殘卷跋 附校勘記
  107. 釋□
  108. 補記
  109. 附圖
  110. 釋省□ 契文疏證之一
  111. 補記
  112. 釋朱
  113. 一 何謂“赤心”
  114. 二 漢魏人及許君用“赤心”之義
  115. 三 朱有刺義
  116. 四 朱爲何木
  117. 五 朱木與朱色
  118. 釋爲釋豖
  119. 釋爲
  120. 釋豖
  121. 追記
  122. 釋□
  123. 一
  124. 二
  125. 三
  126. 釋齲
  127. 釋余
  128. 釋羔
  129. 釋桑
  130. 附録
  131. 釋噩
  132. 釋“不□□”
  133. 璞堂雜識
  134. 乾
  135. 龍〔《乾》〕
  136. 輿尸〔《師》〕
  137. 素履夬履〔《履》〕
  138. 見豕負塗〔《睽》〕
  139. 或益之十朋之龜弗克違〔《損》《益》〕
  140. 據于蒺藜〔《困》〕
  141. 附□〔《易緯乾坤鑿度》〕
  142. 直方〔《坤》〕
  143. 見金夫不有躬〔《蒙》〕
  144. 光亨〔《需》〕
  145. 有言〔《需》《訟》《明夷》《震》《漸》〕
  146. 窒惕〔《訟》〕
  147. 執言〔師〕
  148. 小畜大畜
  149. 尚德載〔《小畜》〕
  150. 蔑□
  151. □
  152. □古
  153. 霝龠
  154. 叔督裻淑
  155. 巤□□□
  156. 鼠
  157. 正
  158. 勇
  159. 退
  160. 復
  161. 後
  162. 朘
  163. 无妄
  164. □
  165. 大豐□考釋
  166. 禺邗王壺跋

FAQ

Are the scholarly views in this book outdated today?
Many of Wen Yiduo's specific textual conclusions may have been revised or superseded by later research, but his interdisciplinary method, bold scholarly imagination, and awareness of uncovering the "living" quality of texts remain highly inspiring and make this an unavoidable classic in the history of scholarship.
Can non-specialist readers understand it?
The book has a considerable threshold. It is not a popular exposition but professional scholarly textual criticism. Yet the poetic thinking and cultural passion that pervade it, along with the startling nature of its conclusions, can bring patient non-specialist readers a profound intellectual impact.
What are the features of this edition (China Book Press)?
This edition belongs to the "National Studies Classics" series, with fine binding and rigorous collation, and it fully includes the core essays of Classical New Meanings. It is a relatively widely circulated and reliable edition, suitable for collection and study.

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About the author

Wen Yiduo Author · China · 1899–1946

Wen Yiduo, originally named Wen Jiahua, was a native of Xishui, Hubei, and a modern Chinese poet, scholar, and democratic fighter, as well as a representative poet of the Crescent Moon School. He studied at Tsinghua in his early years and later went to the United States to study fine arts. In 1923 he published the poetry collection Red Candle, and he also wrote Dead Water. He taught successively at Wuhan University, Qingdao University, Tsinghua University, and Southwest Associated University, devoting himself to research on the Songs of Chu, the Book of Songs, and Tang poetry. His scholarly works, including New Interpretations of the Classics and Miscellaneous Discussions on Tang Poetry, combine textual scholarship with literary grace, and lecture notes compiled from his teaching also circulated widely. His poems are marked by attention to meter and imagery and by deep feeling, and they have had a profound influence on the history of modern Chinese poetry. On July 15, 1946, he was assassinated by Kuomintang agents in Kunming at the age of forty-seven.

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